BassYerbouti

Sound advice Dan. Back from having a couple of capacitors replaced and now back to its old self thanks to a Charlie Chandler.  I'll put the money for a Markbass back in the piggy bank.

14 hours ago, Downunderwonder said:

Yes. Ideally something with a hot output like a BDDI. It won't be loud without a full on line level but if you get a staticcy mushy quiet mess it's a good sign the output stage is shagged.

I just tried your suggestion with an overdrive peddle and got good sound . Loud enough to fill a small bedroom but probably 10% of what would get if I maxed the volume and gain on the amp. So now I am back to scratching my head. I'm tempted to buy a new set of valves but at £50 don't want waste money  if the problem is elsewhere. If the problem is with the valves would that not stop me getting a strong signal from the DI output? Mind you that signal has always been super hot on this amp.

On 04/10/2021 at 10:28, Downunderwonder said:

If you plug the fx unit into the Orange fx return it be driving into the power stage direct. If you don't get some decent volume you will know it's the power stage not doing the thing.

Thanks for taking an interest. Do mean put my guitar into my compressor peddle for example and then put the output from that into the fx return? Is that safe thing to do?

Thanks guys. I now know what my effects loop is for after all these years!. Sadly it didn't make it any louder unless I boosted the line output on my effects pedal.

I will strip it down a bit more and look at the input jack closely and then have a chat with my local amp repair outfit but already I am getting the feeling it's time to start looking at something new.

My ten year old Orange Terror Bass 500 just died on me and am wondering if it is now not viable to get it repaired given its age and value. Its been faultless apart from going back to Orange for a warrenty repair to something that went pop after two years.

Mid way through a jam yesterday I lost a dramatic amount of volume which came back a bit by cranking the volume and gain way beyond what it ever goes even for loud gigs.

Today I've gone through a check of swapping guitars, all cables etc. I put in an old set of valves and had the cover off to see if a fuse had gone inside etc but all looks normal.  The jewel light, switch and fan are all working normally.

I am still getting a small amount of volume but only after it's been switched on for a few minutes.

I've run the XLR output into a mixing desk and am getting a good signal.

Before I go down the road of seeking a repair or buy a new amp can anyone give me advice of anything I can check myself with a multi meter etc as I really hate spending money  if I can help it.

Thanks for any advice.

Regards,

Chris

Just stumbled on this topic after years of thinking 'it's my hearing that's going' or it's a 'weak G' or 'my amp is playing up' because the G comes and goes. It turns out that I've been backing off the mid's too much on the Stingray all along. Switching between P bass and Stingray doesn't help and of course twiddling with all the knobs on the amp and guitars without remembering where I like them. I think I will put a couple of stickers on the amp once I've worked out where the sweet spots are for my basses. Thanks everyone. 

The battery holder for my old Ernie Ball Stingray (2000 model) has always been problematic and I want to replace it finally. Does anyone know of a replacement that fits and matches up with the screw holes on the existing unit please?

regards,

Bassyerbouti

Thanks for all your suggestions. I did find something called OhmStudio that seemed to be worth a go but after loading it all up and hitting a couple of problems got the impression that it was a dead product. I'll have a look at Kompoz and report back

It's a couple of years since I looked and then gave up but I wondered if software had moved on and people are able to successfully jam over the internet using something or other.

Trying to get our band together in the same room is like trying to herd cats but as the most tech savvie and with time and various interfaces, di, mixers etc I thought I'd have another look at trying to rehearse/practice remotely.

We are not bothered about seeing each other but would ideally sit at home with our instruments and a set of headphones on and be able to play and hear each other.

we all have macs except one who has PC and seemingly connected to high speed internet connections.

is anyone else doing this please and can give me a steer?

regards,

Chris

19 hours ago, chris_b said:

Playing a fanned fret bass is easy. Try it and you'll see every thing falls into place.

Got enough problems trying to play a four string Precision !

Saw Leland Sklar play with The Immediate Family last week. Very cool and great bass player. I spent half the gig trying to get my head around how he plays a bass with frets and strings that don't line up.  

