P-T-P

Been a naughty boy and bought something I shouldn’t have so to ease the earache, selling this beauty.

It sounds fantastic and looks the absolute mutt’s proverbials. Plays sweet as you like too, with low-low action. If the neck was jazz shaped, it would be my number 1, but my baby hands struggle a little with this on a long gig.

Cuts through the mix so well when you want it to and fills that low-mid range with delicious thump.

Two small dings on the edge of the arm chamfer and a tiny one near the bridge strap pin.

I will miss this when it’s gone and wish I didn’t have to sell, but needs must as its replacement is inbound.

Not really looking for trades unless a substantial chunk of cash involved. Would consider Laklands, Yamaha BB1024x or Ibanez EHB (not multiscale).

Based in Chepstow, happy to meet-up or possibly courier at buyer’s expense.

12 hours ago, Hobbayne said:

 

BTW why has Irish accent turned American?? ☺️

He's always been more "plummy Brit" than Northsider. 

Plenty of love for AC from me and was quite tempted right up to the point where my expected price point turned out to be spectacularly off the mark!

I think, on each aux mix you are using for monitoring, swipe to the far end and turn up the fx1/2/3 faders as needed.

On 13/09/2021 at 14:45, Silvia Bluejay said:

Yes to what @Happy Jacksays. Only thing I'd like to add is that, at least post-covid, I'm noticing a trend in all kinds of venues towards asking bands to be quieter than ever, or, as in our case (both bands), being very happy and grateful that we're not too loud.

 

Consequently, we use our Mark Audio system rarely. I must say, unless the system is a. in a large room full of people, preferably all dancing, and b. cranked up to almost max, I really, really don't like its sound.

Normally, it has far to much treble coming from the linear arrays and far too much very low-frequency bass coming from the subs. No mids worth a damn! So the result is that the bass almost always sounds like an indistinct rumble no matter how savagely I EQ its channel and the PA system output, while the guitars will pierce your ears (the linear arrays are at exactly the right height to do that!).

 

From the point of view of the sound, I'm far happier working with our cheapo, lightweight passive PA speakers which even we oldies can lift up 1.5m/5', considering that we usually play in small venues. The only drawback is that they look horrible, and often hide one or more band members from the main camera, depending on where I am allowed to position myself.

Thanks for the feedback. Aside from the weight of current sub, as the bass player, I find it also ads a massive amount of dub-style bottom end that means the bass gets lost in the mix.

12 minutes ago, Happy Jack said:

*all the above*

 

Very helpful thanks. 

On 03/03/2019 at 19:30, Happy Jack said:

We experimented with putting the whole band through the PA and having that as the only amplification. The guitarists used sim pedals (I imagine there is a proper name for these - @MacDaddy ), the drummer used an electric kit, and the band used unclipped linear array elements as on-stage foldback.

We tried that twice I think. We agreed that it worked under the right conditions but it was a very steep learning curve for us all, and ultimately was more faffing about than it was worth.

Bringing an old thread back to life with a question on this topic. If the monitoring aspect was taken out of the equation - i.e. just using the system for FOH to run the whole band - do you think it would cope in most scenarios? We stopped using backline a couple of years ago and are all using in ear monitors. Bass, guitars, backing track, kick drum and and overhead plus a couple of vocals. Happy with our sound, increasingly unhappy with hefting a massive sub around. I imagine we play similar sized venues as yourself.

Any experience of the ERGO system in comparison? 

Brings back the feeing for bass players who have made the move to in ear monitoring.

If you’re missing the thump from your amp on stage, then stick the BackBeat on your strap and get that feeling back.

Live you can either send your bass into the pack then out to the desk for just the bass response or take the signal from your in ear monitor receiver and plug your phones into the BackBeat to get the full vibes of the band.

It works great as a practice amp too. Plug the bass in, use the aux in and away you go for all the feel and none of the moans from the rest of the house.

It’s in great condition and comes with box, case, cable and charger.

My reason for selling is simply a matter of practicalities. I run the sound for my band and find myself always running out of time to properly set myself up to use this.

I’m asking £260 collected from Chepstow.  £270 posted in UK.

Bit late to this thread but may help someone.

Been gigging with the m18 for the past 2 or 3 years. We replaced our Mackie DL1608 with it.

We all love it. The apps work a treat and with a little patience it does a heck of a lot for a really great price in a small package. The ability to have 6 aux mixes makes running individual iems super easy.

The amp and fx modelling mean me (bass) and singer (second guitar) haven’t brought an amp to a gig in years and the lead guitarist just brings his helix.

Depending on the line-up, we run two or three vocal mics. Most gigs we just mic the kick and use an overhead for the drums but we could add additional mics to the kit if needed.

If you need more mic inputs, you’d possibly need a small sub mixer. As we bring no back line , for back-up purposes we bring a second m18 and I know that we could use that as a slave to increase the inputs.

