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Blowupsexcat

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Everything posted by Blowupsexcat

  1. Totally mate - We played at King Tuts last Thurs and the Engineer said we were one of the loudest bands hes mixed there. I wasnt above 10 o'clock on either gain or master and it was LOUD thru my 412 Berg.
  2. Cheers for the bump Chris! It really is an absolute beast and will sound amazing from Pop right through to Doom. Don't let the fact its 'only' 200w put you off. This is pure valve tone. I played it at an outdoor festival in September with no PA support thru 2x810 Ampegs and never got above 6. Great thing is you can adjust the gain to taste at any volume rather than only getting overdrive/distortion when the master volume is 75%+ Pics in the morning!!!
  3. Hey guys im going to be selling my Orange AD200B including brand new NSP flightcase. It was serviced and had all poweramp valves replaced in august when i bought it. Since then it has been used for 4hrs a week rehearsal and approx 20 gigs so the valves still have years of life left. The tolex is probably a 7 out of 10 due to it not being flightcased (but not abused) by the previous (only) owner but structually it is in perfect condition and working order. Orange will sell you a sheet of tolex for £15 so redo that and its brand new looking. I quite prefer the current look. I just took it on a 10 date UK tour where it was flightcased at all times and it never missed a beat. Genuine reason for sale as i have been offered an SVT "Skunkworks" head at £1100 and although i could keep both heads i can only play 1 at a time! I bought the head for £950 in august and paid £150 for the valves and service and another £150 for the flightcase so as i am an all round good egg, i will let this go for £950. These seem to be getting rarer and rarer 2nd hand. Brand new you will find them for £1350 if you are lucky. I'll get pics up tomorrow in the daylight. Rob
  4. I've got the 412 im so tempted to add the 610 just for complete overkill. Not playing Festivals, yet...
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  9. Hey mate, Interested in this for my AD200b if it will fit. Any chance of the internal dimensions? Pretty sure the SVT is bigger than the Orange so should be ok with extra padding? Cheers
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  14. Hey Jim, Did this get sold? Edit: Just seen the thread title
  15. Cheers fella! If I was to record more than 2 inputs at a time this would be kept as it sounds unreal. The stepup in quality from my last interface is phenomenal. Might have to get the ultralite.
  16. No worries bud. When you think you'll have the funds? Looking for a Mesa F50 for part ex or any decent mics etc.
  17. 1 year old in mint condition. Bought it thinking i was going to be recording bands but im still going to studios to get drums so this is surplus. Mint condition with all manuals/CDs/Box etc £450 Rob 07763840379 Heres the manufacturers blurb... MOTU 828mk3 Firewire Audio Interface delivers innovative new features, universal FireWire connectivity to your Mac or Windows computer, superb sound, and reliable performance. The 828mk3 provides flexible connectivity to any Mac or PC via FireWire, with ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander. The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3’s signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts. Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram
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