I know. It's dual amping. The separate power amps are after the x-over, which IS bi-amping.
Bill, with genuine respect, your replies aren't making a lot of sense to me
. Maybe I'm missing something, but...
"Don't bi-amp when both speakers are operating in the same frequency range. ......" Then why does the concept of bi-amping even exist?
"Where bi-amping would make sense is using a 110 with a 215, and then only if the 110 is loaded with a guitar driver."
I really don't get this. I'm sure the 4x10 cabs made byTrace Elliot, Hartke et al aren't loaded with guitar drivers (I'm not saying you can't use them, you'd just get a different frequency response).
Let me be clear on what I'm trying to achieve. I'm looking for as much clarity as I can get. I do a lot of chord work, which can get muddy at times. I know that using a x-over will not only separate high notes and low notes, but will also separate upper harmonics from low notes, which I'm hoping will cut down on intermodulation distortion and clean things up a bit. I've even considered a third frequency band and getting some HF horns.
Telling me "Don't bi-amp" is pointless. Why does anyone do it? Why do (did) amp manufacturers make preamps with x-overs built in? There has to be a point to all of that.
I have to find out for myself.
All I wanted to know was a recommended x-over frequency, and if I could use a line level PA X-over (available used and cheap).