citymariner
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Posts posted by citymariner
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Just had a great gig with my band Ravenous.
Great crowd, we were really tight and had a lot of fun.
Downsides:
got a puncture
had to lug all the gear back to storage
when wheeling my kit across the pavement I hit a stone and the amp and cab fell over
had to turn down 4 bookings due to others in the band being away on holiday.
It is all outweighed by the great gig though! -
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Don't know much about the Ampeg stuff but I've been told that they do a 6x10 cab that is a happy halfway between the 4x10 and 8x10 (quite literally) as well as it being much lighter.
There is a bloke I saw on youtube with one - looked cool with the svt head (don't know which one) on the top. -
[quote name='flyfisher' post='1150600' date='Mar 5 2011, 02:45 PM']They probably figure you'll have anything they might need.
My first thought was that your list might be a bit OTT but then I thought about what I take to a gig and realised it might be about right (except the soldering iron):
[i]I see it as the essentials; gaffer, screwdrivers [/i](one of those moulded-case sets with a million different tips) [i], wire snips, wire stippers, torch, [s]multimeter[/s], batteries, [s]9v power supply[/s], [s]soldering iron[/s], post-its, pens, pencils, permanent marker, plectrums, string cleaner, microfibre cloth. [s]I even have a string winder[/s], set of [s]guitar[/s] bass strings, [s]slide and drum key[/s].[/i] spare cables, fuses, insulating tape, reporter's notepad, cable tester, Victorinox cybertool, ty-raps,[/quote]
Power supply - we all run effect boards and there was space.
Soldering iron - just in case a lead/ guitar ends up with a dodgy connection. Our guitar player has some pretty old guitars.
Forgot the insulation tape and masking tape (so you can work out what belongs to you - people sometimes feel the stage is a an equipment giveaway area!)
Fuses is a good one as is tie-wraps - i'll pop some in!
Ditched the soldering iron, solar panel battery charger, wand to silence guitarist, ford transit fuel pump and blow up groupie.
[attachment=73962:IMG_0391.jpg] -
The guys in the band laugh at me as I bring a small flightcase full of tools to gigs.
I see it as the essentials; gaffer, screwdrivers, wire snips, wire stippers, torch, multimeter, batteries, 9v power supply, soldering iron, post-its, pens, pencils, permanent marker, plectrums, string cleaner, microfibre cloth. I even have a string winder, set of guitar strings, slide and drum key.
Nobody else brings anything other than a spare set of strings/ sticks.
Am I the only one who can imagine someone rolling a trolley/ dropping a cab/ trapping in a door a cable etc. and need to do a quick fix?
I will admit to being in the scouts
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Live Sound
in Gigs
Let them do their job.
However, on the opposite side of the fence, I had sound guy tweak one of my pedals when I was off stage. I asked what he was doing and he said he liked a particular sound from that pedal. It went from a crunchy overdriven to FUZZ.
I asked if I could boost all channels on the mixer @ 1.4khz. He asked why. I replied "I like that particular frequency..." -
2x 1 hour + 4 encores is our max.
Venues may ask for less, if so, so be it. Gives us a chance to condense the set list and tailor it to the audience a bit more. -
[quote name='Musicman20' post='1150478' date='Mar 5 2011, 12:41 PM']City Mariner! Love the Town flag!![/quote]
Bertie Mee said to Bill Shankly,
Have you heard of the North Bank, Highbury
Bill said "No, I don't think so"
But I've heard of the Pontoon, Grimsby!
Can't make it today mate:
a) Embarrassed by the running of the club
That 'protest' will turn ugly
c) I'm gigging tonight! (Thank the good Lord)
Back on topic, The Yardbirds is open to pretty much anything. I've seen many a gig (although not recently now being based 37miles away) and have caught a plethora of genres.
[url="http://www.myspace.com/yardbirdsrockclub"]http://www.myspace.com/yardbirdsrockclub[/url]
[url="http://www.facebook.com/group.php?gid=47731538569"]http://www.facebook.com/group.php?gid=47731538569[/url]
[quote]A GREAT BAR/CLUB FOR BIKERS AND ROCK MUSIC FANS IN GENERAL...OWNED BY BIKERS, RUN BY BIKERS,AND FOR BIKERS....(the only one on our stretch of the east coast by the way) NO MEMBERSHIP COSTS, (ITS A PUBLIC BAR) WITH LIVE BANDS VIRTUALY EVERY THURSDAY,FRIDAY, SATURDAY,AND SUNDAY,THROUGHOUT THE YEAR. REASONABLY PRICED DRINKS,(none of that £4 a pint bullshit)AND A GREAT ROCK PARTY ATMOSPHERE. IF YOURE INTO LIVE MUSIC,YOU GOTTA CHECK THIS PLACE OUT[/quote] -
Are you willing to ship it?
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I know I'm acquiring cash as fast as I can...
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Seen many a gig there. Top guys.
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I gigged with a band that the more tickets you sold the closer you got to the main band. As we got more popular we sold more tickets and got to the spot before the main act on night. This gave me longer at the bar and a few (far too many) JD's later the guitarist was reteaching me the songs and all I could say back to him was 'you're a good mate you are..'
