Silvia Bluejay

I received a set of Thomastik flatwounds together with the bass (I ordered them alongside it). I meant to put them on the fretted 5, but I'll see; if Thomann give me a discount voucher I may buy another set.

PS I am a light player.

I'm still trying to find my way around it! I'm so used to the double bass that I need to look at the fingerboard here - which I rarely do when I play the fretted 5-stringer. But I love it

It was very well packaged. so it must have happened in the warehouse. And yes, the bass is fine everywhere else, so the scratch must have been due to contact with some object rather than rough handling.
I'll keep you all posted with their reply.

Golden doubloons, actually

Yup, it was, and I like it in every other way. As mentioned in that thread, it's very basic and the pots aren't exceedingly powerful, but it's fine for me just playing at home.

Thomann are taking their time replying. If I can get a discount voucher or sumfin' out of them I'll probably go with that. But I do want some sort of compensation, even if it's a cheap guitar - after all, the money I gave them had no 'defects'

As the scratch is smaller than it looks in the photo, I think I can live with it, but I'm worried that the very presence of a scratch may mean that the bass has been handled roughly.
While I wait for Thomann to get back to me, i will go through every possible check on the bass, and make sure it isn't damaged in any other way. Then I'll decide, depending on what options they offer me.

Thanks, Dean.

LOL @ the 'mojo'

Yes, the bigger groove can be felt with your fingertip. The other, lighter grooves are much less deep.

I'm waiting to see what options Thomann offer me.

Thank you guys for your replies so far.

I've emailed Thomann through my Customer Page. I thought I'd better do so immediately, so that they can't think I scratched it myself while playing it. Waiting to see what they reply.

I have just received my new fretless Rockbass from Thomann and found a scratch on it. The lighting in the photo makes it look worse than it is, but still...

What would you wise BC folk advise me to do? Return it? Is there any way I can try and fix the scratch by myself (furniture polish or something else)?



Thank you!

I wish I could help, but it's too late for me. The flesh is weak and the spirit was even weaker...

I get that, hence my question in the first place: since Warwick's lefty basses are usually in stock and ready to be shipped immediately from most retailers, that must mean the company manufactures enough of them regardless of the actual demand from the likes of you and me. There must be some redundancy built in the system, the cost of which appears to be borne by Warwick and not by us.
On the other hand, I'm sure their lefty stock's ready availability and equal price has given them a big share of the left-handed market, and made the effort worthwhile.

The L/H version is around £200 more expensive than the R/H one, both for sale at Thomann. I guess that's fair enough, but I'm still wondering how Warwick are able to sell L/H models for exactly the same price as R/H ones. Well done to them, in any case.

Well, I'm not a luthier but I did fiddle with the nut height on my 5 - as well as fiddling with anything else I could adjust on it! - and succeded in making the bass feel slighlty easier to play for my tiny little hands.
(Before you ask, intonation and the general sound are still fine despite the slight change in setup - I'm cautious enough not to make a mess when I touch my instruments).

[quote name='kerley' timestamp='1326211167' post='1493856']
I pretty much always lower the strings at nut as find most guitars and basses to be much higher than optimum. I have always wondered why anyone would actually want a high nut as a perfect nut clearly brings down string height and especially makes fretting at the first couple of frets a much better experience.
[/quote]

Exactly. I'm surprised how many basses don't have the hex socket screw system adopted by Warwick in the nut as well.

Ahhh, Robin, someone please save me (or lock me up without internet access or a credit card)! Thomann have also confirmed they DO have a left-handed version of the other baby I'm lusting after:

[url="http://www.thomann.de/gb/ns_design_nxt_5_bass_lh_bs.htm"]http://www.thomann.de/gb/ns_design_nxt_5_bass_lh_bs.htm[/url]

Bank account doesn't allow that though... yet.

This one:

[url="http://www.thomann.de/gb/warwick_rb_corvette_basic_5fllh_bks.htm"]http://www.thomann.d...c_5fllh_bks.htm[/url]

Should be all right. I've got a 4 in natural and a 5 in dark blue, so was missing a black one

Ordered yesterday late afternoon, shipped this morning via DHL.

I just thought it was too good a deal to pass. I'm sure I'll be hooked on it as I've been on all the others so far!

Indeed...

Too late! I've ordered one!!!

Grrr, stop that guys, I'm soo close to waving my credit card at Thomann...
Also because I could get that set of flatwounds for the other 5-stringer at the same time...

Oh. My. God....

Yes but... where's the saving in that then?

I would be tempted to get a 5, just for the sake of GAS, if they weren't fretless. Pity.

PS I've had a quick look - the really cheap ones appear to be fretless models only. If that rocks your boat, go for it.

I've got two of them already, so don't need any more. But they're good for their price.

Are they 2010 models? I remember somebody telling me that Warwick had to reject practically the whole shipment of Rockbasses (from China) becasue they simply weren't up to the required minimum standard of quality.

There is something in the DB that gets you totally hooked as soon as you play your first notes on it.

Part of that may be thanks to us already being familiar with bass playing when we approach a DB - as opposed to absolute beginners when we start on the electric for the very first time - and therefore finding it easier than we thought. But there's got to be something else... the awesome sound, the need for your musical ear to be at its most sensitive, the opportunity to become lost in your world while you strive to keep the best intonation... and more.

Well done both of you guys for gigging with your uprights.