WAYNESWORLD

May be willing to p/x for Barefaced One 10 + money my way. One 10 needs to be in exc condition

F/S Markbass CMD 121H mark 4 combo. Excellent condition 2022 model.

 

Any Trial welcome.
Collection from Stoke. May be willing to meet within reasonable distance.

Kettle is always 

Possible part ex for Barefaced one 10 + money my way. One ten needs to be in exc condition
 

CMD 121H IV

Product code: MBC105052Z

This is a more “hi-fi” alternative to the Mini CMD 121P combo, thanks to its larger size and 1” compression driver and custom horn.
This new version with Little Mark IV Combo head features the new bi-band limiter, a MUTE switch and the 3-way switch that includes the options of Flat, Scooped or FSW. Easily upgrades to a 500W rig with the addition of a New York 121 or Traveler 121H cabinet. Designed for bass players who need power, portability and top performance!

> HIGH-FIDELITY SOUND 
The CMD 121H IV produces a more “high-fidelity” sound than most CMD combos—its slightly larger size gives it a fuller bottom end, its 1” compression driver and custom horn give it a clear, naturalsounding high end, and the 12” woofer delivers detailed, warm low and mids.

> UPDATED 4 BAND EQ, OLD SCHOOL FILTER, 3 WAY SWITCH
Our updated 4 band EQ section features very effective controls allowing you to easily find the sound you want, boosting or cutting up to 16dB for each of the 4 bands to cover all the tonal nuances needed in any genre of music. Additionally the Old School filter cuts your high frequencies and gives a round and smooth tone. The 3 way rotary-switch allows you to choose between a super-balanced flat tone, a scooped preset that drops the mids while boosting the lows and highs - giving a superb slap sound, or lastly the 'FSW' option to control both mute and the Scooped EQ on demand by connecting an optional dual footswitch.

> BI-BAND LIMITER
Our new bi-band limiter responds faster and more dynamically to your playing than traditional limiters do and lets your high end "breathe" for a more natural sound. It makes our amp heads the best choice for anyone who enjoys a quick, punchy attack at high volumes.

> HEADROOM, HEIGHT AND FRONT-LOADED HEAD
The slightly larger size of the combo contributes to its excellent headroom and full bottom end, making it effective as a standalone unit. Its height makes it easy to hear on-stage, and the front-loaded head is easy to see and adjust during performance.

 

TECHNICAL FEATURES

INPUTS

INPUT impedance: 1 Mohm, max. voltage: 9 Vpp
RETURN impedance: 22 Kohm, max. voltage: 10 Vpp

CONTROLS

GAIN –46 dB to +23 dB range
LINE OUT level control on front panel
PRE/POST EQ (for line out) switch on rear panel
GROUND LIFT switch on rear panel
MUTE SWITCH
MASTER VOLUME

EQUALIZATION

LOW: center frequency 68 Hz; level: ±16 dB
MID LOW: center frequency 360 Hz; level: ±16 dB
MID HIGH: center frequency 800 Hz; level: ±16 dB
HIGH: center frequency 10 kHz; level: ±16 dB
OLD SCHOOL: max cut range: 250 Hz – 20 kHz
3 WAY SWITCH: flat/scooped-mid/FSW

OUTPUTS

SEND EFFECTS: unbalanced, max. voltage 20 Vpp
TUNER OUT: unbalanced, max. voltage 2 Vpp
LINE OUT balanced XLR, max. voltage 20 Vpp
SPEAKER OUT: speakon/1/4” combo, 1/4

OTHERS

BI-BAND LIMITER
FOOTSWITCH (OPTIONAL): FLAT/SCOOPED-MID

OUTPUT POWER

500W RMS @ 4 ohm, 300W RMS @ 8 ohm
POWER REQUIREMENT:
100V; 120V; 230V; 240V 50/60Hz (Voltage is factory preset according to region of sale)

SPEAKER

1×12″

TWEETER

1″ compression driver with custom horn

BASS REFLEX

rear

IMPEDANCE

8 ohms

SPEAKER POWER HANDLING

400W RMS (AES Standard)

