Beer of the Bass

Are you playing French or German? I've found dealers here tend to have fairly slim pickings for German bows, though you may have more luck with French. In addition to the Violin Shop in Glasgow, both Stringers and Gordon Stevenson in Edinburgh might be worth calling to see what they have in (I'd do that before travelling). None of them keep a huge range in for bass, but they may have what you need. 

It could still do some screwy things even without stressing the amp. At the frequency where one speaker has an impedance peak, the signal voltage across the other speaker will drop so that it has very little output, which has got to sound weird. 

I'm sure I remember seeing specific cautions about running dissimilar speakers in series. I don't recall what the precise issue was, but it would seem to be a quite complex situation with the impedance curves of the different speakers interacting and likely quite hard to anticipate how it will behave. 

I have two dots on the face on the fingerboard at the octave and a fourth above (where the 12th and 17th frets aren't). Some people are quite scathing about the idea and it tends to get shot down in online discussions, but then a surprising number of better players than me have dots up in thumb position so I'm not going to feel bad about it. It does help me to feel a little more confident in venturing up there, and I'm using the small side dots from a set of guitar dot stickers, so it's neat looking but easily undone. 

49 minutes ago, LukeFRC said:

Irony being if Lovetone bring it back they will probably be buying the bbd chips from … behringer! 

Indeed, probably the case with anything that uses vactrols too these days. 

I'm guessing Behringer aren't going to do the Lovetone flanger with the question mark on, that thing was nuts, a lot of fun. 

A conventional repair would usually involve access from both sides, so a top or back off job, which is either going to be an expensive luthier job or a big DIY one. 

And it's pretty much in the location where some modern bass makers have put sound ports. The example in the link uses multiple small holes, but one oval just large enough to cover the missing parts would look neat and deliberate. I think I'd want some sort of cross-grain reinforcement on the inside of the hole just for stability and to stop any hairline cracks from spreading

https://uptonbass.com/product/arnold-schnitzer-upton-bass-ergo/

Moe Foster did some articles in the 90s Bassist magazine, as far as I can remember his Jazz bass looked fairly conventional. He did say the ebony fingerboard had come from a double bass, but presumably it had had been cut down to normal Jazz bass proportions. 

edit; OK, in the link it looks to have a somewhat extended fingerboard, but not so much that it only had room for one pickup, maybe 2 octaves or so? 

55 minutes ago, Hellzero said:

Just for the record, Jannick Top and Philippe Bussonnet (both Magma bass players) are tuning their bass in fifth (C G D A).

 

Jannick Top being a classical cello player he started tuning his bass in fifth in the early 1970's...

 

Philippe Bussonnet is using the same tuning in fifth because he wanted to sound like JT.

Also Georgie Born with Henry Cow in the 70s, she was coming from cello and I think she hadn't played bass before the band. Though that was on a short scale Dan Armstrong bass which would have been less stretchy for the left hand than a Fender. 

I got distracted with various things and missed the date slipping by! 

Usually four string sets are labelled I to IV in Roman numerals, with O for Orchestra or S for solo on the other side of the ball. But I've never had a low B or high C, those might be labelled differently. 

1 hour ago, merello said:

GG is a monster in Glasgow - nice monsters but they attract everyone in yet going to Kenny's or Merchant City can often get you a deal. My last major purchases have been

Fender Mustang Amp - Merchant City Music
Fender Cabronita Thinline - Merchant City Music
Sterling Sub MM bass - GG
Spector Legend - KM
Blackstar 120W Bass amp - KM
Fender MIM P Bass - GG
Gibson G45 - GG

Martin D10E - GG

Spreading the love...

I know a couple of years ago when I was looking at acoustics in Glasgow, GuitarGuitar were just a little more engaging and able to chat about what I was looking for in a helpful way than the other shops with new guitars were, and I like that they have some used guitars too. I ended up with a used 2020 Gibson G45, not an option that was originally on my shortlist, but playing it in person next to to others I just liked it. 

That's a shame, I'd nip in for guitar strings sometimes, though I think my only major purchase from them was the great Ampeg PF50T blowout of 2018 (that one's still serving me well). 

20 hours ago, Passinwind said:

I've seen no mention of perhaps the most obvious choice, albeit not under SC's name: Light As A Feather, by the original Return To Forever lineup.

I *almost* posted about it, but then I thought it was surely the one album that anyone talking about his double bass playing would already know. It's a great one, he's all over the bass and it certainly changed the whole business of latin jazz bass playing, but the focus of the group setting steers away from some of the excesses he might go for on solo albums. 

