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nige1968

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Posts posted by nige1968

  1. We played one in a bar where everyone was dancing and we went down well. When our singer offered to rebook, they told him we were "too mellow" for a Saturday night (the only night they did live music). He's not normally an onanist (in public anyway) so we took that to mean the staff didn't like our act. Random, but there you are.

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  2. On 20/11/2022 at 15:21, Piers_Williamson said:

    If bitsa bass count...these are quite famous stickers (Paul Simonon's London Calling 78 Precision)

    1283551219_PaulSimononLondonCallingPrecisionbody.thumb.jpg.f97feeea8a3d4f01e71b29938d7c97ab.jpg 

     

     

    Missed this the first time round, but surely one like this could be Fender's most lucrative reissue yet

  3. 16 minutes ago, Tim2291 said:

    I have an explorer bass, no idea what brand it is, bought it off ebay years ago, but it doesn't play badly at all and has a single P bass pickup so sounds pretty P bassy. Needs all the paint stripping as whoever had it before me tried to paint on a wood effect... it looks awful! 

     

    I'd love to have the time to do the work on it and then use it at the most inappropriate moments. Jazz gig... crack out the explorer!


    Someone painted a wood effect on to … wood? This I have to see

  4. Fun fact: there are no muscles in your fingers. Powered grip is supplied by the forearm muscles, while those in the hand govern precision grip. It may be that your problem is simply forearm strength, in which case the tool mentioned above may well help; alternatively it may also be a function of the size and shape of your hand, in which case you might need to modify your technique to compensate.

     

    It's hard to move the third finger in isolation for anatomical reasons, so if you're struggling it may be because of the way your fingers align over the frets (especially the lower ones). In which case, if you try to force things you risk doing yourself a mischief. If this is the case, maybe continue to use the workaround you've already found, and experiment with the position of your thumb behind the neck to see what's most comfortable.

     

    Without knowing more about the problem it's hard to give good advice -- can I suggest booking in with a tutor who can look at your instrument and your technique?

     

     

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  5. (Starting this again, as I think my previous response sounded ambiguous and/or rude).

     

    Is it the stretch that's causing the problem, or just being able to do 1-2-3-4? You could rule out the former by starting at the 12th fret, for example.

     

    Can you do the opposable thumb thing, touching each finger in turn on to your thumb?

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