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=^..^=

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Posts posted by =^..^=

  1. On 06/11/2023 at 05:49, NancyJohnson said:

    These new models are $3.2k (so read that as £3.2k+ over here); why would anyone consider forking over that kind of money when it's feasible - if you bide your time - to get an original 70s model for less £££?


    I've got a 77 B00 stingray - I bought it as I always wanted a pre EB ray, it's lovely, I'm not going to sell it but it really is a one trick pony, it has one basic sound - if that is what you want then it's the right bass for the job...

    If I was buying with my head and not my heart then I'd go pretty much as far away from that with an HH stingray just to give it a bit more flexibility - which is why I have a Musicman reflex as well I guess..

     

     

  2. When I got the bass (last week) the actives had been removed and a simple op amp circuit put in it's place . It was a volume pot per pickup and a simple capacitor wired as a tone control.

    If you turned the pickup volume to max and dug in the op amp clipped regardless of the trim pot setting on the board.

    A very nice chap on the Facebook Statii page is sending me the actives from an S3000

    image.thumb.png.86347940445d6d2844c4b5d373e9c640.png

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  3. So - last week I got the the black Washburn Status that Bass Direct were selling - plays nicely, looks ok, sounds terrible.

     

    The actives have been replaced at some stage with a preamp that clips at max volume so they are up for replacing, paint job is ok tbh but satin black shows every mark  / imperfection / finger mark so it might be in line for a refinish 

     

    I guess there is a lot of history on this - so who has had it and what did you do to it ??

     

    Washburn_1.thumb.jpg.18ebfef03b351b7b9511410fb9ccca32.jpg

    Thanks

     

  4. [color=#1D2129][font=Helvetica, Arial, sans-serif]
    For Sale - Akai Deep Impact SB1[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    Location - Isle of Man, UK[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    Price £600 (or sensible offers) + postage [/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    You know what these do and this one does exactly what it is meant to...[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    I bought it new, took it out of the box, put it on my pedal board where it has lived and made funky (or spooky / haunting) sounds ever since.[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    It's in excellent working order, no marks or scratches, the display works, the switches work, the pots track etc etc. the only slight issue is there are a few bits of fluff caught in the velcro on the feet on the underside of the unit.[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    It does not have the original box, it does not have the original PSU.[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    How often do these come up for sale? [/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    Just for clarification - after issues on two recent sales due to time wasting buyers or people saying "PM'd you.." and other prospective buyers thinking the item had gone I will deal with all prospective buyers until I get money in my account. There is no priority list, no dibs, no "can you keep this for me?" etc.[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    Sorry if this sounds bitter but it's very frustrating when someone says "I'll pay you" and then a week later hasn't by which time the second person to contact you has spent the cash they had.....[/font][/color]

    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    Here is the thread on Talkbass from when I originally got it.[/font][/color]
    [color=#1D2129][font=Helvetica, Arial, sans-serif]
    [url="https://www.talkbass.com/threads/akai-sb-1-deep-impact-synth-env-filter.11294/#post-136899"]https://www.talkbass.com/threads/akai-sb-1-deep-impact-synth-env-filter.11294/#post-136899[/url][/font][/color]

  5. I've got almost the reverse of this - I want back a bass I sold many years ago.., If anyone has a [color=#282828][font=helvetica, arial, sans-serif]Hohner Jack Custom V headless bass lying around that they'd like to go to a good home...[/font][/color]

    [color=#282828][font=helvetica, arial, sans-serif]The strange thing to me on this thread is that people have mentioned stingrays not matching up their expectations - I waited for years for a Pre EB stingray and when I got it it exceeded everything I'd thought about the bass. Still blows me away every time I play it[/font][/color]

  6. Hi Steve - it's difficult - I'm in quite a small market where most pit musos know each other so the contacts are easier for me.