Thanks for all the advice. I guess my dreams of making a killing have evaporated.

I am going to New York in a couple of weeks, unexpectedly and have always wondered what the rules are about buying a new or second hand bass over there, taking the neck off and putting it in my suitcase. Are there any taxes to be paid, either side that would make in an unattractive proposition? Can I buy my dream Sadowsky or something a little more vintage a lot below what I would expect to pay in the UK?

thanks for any guidance

Bassyerbouti

I am thinking of buying an Orange Crush bass amp (prob the 50) to cart around to my mates houses to practice rather than lug my full rig about. We are trying a little side project without a drummer and I am wondering how this amp sounds if we play drum tracks through it using the AUX input and I play bass at same time? NB. Does the AUX input jack match what most drum machines will have as an output?

Presumably I can take a feed out of my DI box and use this amp for on stage monitoring too ?

You can see I am trying to kill a couple of birds with one stone here. 

Thanks for any advice.

Chris

3 ply white scratch plate from my 2011 American Standard P Bass. Perfect condition as it was replaced for a different colour very soon after purchase.

Yours for £20. If you live in London there are opportunities to collect or drop off, otherwise I can post. Buyer pays the postage.

Wow- so much helpful information guys - thank you . We followed Pete's instructions to the letter and got a good set-up first time. We are starting to know what we are doing which takes the stress out of it and let us concentrate on playing. Would be great to have a sound engineer but we are getting paid peanuts. Our plan is use proceeds from recent gigs to slowly build up our own PA - starting with a 12 channel version of the larger Yahama we've been borrowing. That way we can set it up and label it for our line-up. 

Thanks once again and happy Christmas to everyone.

regards,

Chris

Guys, and especially Pete, thank you very much for this information. We've definitely been using the 'Monitor' sockets on the top of the desk to run to another power amp that powers the one wedge we use for the singer. So wonder if that was the problem, We will try your excellent and clear instructions and report back.

Thanks once again,

regards, Chris

sorry to use this area to ask a dumb question but we have a gig tomorrow night and are using an unfamiliar mixer. plus we are fairly clueless when it comes to PA's

we used it 2 weeks ago and eventually got the thing working but along the way managed to deafen the pub with huge feedback during the setup. It's a Yamaha MG series mixer. 

the thing that freaked us out was that we had all the mic faders all the way down but we were still getting sound out of the speakers from them.  Sounds like we did made a rookie error.  Can anyone explain what we might have done wrong please?

regards,

Chris

I was at the gig last night and managed to get up close to watch the great man's technique - he is amazing and must have burnt a few thousand calories wrestling those beautiful tones out of his bass. Wishing him a speedy recovery

My Orange Terror Bass 500 has been working fine for over 2 years since Orange replaced something that went pop inside under an extended warranty from Absolute Music.

Today the fan made a loud vibrating propeller type sound when I switched it on and I switched it off , took the cover off and had a good look at the fan before trying again. It was then fine for the next couple of hours playing.

I've got a gig this weekend and am now nervous its going to let me down.

Has anyone had similar experience? does one incident always lead to a failure or can something come and go away? Has anyone replaced their fan and if so is it a DIY job - I am fairly competent. Any info on where to source a fan very appreciated.

regards

Bassyerbouti

sorry I should have been specific - its a tele guitar

I am looking for a scratchplate for a Fender Telecaster. Can anyone recommend a mail order supplier who has genuine Fender scratchplates please?

The amp went back to Orange via my dealer Absolute Music and was fixed very quickly. Turned out it was a PCB failure. Mighty pleased I bought from Absolute as they offered 3 year warranty. The amp was 2.5 years old - phew.

Handsome Family - Singing Bones. Someone lent it to me last week and I love it. Kind of dark, country/bluegrass with intriguing lyrics.

Idly surfing while waiting for 5.30 to come and thought I'd find out what these posts about NAD amps were - I have a few NAD hi-fi bits at home and thought 'surely they don't make bass stuff too' - then the penny dropped. what a numpty!