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Earbrass

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Posts posted by Earbrass

  1. I've sold 9 items on B/C in the past 7 months, none of them basses, and not all specifically bass-related (including a microphone).  No complaints here. 

     

    Edit to add: I sold one item on ebay: from the sale price of £165 I got to keep just £128.28 after ebay and paypal had both taken their cut. 

  2. 6 minutes ago, Skinnyman said:

    Personally, I'd go with Brian. You can then have a whole load of others in the range..... Dave (that'll be a compressor), Bob (modulation of some sort), Jeremy (Over drive), etc, etc

    alternatively, you could name the other pedals in the range Florence, Dougal, Zebedee, Dylan, Ermintrude, Mr. McHenry.....

    • Haha 1
  3. This is the first track I've finished in eight years! Been tinkering with it for a few months, and this isn't necessarily the final version, but it's as ready as it's going to get by xmas. The tune is a Swedish folk melody that I learned at the London Scandi session, and which has become the tune which I play for one of Huginn and Muninn's dances, Whirlwind. The arrangement for nyckelharpa, hammered dulcimer (a vsti), synths and percussion is mine. I appreciate that the ethos of these comps is for everyone to be very supportive of one another, which is great, but I'd genuinely appreciate any constructive criticism (feel free to PM if you'd rather not post critical stuff in this thread), even if it's only to tactfully suggest that all things considered one track every eight years is probably more than enough, and I should consider slowing down to avoid creative burn-out. Enjoy, and a happy xmas to one and all.

     

    • Like 1
  4. 11 hours ago, Pea Turgh said:

    Posted more for amusement than anything, but I’ve been having these frustrating dreams where the neck of what ever bass I’m playing folds at each fret (like it’s hinged) under the tension of the strings, so the neck curls toward the bridge as I’m playing. I have to bend it back out then to continue playing. 

    So in other words, the long straight pole thing, which should ideally remain rigid, flexes when it shouldn't, hindering your "performance". As you say, "frustrating".

    11 hours ago, Pea Turgh said:

    What’s that all about?!

    I simply couldn't begin to guess....😉

    • Haha 1
  5. For sale, my Fishman Platinum Stage, mint condition in box. £65 posted within UK. Sits flat on floor or clips to belt.

    https://www.fishman.com/products/series/platinum/platinum-stage-eq-analog-preamp/ 
    https://www.gear4music.com/Guitar-and-Bass/Fishman-Platinum-Stage-EQ-DI-Analog-Preamp/19B6 

    17-volt, high-headroom, discrete Class-A preamp
    4-band tone control with sweep-mid and low frequency filter
    EQ mode tailors EQ for bass or most other instruments
    Phase control
    Volume boost switch with level control
    Balanced D.I. with pre/post EQ setting and auto Ground Lift
    Belt-clip included

    SPECS
    TONE SHAPING:        4-band EQ with sweepable Mid, adjustable Low-Cut filter
    FEEDBACK CONTROL:    Phase invert switch
    DIMENSIONS:        5.6” L x 3.3” W x 1.2” H (143 mm x 85 mm x 30 mm)
    WEIGHT:            .65 lbs (0.30 kg)
    POWER:            9-volt battery (not included)
                48-volt Phantom Power
                Fishman 910-R power adapter (optional)
    BATTERY LIFE:        70 hours
    AUDIO I/O SPECS
    1/4” Instrument input
    1/4” Amp output
    XLR Balanced D.I. output
    Auto Ground Lift

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    04PS_end.JPG

    05PS_bot.JPG

    06PS_box_open.JPG

    07PS_box.JPG

  6. I feel that I have fallen on my feet with my current gig. I play nyckelharpa for a highly bizarre and eccentric two-person border morris side. So there are just the three of us; I am the musician and the other two are the dancers. This means I have all the freedom of being a soloist, and pretty much get to choose the tunes I play, but am not the primary focus of attention, and enjoy all the camaraderie of being in a band with two (completely mad but) good friends. 

    There is no heavy gear to lug (just my 'harpa and usually a tiny Roland cube amp), no turning up hours early to set up, or waiting around till late to break down. We can travel by public transport when it suits, or we can all fit in my ancient Nissan Micra (aka the Tour Bus). 

    We get some great and interesting gigs. This year we have performed at a folk-metal gig in Camden, a major European folkdance festival in Germany (which included an arena performance in front of around 5000 people), a fetish club (lots of fun), and most recently a pagan samhain festival (All Hallows Dark Gathering in Boscastle), along with the usual morris gatherings and dance-outs. We have been interviewed twice by the press this summer (once for a local paper in Germany, and once for Dancing Times). We only do the gigs we all want to do - so it's quality rather than quantity. We've also made a shedload of (often strange) friends along the way.

    All in all, it has been a blast. Long may it continue! 

    • Like 2
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