Jump to content
Why become a member? ×

louisthebass

Member
  • Posts

    1,077
  • Joined

  • Last visited

  • Days Won

    1

Posts posted by louisthebass

  1. [quote name='lowdown' timestamp='1318326648' post='1400490']

    There's a lot more to Ewan than Deacon Blue.
    Terrific player.




    Garry
    [/quote]

    You're right there Garry, I know he's a bit of a jazzer & he does a bit of work with Capercaille (sp?). Has any mag ever done a decent interview with him?

  2. Here's my nominations:

    Ewan Vernal - Deacon Blue
    Mike Visceglia - Suzanne Vega
    Jim Fielder - Blood Sweat & Tears
    Kevin McCormick - Melissa Etheridge / Jackson Browne
    David Hood - Muscle Shoals Rhythm Section
    Dave Bronze - Be Sharp / Eric Clapton / Art of Noise
    Roscoe Beck - Robben Ford & the Blue Line
    Dick Nolan - It Bites

  3. [quote name='Faithless' timestamp='1318069534' post='1397761']
    Nice one, as always, Scott...
    But, hey,man, you're using this 4string way too much :) :) where's your 5er, have you sold it or somethin'? :)
    [/quote]

    I wonder if Scott is using the four so it makes his lessons more accessible - he had a few complaints on TB from people about the fact that he was using the C string on his 5 in his early tutorials.

  4. The Two Against Nature DVD is my most played music DVD. SD are one of the greatest bands (IMO) of our time, glad I got to see them a few years ago at Hammersmith with the great Keith Carlock on drums (Ready Freddie Washington was on bass that night - Sunburst P Bass).

  5. Rhythm & Jazz is definitely a must.

    Saw him do a clinic at the Bass Centre in Wapping in the mid 90's playing both 6 string fretted & fretless basses. The guy's a monster player in every sense on both basses.

  6. As a poster who has got Stuart's book, he only [i]suggests[/i] a certain number of ways to play the scales in the book - it clearly states that the user finds their own way of playing them & learn the content of the scales (in other words, learning the entire fingerboard). I'm still on the first section of the book & it [i]is[/i] a challenge, but that's why I bought the book in the first place.

    I thought I knew my scales & arpeggios, but this book has proved that I don't know as much as I thought I did :)

  7. A bit late to this thread, but I've encountered Alex both at the old Bass Centre in Wapping (great days) & the Gallery & have always found him to be a top fella - always willing to help & have a quick chat. My missus found him to be really helpful when she bought me a couple of Epifani cabs for a wedding anniversary present a few years back.

    I think the OP just caught him on bad day, but Alex has said sorry & looks like both parties are willing to let bygones be bygones :) .

  8. I'm 48 in a months time, but still feel the same way about playing when I started at 21!

    Having lightweight gear is a godsend. I don't know how I coped for years lugging heavyweight Trace Elliot or Peavey gear...

  9. Started wearing plugs only about 2 years ago after a rehearsal where I was next to a PA speaker & could feel the inside of my head vibrating. From then on it's been plugs all the way for me - I value my hearing too much not to wear them as I'd still like to be able to enjoy listening to music when I'm in my old age (if I get there that is...).

    I've got a set of Alpines that set me back about £30, but a set of moulded plugs is on my want list.

  10. [quote name='silddx' post='1348456' date='Aug 22 2011, 09:45 PM'].. that this quest for the perfect bass bullshit, is BULLSHIT!

    Being on basschat has somewhat corrupted my thinking, that I need a bass that's perfect for me. I don't. I need a good bass, good strings, and my brain. That is all. I've been playing, not talking, and I have found out that all I need is a decent bass. There is little difference between any of the basses I have had, only practical things. Playing and thinking about music has shown me that any decent bass will do. I've talked about bass far too long. When you actually PLAY, you start getting a more real connection with yourself, and the instrument itself becomes less and less important. Your LIFE is what is important. Live it and you will speak though your bass.[/quote]

    Totally agree with this - well said that man!

  11. [quote name='Pete Academy' post='1348306' date='Aug 22 2011, 07:40 PM']Some great comments.

    Has anyone had lessons from a teacher to learn this style? Has it worked?[/quote]

    IMO definitely think it's a style of music that can be learned, especially if you love it. I'm still working on the material Paul Geary (ACM) passed onto me in the lessons I had with him for a couple of years even now. Really enjoying learning lines played by Verdine White, Bootsy Collins, Wilton Felder, Bermard Edwards et al..

    The one thing I've focused on is learning it slowly, & building it up to a manageable speed where it grooves as opposed to seeing how fast I can play it. I'm slowly getting to the point where I'm a lot better at playing this style of music than I was 10 years ago.

  12. [quote name='thepurpleblob' post='1339412' date='Aug 14 2011, 10:51 AM']I don't want to start a fingers/pick argument, but I'm pretty sure it's possible to play any pick line with fingers and vice versa. It comes down to what you happen to have the ability to do.[/quote]

    I forgot to mention it took me years to learn how to play ATCM fingerstyle. Not intending to start a pick v fingers flame war as it's to each their own (I'm pretty crap with a pick, so fingers it was). IMO it's just a case of working on whatever song it is you're working on & breaking it down into small chunks. Once you've learned the chunks, it's a matter of sticking them all together.

  13. It's possible to play this with fingers - did it for 18 months with a band. Even though Foxton used a pick, it's possible to play all his lines fingerstyle.

    Town Called Malice - great track. As soon as it comes on the radio, volume in the car goes right up :)

  14. From what I've read, Jaco preferred the tone of a Jazz over that of the Precision. I suppose he thought it had a bit more flexibility for what he wanted to do. Combined with the Acoustic 360's & his talent for playing the instrument, that's where Jaco was. Great player, still my all time favourite - it's just a real shame that he left this life far too early.

    Jeff Berlin does (IMO) talk a lot of sense in terms of learning to play the instrument, although I don't agree with his viewpoints on not using a metronome. However, he does seem to have a capacity for winding people up but I wonder if that's as a result of people trying to wind him up in the first place. The guy is a an excellent player, but as has been stated before not everyone's cup of tea.

    Cheers,
    louisthebass

×
×
  • Create New...