Wullapache

these are still available folks...just trying to find the time to get pics done,
keep me posted folks,
Wull
its the 21st on sunday but doubt i'll get it sorted by then...ach well

We got the bump!

any one know of any good software that has sort of the programme qualities of reason but the mic techniques of say addictive or easy drummer?
thanks
Wull

i guess i'll need to find a camera then...
the active passive...the guy before me had it fitted...just for the options i guess,
little switch inbetween the eq knobs,
anyone in the glasgow area is welcome to try it out...or anyone with any frequent flyer miles, lol

234 views and not even a hello ppor show maybe i should get some pics...
done and done

apoligies for bad posing...but it has to be done

anybody want mine?
see sales thread

cherry red G400...if they were called g400's back then its an 80's model and sounds pretty damn beasting i gotta admit.

[quote name='john_the_bass' post='151567' date='Mar 5 2008, 10:21 AM']not of the v'ax, not yet got around to taking one.
to be honest, i'm thinking about having a mass cull for a 335 or possibly a 4003.
good luck though[/quote]

so if i worked an ashdown five fifteen and an epi sg what would we be talking?

[quote name='4Everdelayed' post='149796' date='Mar 2 2008, 12:49 PM']Bump............and last price drop. Ain't going any lower! £380 May also be interested in a swap/part-ex deal for a Bass amp.[/quote]

alreet,
from fellow person who lives in the land of weege.

bumpety

right here we go,
i feel its time for a change,
my musicman is first on the list,
3eq black,black,maple active passive (like s1 i believe)hipshot D-tuner, pretty sexy if i do say so myself, but i've decided to make a change.
i think i'm gonna head towards a p-bass american maple neck preferably american if anyone has one on the go after this has gone...unless i can get my string sponsors to give me a bass and i'll go on holiday or maybe get that macbook ive always wanted. dont have case but will supply atleast a gig bag.
offers around £650 + postage will be considered. pics are on www.myspace.com/heyapache
secondly.
my tokai rockinbetter 4003,
pretty darn nice bass if i do say so, exact same as someone was selling rcently but to be honest once again dont think its right for me, i'd be up for trades on this one preferably in the likes of a jazz bass or maybe a p? japanese(maybe a mexican with a pj configuration) maple neck maybe...a nice red/white jazz aerodyne non export(pretty much the only bass with a rosewood neck i'd consider. would be nice...but i'd be willing to add on. i'm looking for lets say £290. + postage.
keep me posted.
hit me up here, and if i dont reply go to www.myspace.com/dirtyheartsband
thanks,
Wullie

I'm willing to deliver but would rather meet up i'm in glasgow but i'm willing to go as far down as maybe newcastle or carslile.
and i'm in edinburgh a few days of the week aswell,

lovely,
optimus prime is my favourite of the bunch...and the ray....but prime wins every time, lol

[quote name='acidbass' post='16365' date='Jun 12 2007, 05:33 PM']I don't think writing a bassline is considered as a songwriting credit. I *think* that it's only the sequence, melody and lyrics that are covered by copyright. A lot of session players are paid set fees which are agreed before a single note is played, so maybe you should talk it over with whoever is organising the session to see if you can reach some sort of agreement?[/quote]

ive had discussions like theses before, if a bassline is deemed the main theme in the song then u may be eligible for a writers crdeit, an exampley used by a lecturer of mine is "under pressure" say if a session player was brought in to play that bassline, it is more than essential to the song, therefor would be considered for a writing credit.
thoughts?

yeah ive got the MW12 its fairly easy to use,
i think its good, but at the end of the day its just a really big interface i think.