It's a good sound overall, I can hear the noises you mean but it's only on the first example that I might consider trying another take if it was for a recording. It sounds like it's in the way you release stopped notes with the left hand, I suspect you'll instinctively adjust your left  and right hands to minimise it as you get more familiar with the new setup. 

28 minutes ago, Wolverinebass said:

It's a joke which came about from one of my own bands. I was discussing cymbals with my drummer and he said he had seen a Zildjian ride cymbal called "the megabell." Basically it had a hugely pronounced and exaggerated dome which I presume was designed that way so that it was impossible to miss.

 

When he told me what it was called, I burst out out laughing saying that it sounded like a great insult. "That guy's not a bellend, he's a f@&*ing megabell!"

 

In that they have transcended the normal level of bellendry to a higher lofty plain that us mere mortals will never attain.

Ah, so it also carries the implication that you'd like to whack them with a drumstick! 

1 hour ago, Cato said:

He turned up on my instagram feed complaining about Davie 504 faking something or other.

 

Calling out the transgressions of other influencers seems to have become his 'thing'.

It's a shame in a way, Mr Sapko does have a good feel for a particular flavour of rock bass playing, I'd be way happier to see that front and centre rather than becoming the callout guy. But I guess that's YouTube again. 

If both surfaces are flat and clean, 3M 467 double sided adhesive sheet should do the job, it's the stuff often used to apply pickguards to acoustic guitars. 

The K&K guitar systems (using similar discs inside the guitar) are usually applied using a drop of gel superglue, which is not as drastic as it sounds - provided you don't use an excess amount it can usually be popped off again by prising it with a single edged razor blade. 

7 minutes ago, Burns-bass said:

There was a story Jeff Berlin tells about listening to the Jaco record. Jeff said it his brother “I can play all that, it’s not that hard.” To which his brother replied, “yes, but could you write it?”

 

I’m paraphrasing a bit but the essence is the same. Coming up with this stuff is the hard bit, there are plenty of others in the world who can play it.

Jeff Berlin is one who could probably warrant his own thread (though it wouldn't go well). Facebook keeps thrusting his posts and other people's responses at me, and I can only think that however fine a player he may be/have been, he hasn't been a well man for the last decade or more. 

On 15/10/2025 at 14:52, fretmeister said:

It seems Giacomo is back.... and still stealing from other youtubers with low followers

 

 

 

Disappointing that Alberto Rigoni seems to be playing with him now.

It's confusing; to be lifting all those lines as closely as he is, he has to have fairly high-level transcribing skills even if the actual playing of the lines might be massaged a little. It's a surprising amount of work to put in for something that's still passing off other people's work. I feel like most people able to do that probably have the skills come up with their own variations "in the style of", if they wanted to.

So beyond the "what" and the "how", the "why?" part is puzzling me. 

That was definitely a factor in going for the PF50T rather than holding out for a bigger beast going cheap (as they sometimes do). The cost of one pair of 6L6 isn't going to be too much of a financial catastrophe, and now it's out of warranty I'm fairly sure I could figure out most issues myself, where some of the bigger lads increase in complexity too. 

He's been a big influence on my playing, I think he may even be the reason I picked up on the sound of double bass as being something I wanted to do some day, back when I was a kid digging out my parents' Pentangle LPs. He had such a big, confident sound, yet always managed to complement whoever he was playing with when guesting. Always remarkably in-tune too, it took me a while to appreciate how much of a magic ingredient that is. And I've never heard anyone with a bad word about him personally, clearly he was doing things right! 

Oh, that's a shame, I was fully planning on auditioning some German bows from them whenever I was feeling flush enough. 

I might try a speculative bid or two on the auction, you never know, especially with the German bows where demand might be lower...

On 20/09/2025 at 12:34, Agent 00Soul said:

Are there any people under 40 on this thread?  I would love to hear their point of view.

I'm not sure there are many under 40 using single interest hobby forums at all, I'm 44 and still somehow among the younger users of most sites like this. 

But given the song referenced by the OP, maybe we should be asking if anyone in the thread lived under the 70s Nigerian military government, or a comparable situation (same answer, I suspect). 

There isn't really a definitive answer, I reckon. You can only consider whether you like the idea, and whether you're comfortable with any possible reactions you might be able to anticipate, then make a choice about whether it's something you want to do based on that. 

So my take on being in a band of white British guys playing Zombie in particular is that I wouldn't, not "you must never"