[quote name='stonecoldbass' timestamp='1333993132' post='1609350']
Great stuff P-Dubs! In the video you say basing your solo on the melody is key, but at the end you say that basing your lines on rhythmic patterns is also key... I guess the ultimate is then rhythmic patterns based off the melody??
Can't wait for the next one!
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Craggle Rock! I think they are two mutually independent concepts - rhythmic content and melodic content are constants by default (everything has a rhythm and pitch).
I guess what I'm trying to say is that to truly know a song you have to know everything: melody, how that is harmonised (chord progression) and the style it's being performed in. If you know the melody well enough you will begin to draw melodic inspiration from it.....possibly more importantly (and this is something I am always working on) knowing the melody inside out helps you to keep your place in the form.
The rhythmic thing is more of a personal observation. I mean everyone knows phrasing and timing is everything. But for me I'm usually pretty happy with the melodic content of my improvising but it's the rhythmic CONVICTION of my ideas that defines wether I'm playing well or not.
I mean - you've seen that Scott Henderson video yeah? The one where he plays jingle bells with random notes? That's partly what I'm talking about. Rhythm carries so much weight that it can actually provide more relevance than note choice.
Finally - I know you're into composing/production....Don't you reckon playing/improvising is just like production? The various elements of tone/rhythm/melodic and harmonic content....in various contexts the spotlight may be on one element more than the other....(and this is the important bit) the single most important thing is that there is a binding idea - wether it be a rhythmic energy, melodic energy or even a conceptual energy (paddle-pop sticks set on fire and glued to piglet?).
You know what I mean brother.
PWF