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The Bottesini Thread


ubassman
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...and a link to some [url="http://imslp.org/wiki/Category:Bottesini,_Giovanni"]free scores[/url] ( including the original [url="http://conquest.imslp.info/files/imglnks/usimg/d/de/IMSLP254239-PMLP412020-GBottesini_Contrabass_Method_BNE.pdf"]Grande Methode[/url] ) !

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His elegy was the first solo piece i tackled after Verdi's rigoletto. I don't think i'm ever going to have it perfect even for a piece that isn't to challenging.

Maybe we should together a list o the best bottesini recordings for learning purpose's. Tom martins Elegy defiantly stands out as one of the best.

Also anyone heard his opera??

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[url="http://www.youtube.com/watch?v=wVbCzwhWIMk"]http://www.youtube.com/watch?v=wVbCzwhWIMk[/url]

This is the only youtube version of the rand duo done properly with two double bass's. Not very good quality though.

Rinat: With violin
[url="http://www.youtube.com/watch?v=GpcIfoujVP8"]http://www.youtube.com/watch?v=GpcIfoujVP8[/url]

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[quote name='ubassman' timestamp='1376580686' post='2176417']
...must be something quite extraordinary to have a wife who can play like that ! :D
[/quote]
Alina is Rinat's daughter - she's obviously inherited his musical talent.

I've found a vid of Reverie to add to the list:

[url="http://www.youtube.com/watch?v=4f7IwDEnEVk"]http://www.youtube.com/watch?v=4f7IwDEnEVk[/url]

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[quote name='MandShef' timestamp='1376596802' post='2176716']
Alina is Rinat's daughter - she's obviously inherited his musical talent.
[/quote]

oops! ( ....quickly thinking of a way to save face)

......still, notwithstanding that, ....must be something quite extraordinary to have a wife who can play like that ! :rolleyes:

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The virtuoso stuff is all inspirational to listen to :)

Found this link to Mark Urness who has covered the first 21 exercises of Bottesini's Method books no 1 - heres no 18

[url="http://www.youtube.com/watch?v=A_uCBXZcU8s&feature=c4-overview&list=UUrPG-KiJer9VlMvG_SXpz_Q"]http://www.youtube.com/watch?v=A_uCBXZcU8s&feature=c4-overview&list=UUrPG-KiJer9VlMvG_SXpz_Q[/url]

Edited by ubassman
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I play it in similar positions but with more dynamic difference. I think its important to turn exercises into pieces of music. Generally in a more Italian style of making the highest note the loudest. Considering as well his solo repertoire is quite operatic at times i feel you can also be a little bit free with the tempo. Not crazy but slow it down to build it back up.

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[quote name='fatgoogle' timestamp='1376741484' post='2178551']
I play it in similar positions but with more dynamic difference. I think its important to turn exercises into pieces of music. Generally in a more Italian style of making the highest note the loudest. Considering as well his solo repertoire is quite operatic at times i feel you can also be a little bit free with the tempo. Not crazy but slow it down to build it back up.
[/quote]

I started playing No18 in 1st but then thought I would try it in 3rd and came to the conclusion that whist 3rd gives you more complicated shifts it allows for vibrato and more colour . What I like is that it also then leaves a place to go with the dynamics and tone variation when the first bar theme comes back in later i.e. 2nd time round I give it a more edgy and emphatic 'Forte' feel with the open D . First time round its a bit more pensive.

Thats what I love about Bottesini - there's nearly always a set of 'money notes' in every exercise and they call out for a bit of lyrical interpretation !

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Gary Karr. Doing whatever it is he does.........

[url="http://www.youtube.com/watch?v=WuKYI12gVW4"]http://www.youtube.com/watch?v=WuKYI12gVW4[/url]

Maybe a tad under rehearsed but brilliant and a sense of performance which not many soloists offer the audience these days. The accompanist is brilliant i think.

My favorite conductors that ive played under have always had a bit of showmanship which means the audience is also entertained while listening and i think this has led to the best performance's of the orchestra's ive played in.

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