dangerboy

EDITED 10th Januaryto reflect sales.

Some of these have now gone to the 'Bay. The rest will go at the weekend unless you want them!

BOSS DD-20 delay/looper GONE TO THE BAY

Devi Ever Spectacular Aenima: £80 inc Special Delivery to the UK

This is a combination of a mad searing high-gain fuzz and a separately controlled feedback loop, made by renowned boutique effects lady Devi Ever. The loop can be controlled either by a feedback knob or by a photoelectric eye (shine a torch on it and it goes crazy). More details here: [url="http://www.deviever.com/forum/viewforum.php?f=78&sid=6fab53abe3a0b157998f98dc9f6d6962"]<a href="http://www.deviever.com/forum/viewforum.ph...98f98dc9f6d6962" target="_blank">http://www.deviever.com/forum/viewforum.ph...98f98dc9f6d6962[/url]</a> and here [url="http://www.analoguehaven.com/devieverusa/spectacularaenima/"]<a href="http://www.analoguehaven.com/devieverusa/spectacularaenima/" target="_blank">http://www.analoguehaven.com/devieverusa/spectacularaenima/[/url]</a> (this one doesn't come with the LED light)

Devi Ever Spectacular SM: £85 inc Special Delivery to the UK

A more traditional fuzz than the Aenima, but the same fuzz/loop/eye set-up. Does a nice synth impression if you set it up just right.

OR Devi Ever Truly Beautiful Disaster: WITHDRAWN CAN'T LIVE WITHOUT IT

£40 plus P&P each:
Digitech Digital Reverb (with reverse and gate modes!)
Behringer Virtualizer Pro DSP 2024P rackmounted effects unit

£20 plus P&P:
Ibanez Smashbox (nu-metal distortion) w box GONE TO THE BAY
BOSS HM-2 with blue LED.

£10 plus P&P each:
Behringer noise reducer
ARIA Chorus ACH-1 SOLD
Belcat Analogue Delay

Still up for sale / trade!

Bump? Anyone?

Having problems buying a 'Faker from eBay?

Come and buy mine from the For Sale section! Guaranteed not be pulled randomly or get bid up to £380.

I knew it was too good to be true.

So listing up top should read:

"Nicer (still not real) bridge fitted. You can have the original too if you are into that kind of thing".

Cheers Jon!

(This bass sounds ace btw. Only selling because 2 Ric copies in my living room is one too many!)

First in my massive bass clearout...

From Electra (as far as I know): A bolt-on copy of a famous (ho ho) bass made in Japan in the 70s.. Maple top on a mahogany (I think) body. Maple neck with black 'sharkstooth' markers printed on (not inlayed). When I bought this it had weird pickups (a Tele pickup, for instance), so I put in the pickups from a CMI Ric copy. One mono output jack.

NOW HAS BACK PICKUP FROM A CMI AND A MODERN FRONT REPLICA OF ITS ORIGINAL FRONT PICKUP.

£240 plus postage? You get to choose your own postage, which will be charged at cost. I have a hardcase for this so it'll be safe in the post to you. Or you can pick it up from London for nowt.

Loads more pics if you want them.

NOW CHEAPER - SEE LAST POST

Why have all that metal but not put it where it matters?

Nice metal through neck with the pickups and bridge mounted to it. That's what they need.

I started playing 15 years ago, but have only played for 5 years (I took a decade off in the middle).

Pure rock/punk bass. 4 strings. Passives only. Weird passives built from non-standard materials or parts preferred.

The sound is Bob Weston.
The bassline is Kim Gordon.
The stance is Peter Hook.
The attitude is Sid Vicious.
The pedalboard is Brian Gibson.

I've got an older 1000RB. Love it. Wipes the floor with the other amps I play, and since my band mainly kit-shares, I've tried most of the standards. And when people use my amp, they always praise the sound.

There was a dodgy batch of 1000RBs years ago, by all accounts - but they usually blew early, so if you find one with a couple of years on the clock it should be fine

[quote name='OutToPlayJazz' post='41406' date='Aug 4 2007, 09:30 PM']Dangerboy, that metal plating looks cool! Did it weigh a ton? Looks like a Precision after being assimilated by the Borg!

Resistance is futile![/quote]

It's only 0.3mm aluminium, so not so heavy. Gets more comments than any other bass I play, so it was worth it. Mashed my fingers more times than I can count putting all the nails in, though...

Bought a Digitech BSW from BigWan.

It makes horrid but useful noises.

He, on the other hand, is an absolute pleasure to deal with.

Steve

I bought a mid-90s Encore neck on the Bay a while back. Fitted it to an old Marlin body that previously had a Squier neck. It was tight (I think the Encore neck is a coat-of-paint bigger than a Squier/Fender one) but it worked. And then I made this out of them.

Hi,

Anyone fancy a Crate Power Block 150 before I put it on eBay? For those that don't know, this is an ultra-light 150w (arguably!) head which fits in a lovely shoulder bag. Good for guitar or bass. Great reviews on Harmony-central. Really useful if you've got a Sansamp or similar.

I bought it thinking I needed a small rig. I don't, and it is completely unused. Comes with original box, carry-bag, cable etc.

I was thinking £90 plus your choice of postage to the UK.

Also PMed

I'm fixing-up a lovely Rickenfaker and I need a hand. I want to fit nice, big authentic-looking machineheads, but the bass only has the small holes suitable for mini ones. At the moment it has some tiny Schaller ones fitted that look all wrong.

Does anyone know of someone making machineheads with big cloverleafs but small winding posts? Or is it time to get the big drill-bit out?

I use big 1mm Acetal triangles from Clayton's

[url="http://www.steveclayton.com/acetal.html"]http://www.steveclayton.com/acetal.html[/url]

And I get them custom-printed. Thinnest pick I've found that doesn't bend at all. Except for aluminium ones, but they scratch your bass something rotten.

Thanks for the Squarepusher tip-off. I can think of at least one female bassplayer who would consider that a dream date!

Travis Bean

I've had a DD20 and a DL4.

Weirdly in the end I found that an Echo Park suited me better. I like the LINE6 tape emulation much more than the BOSS version, and unlike the DL4, the Echo Park didn't leave me feeling like I needed a degree in physics to use it. I miss the multiple delay settings, but the answer to that I found was... more pedals! So now I have a nice analogue delay to do my short, dark, sound-thickening and the Echo Park to drift off into the distance.

When I want a bit of gravel I reach for a sansamp. Then turn up the drive and add some treble. Lovely. Couldn't live without it.

Hi all,

We do have a good, long, tenancy agreement here, right?

Well done to all who made this happen.