KASH

[quote name='Killstarz' post='582409' date='Aug 27 2009, 01:28 PM']Hi,

Ok, ive decided that im going to put this bad boy back up for sale, and this time, it's staying up til i sell it. Really GASSING for a new Jazz bass (in white or sunburst) so this needs to go.

Looking for [b]£450 plus postage[/b] (will be roughly £15 by courier)
will also accept trades

It plays absolutely lovely and i havent seen many of these (in fact none) of these around.
Ive had it since new and it has been really well looked after.

Spec:
Olympic white CIJ precision Bass
Baddass II bridge
62 RI vintage PUPs
Custom 'F' Neck plate
Strung with D'adrrio flatwound (Chromes)

Case not included but i will chuck in either a Deluxe Ritter Gig bag or a deluxe fender one.[/quote]

would you be interested in a MIM Jazz with Gotoh bridge? It's red though

[quote name='warwickhunt' post='579113' date='Aug 24 2009, 02:39 PM']By definition 'active' (whether pups or pre) means that a battery (batteries) is required; if a bass has a battery in it then it is active, conversely no battery at all and it is passive... UNLESS the bass is powered by an external power supply via a TRS lead or sometimes XLR style leads.

You can get pups that are active but can utilise passive pre amps and/or you can get passive pups that require or can work with active preamps and obviously pups and pres that are active and both require juice.

Confused? If not I haven't tried hard enough! [/quote]

I got it now, cheers!!

...is there a difference in sound or is it one better than the other? I mean for the most common combinations: active pu w/ passive pre VS passive pu w/ active pre? or is just different means to an end?

Sorry if this sounds basic and obvious but I have a bit of a silly question :blush:

If a bass has passive pickups and active tone control, say a Spector Legend for example, is it considered an active or passive bass? And does it requires a battery too?

[quote name='Linus27' post='571934' date='Aug 17 2009, 07:05 PM']Not good about the Behringer combo. Were the guitarists allowed to use their own amps or did they have to use the water rats backline?

What time were you on and were there many people there?[/quote]


My guitarist played through their line 6 combo too...and he's used to play with his loud as f*ck Mesa half stack, sound wasn't too bad to be honest. Behringer is just a signal really and it goes straight into the DI box , can't even hear it lol you'll have to rely on the PA and trust the sound man skills, which was OK after all.

Don't know how many people were there, but not many, we were on at 8pm and the band who was supposed to play after us never turned up!! Also, it was a VERY mixed bill, from hard rock to reggae and indie, etc...not great. I would say avoid play on Sundays, and early, unless you can pull 100 people every time you play:)

Played there last night. Nasty Behringer combo (apparently they didn't let us take our own backline?!?!)

...however, the sound guy knows his sh*t and even though it wasn't the best sound in the world, the stage sound was pretty good and according to the audience, the front sound was brutal!

Oh, didn't pay to play or anything like that, didn't make much money either but we're from london, so no expenses, but had the same 'how many bands are playing tonight after all?' experience too.

must say, the sound is pretty decent, at least for us was.

[quote name='paul h' post='568614' date='Aug 14 2009, 07:20 AM']What if I offered you my bb614 for a knock down price?

:brow:[/quote]


colour and price?

I see the BB614 have lots of points! lol ...unfortunately I'm not a big fan of active basses, hence the BB414 as my 1st choice.

How about the other options?

bump

Ok, here's a few basses I've got on my GAS list. All affordable, but can only buy one

So, I'm looking for tons of low end bassiness (there's a new expression for ya ) A good hard rock/metal machine

Here's the list:

Yamaha BB414

Epiphone Thunderbird (by the way does the Gothic, having a mohogany body, sounds different from the std?)

Spector Legend (2nd hand...I'll buy the other two 2nd hand as well if i find a good deal)

There's more...as you can imagine , but for now, I have these three in mind. Haven't tried any of them yet, must say, just looking for opinions at this stage

Cheers

Hey

I've found a Boss MT-2 Metal Zone in my moms house from my old guitar days, first thought - sell it! but now I'm wondering...would it work well with bass? or will it cut the bass freq? Anyone use it?

I haven't tried on my rig yet as it's in the studio, just looking for any users who can recommend any settings to try, etc...

cheers!

Cheers for the input guys. I'll take my head and use it wisely after all is always better to have 'my' sound.

[quote name='silverfoxnik' post='552142' date='Jul 26 2009, 10:19 PM']It's a 450 watt cab by all accounts... Should be OK provided you don't overdo it on your master volume.[/quote]

Yeah...I know, I just don't feel very confortable when I know I'm restricted in terms of volume. My head will be pumping 700w @ 4ohms onto the cab...I think I'll take it with me anyway and give it a try. Not sure about PA support but it's a small venue so might just use backline, don't know yet.

I have a gig coming up and the house bass cab is a mesa boogie 1516. I won't be taking my 810 as it's overkill for the venue. I don't know if my GK 1001RB is a bit too much for the cab really. The house head is a trace of some kind, don't know the model...I just don't wanna blow the house cab. Any thoughts?

fitted a gotoh bridge 201 on my MIM jazz last week...more sustain and more stable good price too, comparing to BAII

anyone :ph34r:

Hi mate, have you got pics of the gig bag?

Ask you dad to teach you how to spell

just jokin...don't know man, but good luck, you're young so you'll get there eventually

...how much is a Fender MIM Jazz std circa 2007/08 (not sure) worth in the second hand market?

[quote name='Bill Fitzmaurice' post='518386' date='Jun 19 2009, 01:49 PM']A modern alternative would be a 3015LF bottom cab to provide the low end, crossed over to a vertical 3x10 cab loaded with guitar tens at 200-300 Hz to give the high end of the original.[/quote]

...and now in English?

juat ordered one of [url="http://www.levysleathers.com/product;cat,17;item,487;Levys-Gear-MMGXL-2"]these[/url] hope it works

[quote name='josh3184' post='516615' date='Jun 17 2009, 04:56 PM']what technique? Spinning your hair? Which part of the video do you mean?[/quote]

that part where I stand in the middle of the desert with my pink speedos and i'm playing that punk rock metal thing, a bit bluesy and jazzy but quite funky, you know, with a lot of soul, almost a reggae dub kind of sound but not quite like that. I just though the clak thing would fit

I've got an ABM810 and man...it rocks! The GK 1001rb also helps though :brow: it's punchy, yet warm and sometimes can be a bit boomy depending on the amp settings really but overall it's a great cab, nice looks, manouverable and great price. If you go 2nd hand you can grab one pretty cheap. I was on the market for a 810 and didn't want to spend a fortune on Ampeg & Co so I went with Ashdown and I'm pretty happy

PS - the metal corner balls are not very strong or maybe it's just me that still belives that a bass cab must be able to handle abuse! lol

Just to awake this thread again :brow:

1st - Does this technique have a name or is just 'Clack'?

I use it quite a lot actually...but my instrument seems to be set up differently, I use a Jazz bass with HIGH action and standard gauge roundwounds...I believe the 'sectret' is in the attack (I'm quite heavy handed, must admit) and playing closer to the neck. I do this finger style. Just for curiosity, does anybody do this with a pick?

bump

anyone??