Honestly, I think it’s an astonishingly good bit of kit for any small giggling band.

Lovely. 

I'm pretty sure most guitars are at least two piece bodies. Certainly that's the original construction used by Fender. Having a one piece body might produce a little more warmth but then having a multi-piece body might add more punch due to the increased strength and rigidity that comes from gluing the pieces together.

One piece bodies tend to be the preserve of boutique type instruments and custom builds.

In respect of the price tag for Lakland Skylines, they're definitely more pricey than they were but the fact is their build quality and tone was vastly superior to the US Fenders that were around in the 2000s and they were/are all set-up in the US, with the same spec pick-ups as the US Laklands, and by the same build team. That's where the reputation and price-tag comes from.

It's basses like the Lakland Skylines, Sadowsky Metro and so on which I think forced Fender's hand into putting more care into their US made instruments which also then contributed to the massive price rises of Fenders across the board over the past 10 years.

It would be interesting to hear Lakland's take on the subject of the natural finishes.

17 minutes ago, Rich said:

In which case I don't remotely blame you for sending it back. I'd have been a bit miffed if I bought a Squier that looked like that, never mind a £1200 Lakky.

(as an aside, IIRC @P-T-P of this parish used to have a Lakky DJ5 in white with maple neck and white pearl pickguard, it was one of the most gorgeous-looking and -sounding basses I've ever laid hands on.)

Yes, I did. Epic sounding bass which had the original stock Aero pick-ups and a Bartolini NTBT pre-amp fitted. The pre-amp died and though it was replaced like for like, it lost it's mojo for me. I now have white with rosewood, Aeros and passive and I'm a very happy bunny again.

To the original poster, I can understand where you're coming from as that would annoy me too. I bought a natural DJ5 a few years ago from guitarguitar and didn't ask for pics, just went on weight. The bass came and was beautifully made but the figuring/grain was very light, which was a bit disappointing.

I don't think you're wrong sending it back if you're unhappy, but I would dispute it being a QC issue, it's more something that's always a possibility with a mass-produced natural or transparent finish instrument which doesn't come with a book-matched top.

These ones are a bit jarring...

I had a sunburst Fender jazz which had three obvious joins in it and, on closer inspection it was made of seven strips of wood.

Hope you enjoy your Fender, I'm sure it's a beaut, but you may have missed out on not simply changing for a more aesthetically pleasing DJ5 as they are monster basses.

Think the colour, based on the year, is Sky Blue. 
 

Fine looking bass.

Oh

Having gone to full modelling, we initially tried just our FBT x-lite 12s tops but sound was a bit compressed.

Changed to ALTO 312 tops which cope a lot better and okay for smaller gigs.

Added two cheap active subs - Evolution sub 15 - much improvement but tops still getting full range signal as no crossover on the sub outs.

Finally added a single ALTO TS312s and sound is amazing, if I say so myself. More than adequate for most gigs we do and a super quick set-up and take down.

We have a shallow 4u rack, bottom to top...

rcf m18 mixer 2u

2 x Audio tecnica radio mics Receiver 1u CH38

2 x Sennheiser g2 item transmitters 1u CH70

At the rear, top we have a 1u bnc punched plate with bnc couplers through it with bnc cables linking to the receivers/transmitters and the antenna on the other side. 

Works a treat.

His words, not mine sorry. Don’t get me wrong, it’s a lovely looking bass and no doubt has the characteristics of a Lakland.

There was a thread on TalkBass about this way back when and Bo from Lakland/Hanson  advised that they are made by ESP in China as cheap option for the Japanese market.

14 minutes ago, Corto14 said:

thanks for the tip! it would be fantastic but I live in Italy and therefore it seems complicated to me. shame because it would seem interested also in a bb734a

I'm happy to consider shipping to Italy. Have sent a couple of basses overseas down the years.

Guilty as charged, would love to see it become a P35

I have two one of these really high quality gig bags in a smart, weather resistant grey fabric with rubber boot. 

20mm padding all around with additional head stock and end pin padding as well as a neck brace.

Large front pocket and two smaller accessory pockets with adjustable straps. D-rings for clipping on additional kit.

In superb condition, only done a few gigs as I’m mainly using a double bag as easier than taking two bass bags.

Gator info at: https://www.gatorcases.com/products/guitar/instrument-bassguitar/transit-guitar-gig-bags/transit/bass-guitar-bag-gt-bass-gry/

Priced £65 each for collection from Chepstow, could potentially meet locally or post at buyers expense. 

***Really would like to sell this as seen just what I want so open to cash offers or part-ex with decent wedge of  cash my way***
 

Love this bass to bits but I kinda fancy a bit of a change as I’m almost always playing 5 string lately.

