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lowdowner

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Posts posted by lowdowner

  1. I've been watching a few performances lately of pub and events covers bands and I've noticed in more that a couple of cases that the bass player is using a music stand.

    I do this for fun, and I couldn't really care less whether anyone else uses a music stand when gigging but I've been playing most of these tracks so long it's all muscle memory now anyway so I don't, but I wondered how common it was. Do you use a music stand when gigging? Do you know others that do (or don't)?

    Just wondering... :)

  2. [quote name='xgsjx' timestamp='1506026148' post='3376039']
    The reason you should be getting a 5 string is for the extended low range and for the easier reach of notes when grooving (saves moving your hand about so often).
    It's just some extra notes, not a completely different instrument. But it is a lovely bass. B)
    [/quote]

    Basses are my only weakness! (well, and decent white burgundy, but that's genetic!)

  3. [quote name='Paul S' timestamp='1506022681' post='3376003']
    I would say leave any 4 stringers in the case and just use the 5er. That is what I did, then whatever I had played on a 4 string I moved up 5 frets, almost like there was a capo. That was how I got my head around using the centre of the neck - and then it just kind of followed from that. Then again I tend to use 'shapes' and no theory so it may not work for everyone.
    [/quote]

    great advice - problem is, my 4 string is a *beaut* of a bass and I love her *very* much :)

  4. Finally I'm going to get a 5 string after years of 4-stringedness!

    For any players who have made the change, any advice on how to get the most from the extra string? I want to think of it as a new instrument in a way and not just 'a 4 string with an extra low string tagged on' - any hints or tips to make the most of the new opportunities?

  5. Apologies if this has been asked before but...

    I don't have *any* pedals, I've always thought maybe I'd learn to play my bass 'properly' first and then try out some pedals.

    Now I'm bored of waiting to get good enough to excuse buying a pedal so.. if you bought just one - or you were starting again and wanted to buy your first pedal - what would it be?

    I'm not so fussed with flexibility, more what would be fun/wow-factor/interesting?

  6. [quote name='Higgie' timestamp='1494377043' post='3295516']


    Mini rig: Darkglass Microtubes 900 - Bergantino AE210



    Main and backup heads with my 2 main cabs. The Epifani will shortly be going into the van for my function band, leaving me with the Bergantino AE410 and 210s as my main gigging setups.



    All 3 cabs just for the hell of it ;)
    [/quote]

    How are you finding the Darkglass? I wondered whether you tried the Bergantino B|Amp as you have their cabs?

  7. [quote name='pbasspecial' timestamp='1492719450' post='3282743']
    I have just learnt 20 tracks over a three week period for a new band.
    Get them to where I am 80% happy with them but I know in rehearsals they are probably going to:
    1. Change the arrangement
    2. Change the bloody key!
    I work on the Pareto principle/80/20 rule whereby you get 80% of the result from 20% of the effort e.g. 1 hour of practise will get you 80% and 5 hours will get you 100%.
    I am experienced enough that I wouldn't want to spend 5 hours of my free time learning a song and then they either do 1 and/or 2 or possibly no. 3. Which is drop the song all together. Now that's really annoying but have only lost 1 hour as opposed to 5.
    [/quote]

    yup - good answer... the 80/20 rule is right IMHO

  8. Looking at some new dots today (see http://basslessons.be/transcriptions.php?i=94 for a current example) and it started me wondering how long it took people to learn a new track in readiness for performance?

    I realise this depends on the complexity of the track but in the case of Doobie Brothers "Long Train Runnin'" what do you reckon? 2 hours of effort, 8? 16?

    Is this a 'how long is a piece of string?' question?

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