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Looper

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Posts posted by Looper

  1. Anyone know if there's anywhere I can mighty mite necks in the EU? I'm looking for an unlined fretless neck and the allparts is outside my budget, the mighty mite looks good but I can't find anywhere to buy it except in the states.
    Cheers.

  2. Hi, Just wondering what people do when they're in a position where they have no-one to jam with? How do you keep up your interest and progression?
    I'm living out in the west of Ireland, for the summer there's music to be played in the pubs, people around for a jam, but in winter there's no-one, and I really mean no-one about. Last winter I tried advertising, trying to get a band started with out any joy, so this year I'm facing up to the reality that it's going to be months before I'm working with anyone again.
    When there's gigs going there's new songs to learn and I always feel I'm learning the most as a bassist when I'm playing with people not recordings.
    How does anyone else keep themselves inspired when they're between bands?
    Thanks all.

  3. I think maybe it helps to have a frame of reference for awful and for superb. I have a MIM jazz, it's not as bad as some basses I've played by a mile, but I've played far better basses (that were out of my price range). If basses were cars, it's not as bad as a fifteen year old Micra, nor is it a top of the line Merc, it's more of a five year old Mondeo. Just like a Mondeo, it'll do what you need it to, but it's not going to set your world on fire.

  4. Thanks for all the input. I'd have to say that I really don't think it's the pick-ups, i've messed with them on the jazz, and one of the p's is a p/j. It's the sound of the basses themselves, the jazz has a light bright sound, both acoustically and plugged in, which was why I tried flats, but it still lacks the bassiness of the other two. Can't help thinking that either plywood has great bass resonance or maybe it's something in the chunkier precision neck? It's just that the jazz is lovely to play, but the sound from the p's is making me play them more. Thanks again.

  5. Just wondering if anyone can shed any light on this for me. I have three basses, two p copies and a mex jazz. The jazz is a far better bass but lacks the bassiness of the other two. The acoustic sound, and therefore the amplified sound is just lighter, I'm compensating with the eq but still not able to get same richness. The two p's have plywood bodies so I'm surprised that, to my ear, they sound better. I doubt its the strings, one p has rounds, the other flats, and the jazz has flats. Is it to do with the woods, or is it a precision vs jazz thing? Any thoughts welcomed. Thanks.

  6. I bought one from gear4music for about £100, it's fairly unplayable. Arrived with rattles on most of the frets, only became playable with a massively high action, pre-amp has almost no bass to it and the neck is like half a baseball bat. Put me off buying cheap new gear for ever. Cheap secondhand is better imo.

  7. Just got my first fretless, and I'm quite surprised to find it isn't impossible to play. I was expecting to be blundering around like a fool, but I'm able bash out an almost in tune bassline on it. I'm sure it will take a good bit of time and practice to be able to play it well but I'm really enjoying it already. It's an old beaten up unlined p/j that's in need of some serious tlc, but £70 well spent. Anyone got any fretless tips?

  8. My first bass, a Franconia jazz copy. Being my first I had no idea how bad it was until someone gave me a Hohner p-copy which played like a real bass. Still, I wouldn't mind getting it back now, just for sentimental reasons, we had some good times together.

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