Jump to content
Why become a member? ×

leroybasslines

Member
  • Posts

    222
  • Joined

  • Last visited

About leroybasslines

  • Birthday 15/01/1975

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

leroybasslines's Achievements

Enthusiast

Enthusiast (6/14)

21

Total Watts

  1. I’d be very interested to know if he knows anyone in the Bristol area! Or anywhere in the south west or south Wales.
  2. Hi everyone, I’ve got a lovely bit of tendinitis in my left wrist (my fretting hand). Not sure what’s caused it - I’ve not been playing loads recently and I don’t recall a specific moment of strain or trauma. My technique is decent and I don’t feel like I’m putting undue strain on the wrist. But hey, it is what it is - I just need to start working on recovery. Obviously, I’m keen to expedite the healing and recovery process and would love to hear from anyone here that’s coped with tendinitis. Any tips/tricks/exercises/miraculous healing stories most gratefully received! Ideally, I want to keep playing as much as is safely possible… I’m due to see an NHS physio at some point but obviously that can take a lot of time and I’m not sure I can afford any private clinics…so any collective wisdom you guys can offer would be very helpful. Thanks! Liam
  3. This is all tremendously helpful! Thank you all very much. Yes, it is the older 4B suitcase so it’s around 300w and my amp is the TH500 - I’ll have to be a bit careful not to push tooooo hard but it’ll only be for low volume stuff anyway so I’m not too concerned. Looking at the impedance to help with that is a very good idea. Also, the info and tips about testing speakers with multimeter is very much appreciated. I’ve a mate who has a background in electrical engineering so I might brace myself to take it to him (he’ll delight in explaining everything in eye-watering detail) and show him your comments to see if he can help with the testing, discuss wiring schemes/impedance etc. But I’m very heartened that it all seems very doable. Hopefully it’ll all work out and both save me a few hundred quid and the world a few resources. Thanks again! Liam
  4. A while ago, my trusty old PJB Suitcase took a shit and died after many years of faithful service. Smoke from the amp, acrid smells, the works. It’s been replaced by a Tonehammer and an Ampeg SVT 212 cab. It’s brilliant, but the cab is a bit much for a rehearsal or a small gig. I need something smaller for that, really. So I was thinking of converting the old Suitcase into an occasional cab to fill that gap. I’ve gutted it, removed the amp etc. As it stands, it’s an enclosure with the 4 little 4B speakers in there. My guess is that I need to wire them up to a jack socket using some kind of wiring chocolate block, plug in the Tonehammer and hopefully not immediately burst into flames or die. Anyone done anything similar? Any advice/stern words of warning most appreciated…
  5. Still available? I’ve got a lovely Lakland 55-60 that I’m not playing much if you’re interested in a swap. I fancy something a bit different from what I’ve had before and this could be that thing…let me know!
  6. Mystery solved.
  7. This dude just released a version which is definitely more accurate than mine. He nails the bit I struggled with in the solo section. Very impressive, fair play - I’ve never seen him on YouTube before but he’s a player! Still, I’m happy to have been the first geek to do a version of the full tune on four string. And I reckon I do the Meshuggah bit tighter and harder than him because I can guarantee that listen to more Meshuggah than he does…🤘
  8. Thanks man! I’m jealous that you get to start your crazy Knower journey from scratch now…
  9. I don’t know that…is it a band or a tune?
  10. Very, very much recommended! Their latest has some incredible bass action throughout.
  11. Afternoon all! When Knower Forever came out on Bandcamp it absolutely blew my mind. I’ve loved them for years but this record went to the next level. One song in particular stood out for me - Do Hot Girls Like Chords. I obsessively tried to work it out by ear from the record - no easy task given the amount of stuff going on - two keyboards, bass and guitar doing all kinds of stuff sorta/kinda in unison. I knew they’d recorded it live so I thought it would be interesting to compare what I’d worked out by ear with what Sam Wilkes was actually doing when I could see the YouTube video. Needless to say, as soon as I saw it I had to go back to the drawing board. Wilkes is a brilliant player and although Mononeon gets a lot of the attention for his performances on the record, Sam’s stuff is absolutely incredible. Anyway, I did a YouTube cover mainly to give myself a target to aim for and a bit of accountability to help me keep working at it. Have a look and let me know what you think - I’m currently able to play the verse chromatic riff right about 80% of the time on a good day which I’m ok with, but any tips on how in god’s name to play Wilkes’ fill out of the solo section will be most gratefully received. Anyone else enjoy trying to learn stuff way out of their comfort zone, obsessing to the point where you neglect family, personal hygiene etc? ✊
