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moonbass

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Posts posted by moonbass

  1. [quote name='nottswarwick' post='1344895' date='Aug 18 2011, 09:45 PM']Ours cost £170 for a year I think. Well worth the cost since we do 70-100 gigs per year, and is often required for these types of venues. That and up to date PAT testing certificates are the main costs of running the band, but a little aside from each gig easily covers it.

    Chris[/quote]

    Which company did you use Chris?
    Cheers,
    Andy

  2. I've been looking around for PLI recently for exactly the same reason as the OP. I would love to know if anyone has any suggestions of companies that will insure a band rather than individuals? Everyone I spoke to would only insure members individually and had to be for a full year. As we're an 11 piece this makes it pretty unfeasible! I get the impression though that venues really just want to see a piece of paper to say they've ticked a box. One way to get this is to insure some equipment with a musician specialist insurer. I think the cheapest I saw was £30 for a year to insure £300 of equipment. But obviously this wouldn't actually cover anything other than injury due to that item of equipment. In short it does seem difficult to get what most bands need, ie: whole band cover for the occassional one off gig where PLI is needed. Solutions on a postcard please. A.

  3. Sadly I think the studio version is the worst of the three! The phasing on the cymbals is pretty terrible, and they seem to have forgotten to mic up the kick drum.
    So many people have Logic or similar nowadays you might be best getting the original tracks from the studio and doing some 'buffing up' yourself as I'm sure they could be made to sound much better with a little time and effort.
    A.

  4. Although not specifically acid jazz there are a few more recent bands who are doing the retro funky jazz thing really well that you might try:

    Lettuce
    Speedometer
    Haggis Horns
    The Apples
    Lack of Afro

    And from back in the day you should check out Freakpower's 'Drive Thru Booty' if you haven't already.
    A.

  5. Hi,
    I'm thinking of selling this lovely EUB to fund other purchases. It's in great condition with only a few superficial blemishes to pegbox. Fitted with brand new D'Addario NS Trads. Original fitted gigbag and tripod stand.
    In the way of trades I'm looking at 5-string precisions, LittleMark Tube head or Markbass 104HF cab with money to make up any difference to around £1400. Would also consider David Eden heads
    Will put photos up if anybody is interested (but very little different from new condition).
    Let me know if you have any interest.
    Cheers,
    Andy

  6. A quick twopenneth: look carefully at what music you're learning to read. There's a good reason most music tutor books start with simple well known tunes like nursery rhymes. If you can already play you won't have a problem almost playing without really 'reading' but your brain will start linking finger positions to the visual cues. Practice them enough that you are not having to 'think' too much, then move onto a new tune. I would advise against learning transcribed bass parts to stuff you like as learning melodies is much more powerful for learning to read. If you can't find a decent bass tutor book then try a trombone one (like Tune a Day) as they are pretty much in the same range.
    When you've got your confidence up a really good way to progress is with pit bands for amateur dramatic musicals as you get loads of practice, it's fun and most parts tend to be pretty easy.
    A.

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