Turned out I was pretty mental on stage jumping around etc. got through gig apparently...
I now only have the one pint whilst I am setting up giving it plenty of time to clear my system before we actually play. -
It's a double ended sword. Right to left works great if you have one signal path. To creates mucho problemo when you start adding two and wireless unit...
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We had the same when we auditioned for a new vocalist.
A young bloke - tried his best but was 18 with lack of experience. We made sure we did the supportive role - we've all been there!
He's even been in touch since for advice! -
My band tend to at least want our petrol covered.
We are playing a beer festival and due to the number of bands it is £20 each. This won't cover the petrol but due to it being a large crowd and there is free beer thrown in it'll make it a good laugh especially as we are staying over. -
[quote name='pantherairsoft' post='1123652' date='Feb 11 2011, 10:54 AM']A good digital SLR and a great eye for it is all you need. Was done with a Canon 500d an a couple of nice lenses... Rose is however, bloody good at what she does.[/quote]
50mm f/1.4 and a DSLR that does well in low light conditions (ISO). -
Are you sure it's not your leads or power supply?
Thinking about an engineers workstation they'll have everything ship shape and Bristol if you get me.
I use a Korg PB and have had no problems with it. I also use a range of boss problems and have NEVER had one fail. My BF-2 is from 1982 and after a gig I was putting my stuff in the car, (this was before I had a pedal board) only to forget the BF-2. It was left in the car park all night and it rained. I dried it off and it worked fine... -
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Line 6 Relay G30/50/90
Encrypted WIFI signals, cable simulation, great range.
I use the G50. Main reason I went for this is because we occasionally play gigs with more than one band and the Line 6 Relay system is getting popular!
This means that while my band are not using the same channel (the G50 has 12) I got worried that someone in the wings tuning up could interfere with my signal! I get the feeling the same could happen when I start playing the beer festivals later on in the year.
I tend to put up a sticker with my bands name and what channel I am on - a couple of guitarists have said they found that useful as they ran the same Line 6 Relay system.
The G50 goes all the way down to 10hz so plenty low enough and with the cable simulation I am able to remove that digitally bright, crisp tone - I only role it on a bit just warm the sound up a bit.
Other have mentioned the possibility of signal compromise due to lots of devices running wifi - it is encrypted so there is no problem - your laptop doesn't suddentl pickup your neighbours websites due to signal crossover. There are over 12 wifi networks available to me where I am sat at the moment and the same principle applies.
It works well with passive. active, bass, guitar. I am proper impressed with it.
Another advantage - I can take a walk during sound check (we don't have a sound engineer anymore as he is now the bassist! ie me!) and check how we sound - the ability to do that is at times priceless with the weird and wonderful venues we play!
Buy. Buy. Buy. -
[quote name='essexbasscat' post='1133381' date='Feb 19 2011, 02:14 PM']To the OP;
Just a thought - have you heard your own bass from the distance the audience hear it ? is it possible that sound may be different to the sound experienced up close to the rig ?[/quote]
This.
I got a Line 6 Relay G50 rig and thought I'd go for a wander during a sound check. The pub was already getting pretty full so waded through to a place I would stand if I was watching. I've been tempted of late getting rid of my Ashdown gear and going for the RH450 TCE head and cabs, however, after hearing it as the audience would hear it I'm certainly not selling even though the TCE gear is a couple of league above my Ashdown gear. -
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[quote name='callingltu' post='1108505' date='Jan 30 2011, 07:16 PM']nice macbook pro[/quote]
Haha - nice pi[i][/i]ss take. -
[attachment=70252:DSC_7192.JPG]
Here is my modified BCB-60.
--------------> aux out> Korg Pitchblack
Line6 G50>|...........................> (Achannel) > OC2> ODB3> BF2
-------------> Main out >LS-2 >|------------------------------------>GEB7> AMP
.............................................> (Bchannel) > CH1> DD3
I've added a better power supply that gives out more juice and incorporated this into a 'kettle lead' socket on the side of the board.
The red lead is my emergency input cable if my G50 fails. I can quickly swap that into the input of the LS-2 and bang a lead into the main input on the pedal board.
I know it is Boss heavy but it does the trick. I've had some of these pedals laying around from when I was a guitarist. A part form the G50 I haven't pad more than £30 for a pedal and got the Boss BCB-60 dead cheap too. -
We got a deal as band on getting our rear windows tinted to help when we have to leave bits in the cars.
More secure and you can't see in.
The great thing is that we all drive new black cars - We look quite daunting when we pull up in convoy!
Ashdown ABM Versus MAG - Experiences?
in Amps and Cabs
Posted
Damn you all.
I run a MAG 300 210 combo with a MAG 115 ext. I've been considering getting rid of the combo and going for an ABM EVO III and either a 210 cab or a 410 cab.
Up until reading this thread I had put the idea to bed after good comments on the sound of my bass at a recent gig.
You've provided the petrol to a smouldering ember.
Damn you!