    I've done maybe ten years pit playing and a few years after starting I did nearly every show in the theatre as I got to know the MDs and the societys and I have a good work ethic which got me lots of repeat work. Then the societies started changing MD's and they'd bring a different group of players with them.

    I ended up finding out what show was on, finding out what company was doing it, finding out who the MD was, walking straight up to them and asking!

    My pit work took a back seat for a couple of years but I've got back 'in' with one of the societies and I've got the bass chair back - until my face no longer fits and I'll have to start again.

    I love it though. It's nice just to be this small cog in a big production machine and it';s a nice way to step to step my game up. I try to acheive a "one note a night" error rate which is what I work towards (that can be missing a flat, a miss timing etc) and I love it.

    One of the best moments was in my first panto where we were doing a ghost scene - I'm doubling the keyboard player and all of a sudden I realise that I can't hear myself as 600 kids are screaming "he's behind you" so loud... awesome fun.

    This is from the musical "Our House" this year - dressed up in the pit - no one saw me like this except the cast but it went down really well with them

    - and got me a gig in a Madness tribute band :)

  7. Hi Guys.

    I don't know why I've never found this place before.

    Ok - where do we start?? I've been playing about 30 years, Mainly bass guitar (BG) but for the last ten years I've done more double bass (DB) than BG.

    I've got a regular three piece blues/rock gig on the BG - loads of unusual tracks, some originals, two other great guys in the band who are up for some 'freedom' in what we play so it can get kind unusual some nights :)

    I add to those with a Johnny Cash tribute band on the DB - loads of fun, great nights, great band. Good times :)

    I add to those with pit gigs (theatre not "down the") - typically 3 shows a year, Normally just a week run but still ace. Next year is looking busy with 3 confirmed runs and panto already in the book (oh yes it is)

    And I add onto those random other gigs every now and again.

    Got a bit of a gear habit....

    I've got 2 King double basses (slap king and a tiger king) as I did 6 years in a rockabllly band.

    Got a range of pit basses for what ever sound the MD wants. My normal pit bass is a warmoth gecko 5 but this year my Stingray and my Jazz have ventured in with me to get the exact tone they wanted.

    The blues band used to get the Jazz bass but these days the stingray is coming along more often. No reason other than it has an incredible tone !

    Amps? Mainly Ashdown. I've got an ABM Evo II 500 head or a small block valve amp or a biamped power amp fed by an RPM. Which one I take depends on how little PA we have, Cabs are ashdown minis. If you are hauling an upright around the last thing you need is more hassle with heavy cabs...Also got a GK microbass for the pit where space is normally at a premium.

    If I could only play one style of music for the rest of my life it would be rockabilly - it might limit my theatre work but who cares - if I'm slappin the doghouse then everything is good.

    Just recovering from an injury at the mo - I managed to dislocate every finger on my right hand at the end of may. When I did it I thought I'd never be able to play again (and most people that saw my hand agreed) - but thanks to Shrewsbury General I was playing BG just three days later. Still not 100% on the DB as one of the finger joints is frozen but after nearly 7 months I'm starting to get that working again :)

    And if you are wondering - my user name is a cat in ASCII characters :)

    Cheers

    Johnny

  8. I've no experience of those particular guts but I've got one of my basses strung with a full set of £40 (in total..) gut strings I got from ebay a few years ago from an indian supplier - no problems at all with them, great classic gut sound / feel and most people who've tried the bass have liked them..

    Bearing that in mind I think £100 for an unbranded set is a bit pricey - it might be worth keeping a watch on ebay for others..

  9. Ok - two signal paths,
    Line A EBS Bass Iq >> Boss Chorus
    Line B Deep Impact >> EBS Octbass
    >>EBS Multicomp (always on)
    >> Sansamp DI

    The black box at the back is to control the Mute and Sub on my Ashdown amp. Grey box back left is for the stage cable to/from the amp.

    Just realised how mucky the board is but those are the remnants of a lot of Pyros !!

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