FREQUENCY RESPONSE

45 Hz to 20 kHz

CROSSOVER FREQUENCY

3.5 kHz

SENSITIVITY

99 dB SPL

WEIGHT: 34.83 lbs / 15.8 Kg
WIDTH: 15.35 in. / 39 cm
HEIGHT: 23.03 in. / 58.5 cm
DEPTH: 18.31 in. / 46.5 cm

 

 

F/S Markbass Jeff Berlin Combo & New York 151 cab £650

Both are in lovely condition and combo comes with Rock solid cover. Together these are a rig of doom

May split eventually 

Jeff Berlin £450

New York 151 £300
 
Possible 5 string bass trade ( Sterling Ray 35 not black or sunburst) poss part ex on Barefaced one 10 in vgc Try me.

Any Trial welcome.
Collection from Stoke. May be willing to meet within reasonable distance.

Kettle is always on.

Jeff Berlin Combo

TECHNICAL FEATURES

SPEAKER

1×15″

TWEETER

none

BASS REFLEX

rear

IMPEDANCE

8 ohms

SPEAKER POWER HANDLING

400W RMS (AES Standard)

AMP OUTPUT POWER

500W RMS @ 4 ohms / 300W RMS @ 8 ohms

PREAMP: SOLID STATE

solid state

FREQUENCY RESPONSE

40 Hz to 5 kHz

SENSITIVITY

100 dB SPL

WEIGHT

38.80 lbs / 17.6 Kg

WIDTH

18.31 in. / 46.5 cm

HEIGHT

21.65 in. / 55 cm

DEPTH

18.9 in. / 48 cm

 

New York 151

TECHNICAL FEATURES

IMPEDENCE

8 ohms

SPEAKER SIZE

1×15”

BASS PORT

rear

TWEETER

piezo

POWER HANDLING

400W RMS (AES Standard)

CROSSOVER FREQUENCY

3.5 kHz

FREQUENCY RESPONSE

40Hz to 18KHz

SENSITIVITY

100 dB SPL

WEIGHT

37.3 lbs / 16.9 Kg

WIDTH

18.3”/ 46.4 cm

HEIGHT

18.3”/ 46.4 cm

DEPTH

18.9”/ 48 cm

 

 

Got a new toy coming, if it arrives early I will do. Sure the Guy will take that beautiful Bogart.

And this is why I haven’t been around your house for a cuppa yet🫣

A very talented and entertaining luthier. Also a mate

Bet it’s got a right set of pipes on it.

Just sold Ben my Line 6 Pod Go. Excellent coms everything went as you would wish. Paid promptly. Couldn’t wish for better transaction.Great Basschatter deal with confidence.

F/S is my Markbass New York 804. Very powerful small 800watt cab. This is in great condition and is made in Italy

 

IMPEDANCE
8 ohms
SPEAKER SIZE
4x8"
BASS PORTS
rear
TWEETER
1" compression driver with custom horn
POWER HANDLING
600W RMS (AES Standard)
CROSSOVER FREQUENCY
3.5 kHz
FREQUENCY RESPONSE
45 Hz to 20 kHz
SENSITIVITY
101 dB SPL
WEIGHT
47.84 lbs / 21.7 kg
WIDTH
19.84 in. / 50.4 cm
HEIGHT
19.84 in. / 50.4 cm
DEPTH
18.9 in. / 

The New York 604 was one of most requested cabinets in the world for its compact design, awesome definition and exceptional bass frequency reproduction. This powerful cube now has a big brother: the New York 804. The four 8” custom speakers were designed specially for this cabinet, and bring this cab closer in sound to larger 4x10” cabinets, but in a much more compact enclosure!

Pick up from Stoke junc 15 M6

Any trial. Kettle always on

Will someone buy this ,it’s really holding my rig change gas at bay with its temptation.

19 hours ago, Skybone said:

Absolute steal for an excellent piece of kit.

Cheers I think so ,but realise times are tight.

