rushbo

15 hours ago, BigRedX said:

 

I ask because there are no visible mics on that Ampeg rig, so at best only the pre-amp section of the top (and maybe not even that depending on where the DI feed is being taken from) would be contributing to what you hear.

Just seen a pic of his rig on FB from a recent gig-there's a sort of clip on mic on the top right speaker of the cab 

GONE

My wife rescued this from one of the schools she teaches at. It was destined for the skip as it has a fault - when you try to use phantom power, it howls like a banshee. Other than that, it seems to be working fine. A mate who is handier with electricals than me has tested it out and other than the phantom power thing, it all seems to work as it should.

If you need a small (200w) powered mixer and aren't fussed about using condenser mics or you need something to power monitors, this might be just the thing. Or you can just harvest the knobs, feet and components and turn the rest into a small hutch for a field mouse.

I can probably find an IEC lead to sweeten the deal (as our American cousins say.) I've printed off the manual too and added a delightful coffee stain to it.

I'm in Halesowen in the Wild West Mids. The kettle is always on. Bring some biscuits.

I can hazard a guess at a rough "translation" of the first bit:

"I haven't gigged in quite a few years, but my ideal situation would be to be teamed with a drummer like Tommy Aldridge, playing hard rock and blues with an edge. I would play like a real kick-donkey* bassist in that situation.

I have all the equipment necessary to perform on stage and in the studio, however, someone borrowed a bass guitar from me and hasn't yet returned it. Fortunately, I have others."

Sadly the rest is in some obscure dialect that I am unfamiliar with. The "see more" clickable link is just a tantalising tease, isn't it?

We may all have a chuckle, but didn't James Joyce make a living out of this sort of stuff?

(* This is a rare example of BassChat AutoCensor actually enhancing the prose.)

Oh I get it... all Bass are fretless, but not all basses are fretless. But scales are common to both. 

As someone who is about to start playing fretless bass again, after a layoff of about twenty years, I'd imagine my wife (who has perfect pitch) will be screaming the words "subtle" and "mysterious" as she pummels me with a shoe after another less than accurate rendition of the intro to "Wherever I Lay My Hat (That's My Home.)"

4 hours ago, Boodang said:

I have a thing for sunburst and tortoiseshell pick guards, so want to do the same to mine. Got as far as the tone control plate! Went with the vol/tone, vol/tone with a parallel/series switch from Starr guitars in the USA. Got held up by customs as it was labelled 'tortoiseshell' and they wanted to confirm it wasn't the real thing! 

That looks really cool - what a great idea!

10 hours ago, Maude said:

@rushbo, 3M Refix Tape is a very thin double sided tape, often known as glue on a roll as it's once the backing is removed it's pretty much just a film of adhesive. 

It's about a centimeter wide and plenty strong enough to hold a pickguard with a two or three short strips. Should be easily and safely removed from poly with acetone, lighter fluid or similar. 

It comes in a box of four 10m rolls and is pretty expensive so PM your address and I'll pop a few strips (or the end of a roll if I've got one) in the post for you. 

🙂👍

...and this is why BassChat can be a lovely place to hang out. 

Thanks Maude, that sounds like the perfect solution and a very generous offer.

I use these on my RockBoard - they're ace. Available in 10cm length for tight spaces:

Would this sort of thing work?

Hi,

Here's a pair of Squier Jazz bass pups from a classic vibe bass. They've not had much use and they're in good condition. As you can see in the photo, the wires are super-short unfortunately. I've got a set of screws for them, too.

Neck: 98mm

Bridge: 102mm (approx)

£23 gets them in your UK mainland letterbox. I'll knock a few quid off if you're prepared to risk a trip to the Wild West Midlands.

Mainly 'A', sometimes 'C' and (hangs head in shame) very occasionally 'D.'

Up until about five years ago, I used the "ever-decreasing halving" method that a few people mentioned earlier in the thread. I never had an issue with any cables, doing that. In fact, the only issues I've ever had were with broken/dodgy connections in the jack. Now, I buy good quality leads and look after them. I haven't had to change a faulty one for years. The key seems to be to avoid tieing the cables too tightly, so whenever I used the "halving" method, I was always careful to make the loosest knot that would keep the cable together.

Method 'A' makes the cables very easy to unfurl, but the "round the elbow" method is by far the quickest - well it was for me. Don't tie the cables too tightly and don't pull them out of a bass or amp by the cable - always grip the plug. Aside from that, any method that gets the job done is probably fine.

