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odub

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Posts posted by odub

  1. I've been thinking about this a lot as of late.

    I like the fender shapes, I believe the clone bodies can offer better quality, better value for money etc, but there’s always this thing in the back of my mind that it’s still a copy (even if it’s a better version).

    For me, what I’d really like to see is someone coming up with a really decent bass, but with individual looks and sounds but still works. Warwicks, Rickenbackers, Thunderbirds (though the same thing applies for borrowed guitar shapes – ignore my ASATs tele shape), singlecuts, the lakland basic shape, a lot of the hollowbodies, MMs

    There must be tonnes more shapes around than Jazz/Precision

  2. [quote name='benwhiteuk' post='279647' date='Sep 8 2008, 12:54 PM']How can you justify/qualify that? Have you read the rest of this thread?[/quote]

    sigh yes I can't quantify it and yes I've read and commented in the rest of the thread, It's an opinion based on going down denmark street for the last 5 years.

  3. [quote name='benwhiteuk' post='279363' date='Sep 7 2008, 09:53 PM']Excuse my cynicism, but couldn’t this possibly be a case of good service for a well dressed city business man? I wonder what the service would have been like if you were wearing jeans and a t-shirt and were soaked through by the rain.[/quote]

    I've had good service from them, been allowed to try anything I want out etc. Now, I am a city business man I guess, but I go in wearing jeans and t-shirts and I'm in m 20's.
    Having said that I went to the gallery this weekend and that was something else....blows everything else out the water

  4. I've gone from thomastic jazz flats (about 1/5 years same set) to La bellas and at the moment I think I prefer the thomastics.

    Though I got deep talking mediums, which as a lot thicker that the thomastics,
    Also, the jazz flats have red bindings, the la bellas light blue,

  5. [quote name='Rasta' post='276721' date='Sep 4 2008, 09:12 AM']Gwan play dem reggae dub riddim wid tone....cha bumbaclot :huh: = No tone fe sure.. for me it's just phat belly gully slinking resonance through a giant sound system...there's a lot to be said for just a note thats very loud and very bassy indeed....apparently the earth resonates in Eb-thats just one note - Don't get me wrong i love 'Portrait of Tracy' (thats lots of notes) with tone, but there is a lot to be said for just the bass, big dub tents aka jah Shaka, a Jazz or precision with tone rolled off and a natural smoke machine and 1000's of festinutters-pure and obese bass tone...they're grrrrreeeattt! Irie :huh:

    What am i talking about-try a SUBDUB night (Iration Steppaz)-footlong with reggae reggae bass food Sauce in Leeds! :)[/quote]

    Ah subdub, I used to go that when I was at Uni, cabbage and SUBDUB still going?

  6. It takes some of the voodoo out of it, makes it a bit easier, I find it interesting. But thats not the same as just learning the notes on the fretboard, that would be really boring.

    Learn the major scale in C, it's easy, C D E F G A B, learn how to play the shape starting on 3rd fret A string. Then try the same thing on the other 3 "c"s. If you're still really bored, then just don't do it.

  7. You know I'm almost tempted to say mine, so that I could buy the white sei up for sale here, I suspect it'd be one of those regrets for ever things though,

    Ah it's already sold, oh well

  8. Here's mine, sporting a new set of La Bellas.

    Custom colour scheme, cream+gold, maple neck, semi hollow with f hole and matching headstock (I know you can see all of this)

    [attachment=12784:CRW_3095.jpg]
    [attachment=12783:G_L_ASAT.jpg]

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