  12. Up for very reluctant sale is my Stentor Conservatoire 3/4 sized double bass. As the PJB combo you can see I’m the pics has just died and I need a replacement, and my 13 year dalliance in upright bass has resulted in tendinitis due to my lack of effort at learning proper technique, I need to sell this ASAP. I’m open to sensible offers! I purchased this bass in 2009 from a young lady who was upgrading to an instrument more suitable for a professional orchestral player. She played classical music so the bass is set up for arco playing - it has Spiro Weichs on it now but the action is perhaps a touch higher than most jazz/folk players would go for. I just got used to it and liked the big sound! The Conservatoire is a fantastic instrument for the price with a fully carved body. This one has a lovely big, warm sound. I’ve gigged this bass a lot and it has a few cosmetic scuffs. However, in the interests of full disclosure there are a couple of key things that I want to point out… 1) On the VERY FIRST GIG that I played it, I laid it down carefully on the stage only for a punter to kick it over onto its bridge. This caused a serious crack in the back of the bass near the sound post. I thought it was a goner, but the geniuses at Bristol Violins performed key hole surgery and used small patches to fix the crack. It’s been absolutely stable for 13 years and it’s almost invisible on the outside. 2) There is also a small crack in the heel of the neck that was present when I bought it. Again, thus has been completely stable and hasn’t expanded in the 13 years I’ve owned it. 3) Finally, the end pin is a bit sticky and I sometimes need to use pliers to get it out. I’ll throw the pliers in for free! Other than that, it’s been a totally reliable workhorse of an instrument for me for over a decade. Also included in the price are the installed David Gage Realist pickup which works brilliantly, the French style bow which I’ve barely used, the stand and a Will & Tom soft case which is tatty and well-used but does a job. I’ve tried to explain as best I can and get photos of the details, but if you have any questions please do get in touch! Collection only (obviously!) and feel free to come and have a look and a play if you’re genuinely interested. You can hear me playing the bass here: And see it and hear it here: And, it case you’re still interested, also here: Cheers, Liam
      • 1
      • Like
  13. Thanks everyone. I think you're all right - time to move onto something new. I did speak to a tech local to me and he said he wouldn't be able to help much. Thanks for all the suggestions...time to hit the shops!
  14. Hi there. You know when you plug in your amp for a bit of a play and after 5 mins smoke starts pouring out of it and you decide that, all things considered, it’s probably best to turn it off and not turn it on again? Yeah, that. It’s a PJB Suitcase, the original model. I’ve had it for a good 15 years and it’s worked hard - loads of gigging - so I’m not surprised that it’s feeling it’s age. I now need to decide whether to repair or go for a new amp. I’ve just finished reading a thread on here where a basschatter had a serious headache dealing with PJB and Selectron, their UK distributor. I was wondering if anyone else has dealt with PJB and Selectron and had any tips? Or advice on whether to stick or twist with the Suitcase? I’ve got a busy summer of gigs coming up so time is a factor. Any wisdom most gratefully received! Thanks, Liam
  15. I've got a Lakland Skyline 55-60 into which I put my J Retro which was on a Fender Jazz. It fits pretty close but not exactly - the scratch plate and the bell plate don't exactly line up. It's close enough for me to not be bothered, but some might be driven crazy by it! Depends on your tolerance for such things. I *think* the J Retros that used to be an option on the Skylines have a slightly different bell plate or scratch plate to make them fit. If you're thinking of adding something like a J Retro, I'd say go for it - it'll be close enough and pretty easy to cheat it. Just took some pics for reference. It's pretty hard to tell from any kind of distance but close in you can see that they don't quite fit.
×
×
  • Create New...