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Posts posted by BabyBlueSound
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22 minutes ago, Bernardo said:
I have started playing short scales recently - starting with a little Gretsch expanding since then into a U5, JMJ Mustang and an Acinonyx. Shallow I know but I Googled short scale red bass because for showbiz reasons I needed a red bass to match some stage outfits! What came top of the list was a refurbished Vox Starstream Artist 2S on the Vox website. Including gig bag it was £350. Given they were well north of a grand when they came out - and some people had paid that - I went for it. I took it to a gig and our sound engineer raved about it compared with my other basses. Ironically I don't enjoy playing it as much as the Mustang and the Acinonyx basically because they have flats on them which feel better to me - so my next quest is to find flats that sound brighter than a normal flat.
It's a weird looking thing and not everybody's cup of tea but it's nicely balanced and very light and with the right strings could be my go to bass - something I never would have predicted when I Googled red short scale.Welcome to the club! Don't call yourself shallow, colour is an important part of a bass! I would not touch a sunburst with a stick 🤪
Regarding bright flats, here's an infodump for you:
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14 minutes ago, wavemaker said:
I just put my first set of Cobalt Flats on my Classic Sterling because I was curious and … I really kind of can’t believe it: Not only do they have highs (including harmonics Jaco would‘ve enjoyed - we‘ll see how long those last), they also provide an absolutely beautiful rock sound (straight neck, flat action, digging in a bit). What a pleasant surprise.
They do lose SOME highs, but I got a more-than-a-year-old cobalt on my Ibanez and it's still got that Prec tone alright, not terrible at all. When my rounds lose their highs, it's much worse.
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42 minutes ago, Dad3353 said:
A fine initiative indeed, at £15 + £2 p&p for a pack. The 'direct from ACS' price is £10. What's that all about..?
"By choosing to buy earplugs from us, you’re not only protecting your ears, you’re also supporting our vital work helping people living with tinnitus."
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I had it for decades. It gets worse during crazy windy weather, or before sudden heat/cold waves - and now we have wind and an incoming heat wave. Not ideal 👂
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21 minutes ago, Sr_1200 said:
It Just needs a shim under the bottom of the neck heel to tilt the neck forward and the action will be fine.
It's actually got one 😁 it used to be higher.
I will edit this into the description, good point.
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Thanks I get it, but all the basses I have ever owned went WAY further down than 2mm (I got 2 other shorties right now) without relying on adjusting neck relief, which should not be used to control string height really anyway.
The nut I have never touched on this one 🙂 but yeah it's definitely cut less than the other ones on my other basses. I did not want to mess with that as I planned to sell anyway.
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I've been heroically bumping mine since February 😁
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Withdrawing, my guitarist buddy convinced me to give this to him 😁
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@Useless amateur hey, do you still do this? I got a couple used sets
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I fixed it since by adding another layer, the first layer always retracts a bit.
I tried two types of UV resins before and they're both terribly, terribly stinky. Let me know which one you use that's hopefully smell-free
I also managed to lose my UV flashlight since... 🙄
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I found the Notadumble fairly useless with my Sandberg that's got pretty hot passive pickups, even the clean channel distorts it a bit more than what's pleasant to my ears.
On the Ibanez that's got passive EMGs, it's very different, and gives the tone some beautiful saturation that I like.
So I am guessing it's not really for anyone who plays an active bass.
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Finally replaced the original Sandberg strings... decided to keep the La Bella on the self for now, and strung it with D'addario black tapes - as it just looks amazing with the black hardware!
Can't wait to actually listen to it tomorrow, what happens to the "modern P" tone with these weirdo strings
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38 minutes ago, HeadlessBassist said:
Same here. I have very dry hands (they never seem to get sweaty), but after playing flats for a few minutes it feels like they’re sticking to my fingers. Again, Yukl The only thing worse is those latex strings you get on U-Basses. They are truly weird.
I only ever tried the EB Cobalt flats yet, but those never ever stuck to my fingers (I got hands that are normally dry but very suddenly can get very sweaty, so I'm all over the spectrum).
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Quick tone demo, unfortunately it does not sound nowhere as good as in real life, coming out of an amp:
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Selling an Echö "Prototype" DIY pedal - Deep Blue Delay clone I built.
It's a FuzzDog PCB in the enclosure.
Prototype, as it's the 2nd I ever made, and it still has some build quality issues. This is one of my first attempts for covering a pedal with epoxy.
As it was the start of my learning curve for painting and decorating enclosures, it's got small cosmetic mistakes like chipped corners, very slightly un-even epoxy coverage, as shown on the photos.
Works very nicely with both bass and guitar.
DELAY controls the time, manual says it's to 450ms but I think it goes to more. Turned down = slapback, reverb-y echo! Slapback with high REPEAT count = very metallic reverb
REPEAT controls the amount of repeats. Down = only one repeat, and starts wildly running away and oscillating above 2pm.
The DIRT pot... I'd forget about it, I could not find a practical use for it myself. I added it as suggested by other builders of the kit, but I don't really see the point. It makes the repeats even darker, and they can oscillate even more.
It's a fairly dark delay, if you love the analog degrading of the repeats, it's for you! As the official manual put it, "this has got warmth and character, and if you're looking for a crisp digital delay, you rather need a Boss or similar"
Happy to answer any questions!
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Selling a Plüm "Prototype" DIY pedal - Prunes & Custard clone I built.
It's a FuzzDog PCB in the enclosure.
Prototype, as it's the 3rd I ever made, and it still has some build quality issues.
As it was the start of my learning curve for painting and decorating enclosures, it's got small cosmetic mistakes like chipped corners and getting a bit too close to the drill base, etc, as shown on the photos.
Works very nicely with both bass and guitar. For bass, try Drive = 3pm , Mix = 9-10am. Extremely responsive pedal!
Happy to answer any questions!
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2 hours ago, Terry M. said:
Have you tried DR rounds at all?
Nope
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33 minutes ago, Rich said:
I love the sound of flats on a P and I wish I could get that tone on mine, the problem is that I absolutely hate the way flats feel. For me they feel almost slimy, they make me want to wash my hands. Hard to describe, but there's no way I could play them for any length of time. Maybe I'm just weird, but eucchhh. No.
Interesting how different we all are. I played rounds all my life and just constantly hated the squeakig strings, the rubbing against my fingertips, the cheesegrater feel, the accidental sliding metallic overtones (yeah, that's mostly my crap technique's fault but still).
I do love the touch of a flat, and these days there are more hybrid-sounding strings which tends to be my choice, like the cobalt flats from EB.
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Withdrawing, when recording it's sound, it failed QC... starts to crackle, but only after 10+ minutes of use (???). I only played it for ~5 minute sessions when testing before, so this never surfaced. Weird issue to have for sure.
I'll reflow the solder joints and use some better flux that's easier to clean up, then will test further and this will be back
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1 hour ago, Merton said:
How high are we talking on the action?
I'll measure it for you properly once I get home
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Annoyingly, I can't find my blacklight.
Tone demo incoming today.
This is a lot of fuzz for £45 I am telling you 😁
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I think you should make it more clear in the topic subject that this supersale isn't real... 🙃
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The Short Scale Bass Appreciation Society!
in Bass Guitars
Posted
I think the Ibanez Talman also scratches that P itch, with the J rolled down.