Some Yamaha blurb:

“For the bassist that won't settle for anything less than the best, the Pro lineup represents the pinnacle of everything the BB designers have sought to achieve over four decades of striving for perfection. Carefully crafted one at a time by a select team of master artisans at Yamaha's headquarters in Japan, and featuring a unique Alder/Maple/Alder laminated construction finished with Yamaha's proprietary IRA (initial response acceleration) technology, the Pro BB offers a rich, organic tone and incomparable resonance and playability—this is the bass that you've always dreamed off.”

To be fair it’s a top notch bit of kit. Superbly made and with a delicious range of tones to dial  in, the bass plays beautifully.

Comes with the Yamaha case and the case candy.

Would happily swap for a P35 or consider trades or part-ex for any of the following:

- Lakland 55-02 or DJ5

- Sandberg California II 5

- Yamaha 1024/5x or 734a/735a or TRB 5

- Fender post-2008 USA Jazz/Precision (PJ? Adam Clayton? Geddy?)

- Lakland DJ4 or 44-64 PJ

- MusicMan StingRay 4/5

Maybe others, I’m more into the traditional type basses but been a long time since I played a Status, for example, so you never know.

I’m in Chepstow, happy to meet up to compete a deal. Potentially could courier at buyers expense.

Looking to move my gorgeous Aztec Gold Lakland J-Sonic 5.

Superb condition with just one significant scratch on the rear  (see pic) which occurred a wee while after most of these pics were taken.

Ridiculously low action on this and extremely well set-up, wearing a fresh set of D’Addario nickel wound, string through body.

Sound-wise think passive jazz but with a smidge of p-bass thump. It sits really well in a live mix, just enough cut without being harsh or losing the beefiness.

I’ve just kinda fallen out of love with it a bit since finding 4 string love again.

Open to cash offers near the asking price and we can talk about possibly shipping it if you’ll cover the cost.

Would definitely consider a swap or part-ex deal with cash either way depending on what you’ve got to sell, particularly interested in:

• Fender P or J (or even PJ) 4
• Lakland 4 or 5 
• Yamaha BB1024/1025x
• Yamaha BB P34 or P35
• Yamaha BB 734a or 735a
• Sandberg California II
• Warwick Streamer poss.
• Musicman StingRay 4/5

I am a sucker for a pretty paint colour and also maple fretboards so hit me up.

My gig journey:

Wedeges plus amp/cab for FOH
IEMs for monitoring and amp/cab for FOH
IEMs amp/cab for monitoring and DI out from amp to PA for FOH
IEMs for monitoring and modelling out from amp to PA for FOH
IEMs for monitoring and built-in modelling in the PA mixer for FOH

Sometimes miss the physical aspect of cab onstage but happy that set-up, soundcheck and strip down for entire band now takes just minutes and my ears are a lot happier.

Have had this amp for a couple of years now and it is absolutely phenomenal. 

The power stage is pretty straightforward. It can be used to deliver 1000w to an 8 ohm load in bridged mode or in stereo mode 2 x 500w at 4 ohm; 2 x 300w at 8 ohm.

It carries a choice of solid state and valve amps from the MarkBass range as well as some classic all of which can be quickly accessed through the dedicated solid state, tube and vintage buttons. Whichever amp you select, the front panel gain and EQ behave as you'd expect them to. Additional features of the particular amp, for example the VLE and VLF filters are set via the controls to the right of the screen. It's here too you can select the speaker models to use (if any), and again there are a nice selection available from the MarkBass range.

It's there also that you get to set-up your effects, with up to 8 slots available (two of which default to the amp and speaker, but these can be changed). There are 20+ effects you can deploy in any order you see fit, these include all the usual suspects: overdrive, distortion, chorus, delay, reverb filter, auto-wah, compression, synth etc. and all are fully adjustable for their various parameters.

You can control all of this using the MIDI pedalboard and you can do so in a couple of different ways: either using the board to turn on/off the 8 effects currently loaded or you can save a patch or a song and then use the board to select the patch.

There's also a built-in tuner and DI out.

I've gigged this amp for the past few years and it is exceptional. I sent the DI to the desk and had a cab (or two) behind me. Never struggled to be heard.

We use in ear monitors and earlier this year we made the leap to abandoning the backline and just going through the PA which for me just meant turning down the amp volume initially and relying on the DI. I've now moved to using the MarkBass models in the PA which, while nowhere near as extensive as the options in the MultiAmp, are usable for our needs and mean we can have a super-quick set-up and takedown.

As such, this amp has been on the shelf and I don't see myself using it anymore.

The whole set-up cost the best part of £1400 new - I still have the box in the loft I think - but I recognise that it isn't going to be worth anything like that. I've put £700 as a value and if someone wants to make a cash offer, I'd be interested but really keen to try and trade this for a bass(es) or possibly a MarkBass combo or LMIII head, just so I've got something for emergency use if needs be.

Part-ex either way could work. I also have a MarkBass Club 121 with cover which I could add to any deal.