Lobster fingers

I use my green rhino overdrive right after the Supersynth and it sounds great, but swollen pickle fuzz is too harsh. The bassballs doesn't sound good with the synth but good if you use it after the SS octave. It is clear some peddles are a marriage made in heaven and others a messy divorce.

[quote name='sk8' timestamp='1361967848' post='1993700'] Iron Either Oxide Fuzz [/quote] I think we have a winner: Iron Ether Oxide Fuzz. It fits the bill very well. I now just have to wait for Santa!

Thanks everyone for the suggestions. I like the look of the wounded paw pedals and the Devi ever pedals. I am also very intrigued by the Catlinbread Heliotrope Harmonic pixelator pedal, but how easy is this type of pedal to use?

I am thinking about using an extension cabinet on my minimark combo. Does anyone else do this? Any recommendations for a cab Markbass or otherwise?

Following on. Anyone used Wounded Paw fuzz pedals? They look good in the clips, but do they work well in real life and are they too similar to a green pickle or EHX bass muff?

[quote name='shizznit' timestamp='1361661608' post='1989112'] I use a ProCo RAT for a thick, warm tone (the filter control really works well with bass). That's the only full on fuzz I use these days, but I have used an original Marshall Guv'nor too which was brutal. I am contiplating a purchase of a Soundblox Multiwave Distortion Pro. It's a bit pricey, the the amount of different tones you can get out of that thing is amazing. Anything from tube warmth to synth type fuzz. I already own the Envelope Filter Pro and it has been an incredible pedal, so I am expecting the same quality from the Soundblox Multiwave Distortion Pro. [/quote] As I said in my original post I have the basic multiwave distortion. It's great, but a little twangy by itself, but when the output goes into a green rhino it gives an amazing really thick sound.

[quote name='shizznit' timestamp='1361661608' post='1989112'] I use a ProCo RAT for a thick, warm tone (the filter control really works well with bass). That's the only full on fuzz I use these days, but I have used an original Marshall Guv'nor too which was brutal. I am contiplating a purchase of a Soundblox Multiwave Distortion Pro. It's a bit pricey, the the amount of different tones you can get out of that thing is amazing. Anything from tube warmth to synth type fuzz. I already own the Envelope Filter Pro and it has been an incredible pedal, so I am expecting the same quality from the Soundblox Multiwave Distortion Pro. [/quote]

Thanks for the ideas. Any other pedals worth looking at that have a standout distinctive sound without sacrificing the low end?

Thanks for the ideas, but which are easy to get for less than £100 new or 2nd hand? hamfist let me know a bit more about your Woolly Mammoth clone and these clones in general ie which ones are worth looking at and which ones should I avoid?

[quote name='hamfist' timestamp='1361611278' post='1988154'] You are describing the Zvex Woolly Mammoth !. I actually have a cracking Woolly Mammoth clone I could sell for (relative) peanuts if you were interested, as you will soon discover that the original costs a fortune. The circuit seems to be pretty easily reproduceable by cloners and there are good clones out there. [/quote]

I love distortion/ fuzz and overdrive and I already own a big bass muff pi, a swollen pickle, a multiwave distortion and a green rhino. I use these individually or in combination with my markbass Supersynth. Can anyone recommend any other fuzz/distortion/overdrive pedals that will give me a new sound to add to my collection? Something that will give a industrial synth or musical but weird sound alone or in combination with my Supersynth would be great. Any sensible or wacky suggestions?