I'm delighted with my Sennheiser XSW-D Pedalboard wireless set-up. It's not the most high-profile of wireless units, but it's the best one I've ever used. I started off with the Line 6 G30 which gave me six months of good service before it started to drop out pretty frequently. I had a SmoothHound which worked really well and I gigged it regularly for 2-3 years before I swapped it for the Sennheiser rig - mainly because the receiver doubles as a tuner and I wanted to keep my pedalboard as small and simple as possible.  It's been rock-solid reliable. It's not the cheapest (Andertons have it for £299) but it's really well made and so far, it's been brilliant.

2 hours ago, fretmeister said:

If it’s tort then you’ve ruined the bass anyway. It will infect the bass with its awfulness. It’s the only ‘plate type to do that.

Nothing can undo that level of perversity. Except fire.

 

Might as well hot glue and bolt it on.

 

 

 

 

Yep.

I might nail it on as well. And possibly a wooden stake. And welding. And gaffa tape. And some clamps. And pay someone to hold it permanently in place. That's the price you must pay if you are a disciple of The Way of Tort.

Thanks for the tips... I think double sided tape should do the job, but I'm trying to find one which will keep the plate in place, but won't take the finish off the bass when I inevitably change my mind and decide to flog it.

10 minutes ago, Woodinblack said:

 

If you play a triple neck bass, chances are you need backups as there is no way you are holding that up for more than one song!

6 minutes ago, Mickeyboro said:

Never mind backup… back out!😂

Back support?

If you choose anything other than the multicoloured one, someone should be sent to your house to give you a good, stiff talking to.

I'm not a fan of MM basses, but that looks gorgeous (with the psychedelic plate, natch.)

For the vast majority of the gigs I play, I'll always take two basses. The second bass often gets a run out in the second set. I haven't had a bass fail or a string break for years, but if people are coming to see your band, they're there see you play, not to watch you try and whittle a bass from a chair leg as the only instrument you brought to the show is defunct. If, for whatever reason, you can only bring one bass to a show, it's always worth having something in the back pocket that the band can play while you change strings/leads/pedals or pants.

Thats gorgeous, that is. And the chronicling of the process was a proper hoot and very relatable. 

Good work fella!

PS: Dare I mention that it would look even more snazzy with gold hardware..?

25 minutes ago, PaulThePlug said:

Double tape... but what about the finish? On Poly should be OK...

Only other i can think would be a silicon type sealant, but i'd go double tape in as few places as need be.

Yeah, I think tape will probably be what I go for and it's a typical glossy Squier finish, so it should be resistant to most mild adhesives.  The "trial plate" I'm using to gauge how the finished thing might look, is coping pretty well with just being friction attached via the neck pup at the moment

28 minutes ago, PaulThePlug said:

But... there are 2 plateless jazz, jazzes, jazzi basses pic posts on here and both look luverly... jyst sayin'

Yep, and I would also come to that conclusion, 10 seconds after I drilled loads of holes in the bass... I'm using a white guard I've got in my parts drawer to give me an idea, and currently, I prefer it to the "naked" look.

3 minutes ago, PaulThePlug said:

What... No... Don't

Look way better without...

I'm amazed it took as long as it did to get that reply...

You may be right, hence my quest for a "non permanent" solution. And by the way, It'll be a tort guard, too, so flame on!

I've just picked up a lovely Squier fretless Jazz bass - the "Jaco" model, without a pickguard. It plays great, sounds gorgeous but...

I think I'd like to add a pickguard.

My plan is to get a guard cut, but with no screwholes, so I don't have to permanently mark the front of the instrument. I realise that I'll probably end up selling the thing on as I really suck at playing fretless bass, so in a vain attempt to keep the resale value intact (and prevent me frpm butchering a perfectly fine instrument with a poorly wielded Dremel), has anyone got any suggestions? Two-sided tape is probably the way forward, but can anyone point me in the direction of something strong and thin, but which won't damage the surface of the bass?

SOLD

This is a factory-sealed copy of the new reissue of Sab's Live Evil, with all the bells and whistles:

Original Album Newly Remastered
New 40th Anniversary Remix by Wyn Davis
1982 Mob Rules Tour Replica Concert Book
60 Page Book with Photos, Artwork and Liner Notes
1982 Mob Rules Tour Replica Colour Poster

£70 gets it posted to you (mainland UK)

I was asked to write his obituary for Under the Radar magazine. If anyone is interested, it's here:

https://www.undertheradarmag.com/news/former_smiths_bassist_andy_rourke_dies_at_age_59

20 minutes ago, toneknob said:

"(Johnny) Marr’s tribute continued: “Watching him play those dazzling basslines was an absolute privilege and genuinely something to behold. But one time which always comes to mind was when I sat next to him at the mixing desk watching him play his bass on the song The Queen is Dead. It was so impressive that I said to myself ‘I’ll never forget this moment.’"

Perfect.

If you played bass in an indie band in the eighties, Andy Rourke's level of playing was probably your aspirational goal. His contribution to The Smiths was as huge as it is underrated.