Marsy

This is true = )

Hi everyone, For sale is my Overwater Scott Divine signature 'fretless' This bass is only a few weeks old! Its absolutely immaculate - so clean I chose the distinct maple burl top from a pile of wood over at Chris's workshop in Carlisle. It's a 5 string with an E-high C tuning .. 16.5mm string spacing, really nice and fast These things usually retail at over 2k with a walnut top - not the choice maple I picked out. I'm just in the process of launching a business so I'm raising some capital to get things off the ground Let me know if you're interested. Really has to be seen and heard. A lovely balanced fretless bass, beautifully crafted Thanks.

Strymon Bluesky Reverberator Great condition and in full working order. Based in Teesside but willing to post within UK mainland £200 Cheers

Hey guys, The older one has now sold! The MOSFET one is still here, but like i say, I'm not in any rush to get rid of it.. Although I'll leave the ad open as a 'feeler'.. I really love the bassdrives, I think they're fantastic, I love having the second stomp to take things to the second stage if you like.. The first for a lighter overdrive and the 'boost' stomp for a much dirtier tone! Just some info from the manual.. The 'MOSFET' business is explained at the bottom. ON/OFF switch: This pedal has True-Bypass with LED indicators! when this pedal is Off, it's not loading down your signal like virtually every mass- produced pedal around! We make the Fulltone 3PDT switch nearly indestructible, with many proven years of service. Volume knob: Raise or lower this to increase or decrease overall level of both channels. Tone knob: This affects both channels, Since this pedal stays true to your original sound, I made this a Presence control for rolling-off or accentuating both the hi-end and the upper Harmonics. Turning this clockwise increases brightness. Turning counter-clockwise smoothes out sound without changing either the Midrange or the Bass content. Overdrive Mode: This knob controls the distortion levels for the "Overdrive Mode only (note: the Left-side LED is lit by itself without the Right-side LED being on). Turning this CW will increase Overdrive and sustain. This channel is voiced for transparency for the purist who's happy with his/her /Amp tone and just wants to enhance the gain and sustain. Boost Mode: Actuated by stepping on the "Boost" footswitch located at the lower right, (note: both Left-side and right-side LED's must be lit) this transforms the pedal into a medium to higher-Gained distortion with a nice midrange growl and lots of sustain. You can control the amount of distortion. (regardless of where OD knob is set!) Note: Boost Mode will not operate unless the pedal is turned on with the Left LED lit and the Right LED lit as well Comp-CutTM : this setting (on the mini-toggle switch) accesses the Clean boost mode for both channels! You can get serious clean volume increase and add slight distortion to this via the Overdrive and Boost knobs...CAUTION! this mode can give a huge gain increase at higher OD and Boost settings so back-off on the Volume level at first. When "Overdrive" and "Boost" levels are below 10 O'clock, this change is heard as a quicker and firmer attack with less softness. Because there is little compression at lower OD settings, you may have difficulty hearing the subtle difference when using Comp-Cut....listen for the attack and more immediate transients. Note: When in Comp-Cut Mode, there is no sonic difference between FM, Vintage, Mosfet or Normal Modes. Why? Because all of these modes are changes done to the clipping section of the pedal...and Comp-cut Mode removes the clipping from the circuit! FM Mode this setting (on the mini toggle) makes the “Overdrive Mode” (channel A) very transparent, and you’ll notice that the Bassdrive cleans up much better when your volume knob is turned down as well. I have enhanced (exaggerated) this lack of midrange and it sounds great. The “FM Mode” Boost channel (channel is rich in midrange and gain but has a bit more high-end (frequency @5Khz) than in the “Vintage Mode” Boost channel. Vintage Mode: this setting (on the mini-toggle) takes the “Overdrive Channel (channel A) back to the Midrange heavy beast it was in the ‘90’s....You’ll hear more midrange. You may notice that the “Vintage Mode“ Boost channel (channel has a little Less treble than the “FM mode” Boost channel. MOSFET Mode: this new Mode applies Mosfet Clipping, which has more bottom-end, more growl, and nice overtones for a vast array of additional tones when utilizing all the options available via FM and Vintage Modes.

Hey Tim, Where ya based mate?

www.grygrx.net/music/pedal_demos/fuzzdemo2/Three.mp3 www.grygrx.net/music/pedal_demos/fuzzdemo1/Three.mp3

Just trawlin' through google I've dug up some samples from the depth of some gear forum for 2006 or something.. They're not great but seem to display the bass output of the lo-tone! http://www.grygrx.net/music/pedal_demos/fuzzdemo1/Three.mp3 http://www.grygrx.net/music/pedal_demos/fuzzdemo2/Three.mp3 I'll still try and record my own ASAP. Cheers

Yeah sorry guys, I'll try and get something done this afternoon.

Hi gaz, Yeah I'm aware this original bassdrive I'm selling isn't the oldest model available, I've seen the blue ones around! but I think this one is rather rare. I've never seen any others, and it sounds awesome! Have you ever seen or heard of a 'transitional' MOSFET before Gaz, or has anyone? just out of interest? Cheers Stephen

Bump

MOSFET guts

Bump

This is a MOSFET BassDrive, but not just any old mosfet, this one is a 'transitional' BassDrive, housed in the original old stock enclosure (before full production began). You can tell this because the later run of MOSFET Bassdrives has the red and green lights up high in a new position. Also the word 'MOSFET' on this one is a sticker stuck on the enclosure, whereas they were later printed like the words 'fulltone' and 'bassdrive' are. I believe that these ones are super rare, and were all built by hand whereas I'm not sure about the main run that followed. Condition is super clean and works 100%

I agree, I love frans aesthetics too. That sandwich definitely has a charm = ) Oh, I forgot to mention, the lo tone has MASSIVE bottom, possibly too much! If you can imagine such a thing.. ¿

For the people who'd like clips.. Gonna set up the rig at the weekend and see how my tascam recorder fairs.. Ha ha fingers crossed! = )

Sold = )

Added a stock picture, and an actual pic of it sitting pride of place on my current board. Can take more if anyone would like any..

[quote name='1976fenderhead' timestamp='1391451631' post='2357321'] I tried it with a vintage Flip Top [/quote] So it sounded prettty good? = )

It is lovely! Fran pedals are.. I dunno what rig you tried through but regardless I'm sure you'll agree, that like the name suggests this is super low super thick/fat tone.. 'Lo Tone!'

Maestro Octave OB-2 Vintage & Rare! Super collectible octave box. Does a cool thing with its sustain/percussive switch where you can choose to have the octave down sustained or percussively upon the note attack! Inst Vol: controls the instrument signal volume Octave Vol: controls the octave signal volume Sensitivity: controls the sensitivity of the effect