F/S my line 6 pod go inc Carry case £285 case.Only used a few times.Mint condition and boxed. Reason for sale is it’s just overkill for what I do.I was going to in ears but looks like that’s not going to happen.Bought new from PMT.Stored in box under the bed .Fired up last night and all perfect still has screen protector on it and all instructions.

Collection from Stoke .Kettle is always on,possible meet subject to distance. Willing to post at buyers expense.

Any questions don’t hesitate to contact me.

 

Can’t believe this is still here.

Got 5 of them already ,which is why I’m fighting the G.A.S. Plus about to sell all my Markbass rigs for a gear change. Suffering from a real brain fart explosion at this moment in time.🤪🤪🤪

Very tempted.mmmm

On behalf of us all thanks for reporting back. Probably could do with moving this into the reviews. On a a personal level thanks for helping me out with some real world experience.Much appreciated.

Thanks for this. There is so little info about these other than standard marketing blurb. Watched Anderson vids which are great ,but everything is always viewed as great when you’re selling it.If it’s not to much trouble could you pm  me your thoughts when used in a gig situation . No probs if this is an issue. Appreciate you posting.

I’m having a real hard time getting real world live reviews on the Laney Digbeth up right 410 cab 600watt 4ohm. Has anyone used one of these in a back line only no Pa support situation. Also comparison to Markbass 410 /Gallien Kruger etc.Hope this is the correct section.Thanks in advance.

Once bought a H/H 115 bass combo back in late 70s as I was so impressed with the sound achieved by a local bass player using same amp but 2x15.The combo was the latest incarnation of the range. It was the biggest pile of plop put together under the heading of musical equipment.Incapable of any volume or usable tone.Needles to say don’t think I ever saw another one being used by anyone.

Just done a deal / trade with a local lad Skezza for some Markbass kit. Great coms.Pleasant little chat. Plus he has the lightest bass I have ever picked up. Nice guy to deal with.Totally recommended.

 

Great rig. Have a bump on me.

For me I made it,get to play music I like with band mates that are friends.We also get paid for doing something we enjoy without to much hassle.I’ve a very contented home life with a wonderful wife of 35 yrs and son I’m very proud of.With experience of making a living from something else I had great interest in and growing to hate it in later life. I am great full that I still get exited to day as much as I did when I first started many years ago. I suspect a lot of the (stars) today have lost that feeling . The ones that have truly made it are the ones who still love what they do having been very successful and also have a great home life.This industry can give great rewards and fame but also be one of the cruelest mistresses or what ever the correct pro noun is these days.

5 hours ago, dmccombe7 said:

I've heard of bands simply putting a cloth or material of some sort over the mic /sensor for the Decibel meter and that's enough to dampen its response.

I have heard of the sockets that aren't covered by the trip circuit too.

Guess we either don't play that loud or venues have them switched off for us ?

 

Dave

We would have done that if we could have found the mic .We are mainly a Soul outfit and are really not that loud.But we do like to have a quality sound with depth to it which appears to send the last two meters into a frenzy.Play a skinny sound that grates on everyone’s ears at massive volume levels no probs.Just putting it down to another experience as we know the next gig will be a belter.

Last two gigs have been wrecked by decibel meter.Now before I am berated by comments of turn down then.These things were set at ridiculously low levels.The disco with poor low end as usual played at a volume that could wake the dead.We produce a quality full sound at a very low volume and trip the meter.It’s been a long time since we had this happen even in venues that have decibel meters in.Even after speaking to the agent after the gig he mentioned the problems artists playing in these venues are complaining that it is becoming really difficult to do there shows.His option is to put in a single act with backing.He then tells me the venues want bands with drums but the meters will not accommodate them.I have been playing for more years than I wish to admit to and played through 70s 80s when meters were everywhere and had no issue.We have now decided not to play anymore of these venues without the option to bypass or adjust the level.If we are not required to play at these places then so be it.We will always accommodate volume  requests levels but sound quality to suite a decibel meter is non negotiable.The shows were very well received and we even got apologies from some of the audience on having our show wrecked by these meters.

I think when I get another gas itch I’m just going to give you a call and see what you have your about to sell. You Always have good stuff that appeals to me.We definitely need that cuppa.