JoeEvans

Some older albums in their original form still sound better to me in terms of production than almost anything since. I'm not a huge metal fan but AC/DC's 'Highway to Hell' sounds better than any guitar rock album I can think of, for example.

But there are plenty of other much-loved albums that sound horrible to me and I can't imagine how anyone approved the final mixes.

7 hours ago, tauzero said:

 

You'd spend more time plugging and unplugging the USB lead than replacing a battery once a year.

Yes - as I say, it's a totally OTT solution...

I still like the idea of a bass with a rechargeable battery and a USB C socket on the back to charge it.

Or just an XLR out and phantom power.

Both totally OTT as solutions but for some reason I'm drawn to an easy external power source.

Bass players: I'd never take my favourite bass out to a gig, it might get a tiny scratch on it and that would be really upsetting.

Also bass players: just taking this one out the back to go at it with a rusty bike chain and an angle grinder for a lovely authentic-looking relic finish.

Although you wouldn't want a little bit of graphite to snap off the tip of the pencil and find a home somewhere in the plug socket, perhaps making a little bridge between two shiny copper components...

I really like small-bodied headless basses. I had an Ibanez Axstar for a while which sounded superb but in the end I couldn't get on with the narrow string spacing. Then I bought an ACG Border Reiver which has more by way of body, although it's still small compared to a normal bass, and that's just amazing, as you would expect.

But I still quite fancy a true cricket bat, and the Hohners do look good...

Part of the pleasure of the ACG is that it feels heavy for its size, but because it's small bodied, medium scale and headless, it's actually very light. So you get a bass that feels satisfying solid, but also light on the shoulder, at the same time.

I think for me the 'best' instrument - the one I value the most - is always going to be the one I most enjoy playing out with, so by definition I always gig with my best instrument!

1 hour ago, prowla said:

If they're operating a business then consumer law overrides any policy restrictions.

Yes, but you might want to offer something over and above your basic statutory responsibilities. 

I would write a short, clear returns policy, and when you sell a bass, give a printed copy to the buyer and briefly talk them through it. That way everyone knows where they stand.

I took the train from Manchester to Lancaster with a 4x12 cab once. 

1 hour ago, Hellzero said:

Your edition is a fake as "recherche" is feminine, the correct title must be "À la recherche du temps perdu".

 

That said any Harry Potter book would have done the job perfectly, furthermore they are available in different thicknesses for perfect angling.

I did try Harry Potter - everyone used to love the sound of the amp like that, but then it started making these weird tweets, which really irritated some people.

I prop mine up on a 1950's edition of Proust's 'Au Recherche du Temps Perdu' in the original French. Great for that wistfully elegiac P bass tone that so many of us strive for.

Re electric bikes - yes, what isn't always immediately obvious is that they let you choose how much effort to put in, and you can still put in just as much effort as on a non-electric bike, only you go farther and faster. My observation is that people tend to use them for a wide range of different reasons - to shift a heavier load than you could without (especially a load of kids and their bags etc); to do a longer commute than you'd fancy on a non-electric; to keep on cycling when age, injury or progressive disease might otherwise have stopped you; etc. I think they're really helpful for people to get a bit more exercise and have a bit more fun in daily life.

(Total thread derailment but I read the recent reports about the political desire to clamp down on illegal electric bikes for safety reasons, and the desire to make companies like Deliveroo to employ their delivery riders instead of forcing them to work self-employed. It would be great if regulation could instead force delivery companies to provide riders with decent electric scooters rather than leaving them to source their own ramshackle bodge-jobs.)

I recently got another bike (non-electric) to use as a round-town cargo-carrier, with front and rear racks, hub gears and so on. I'm now getting a useful amount of extra exercise just in the course of a normal week, because I'll jump on the bike to nip down to Lidl or wherever and grab some shopping rather than driving.

I was discussing this with my partner yesterday - we're both in our fifties and the point has come where regular exercise is compulsory not optional if we want to continue doing the things we enjoy for a decent amount of time. I personally intend to continue to enjoy the pleasures of an active life well into my eighties so I'm trying hard to eat well and do daily exercise that includes cardio, strength, mobility and flexibility over the course of each week.

I personally find that exercise is as important for my mental health as for my physical health, or perhaps that mental and physical health are really just aspects of the same thing.

I think MartinB has it - if you like the tone of the DI from the amp, just stick a plug in the headphone socket, as long as that doesn't also mute the DI. A very cheap technical fix.

I don't think I've had an amp where the DI output was affected by the volume, that seems like a weird way to build an amp to me. But maybe it's common enough, I don't know...

In general I think you want a stage sound which is brighter and less bassy than the out-front sound. That helps with both feedback and intonation. So it can be good to send a clean DI to the desk for out front, then use a stage amp that lets you roll off the bass while still sounding ok.

You definitely want stage volume as low as can be managed - if there's a kit drummer that's a problem.

In-ear monitors would be a big help.

I've been very happy with using a Turbosound ip300 powered PA speaker instead of a bass amp for double bass - I go through a mute pedal and a valve preamp and it sounds great to my ear. Bigger gigs seem to work fine just DI into the PA.

I really like the burnt one!

What difference does the triode/pentode switch make to the sound?

9 hours ago, KingBollock said:

The individual boxes would be metal. I’m sort of envisioning each side having a couple of small, embedded magnets, to hold the enclosures together and also for positioning, to keep them aligned. The instrument connection, from box to box (apart from the end/terminal boxes, which would have a jack socket, too), which would be a couple of metal pads.

 

It would eliminate the need for patch leads and take up less pedalboard space. Of course, you’d be stuck with only that type of enclosure.

I actually really like this idea. You could have connections on all four sides and a couple of rotary selector switches to choose which side is in and which is out. And routing boxes to build up send/return loops, split signal chains etc, and DI boxes... I think you might have reinvented the effects pedal!

I like the black pickguard a lot. Better than tortoise to my eye... It's looking amazing, great to see an actual, genuine relic!

Nearly every desk has an auxiliary out on each channel, you can use those to send whatever mix you want to a cheap headphone amp then into your IEMs. As it's only you using them, you can put just vocals or whatever else you need in your mix.

My partner just bought the bits for this (she plays the fiddle) and after one gig she described it as a total game changer. Can't remember exactly what she bought but it was a cheap and cheerful headphone amp and wired IEMs from Thomann.

If you wanted to run direct from the mic, I think you might need a mic preamp to bring the level up a bit before it goes to the headphone amp.

Fenders are far and away the most copied basses - in a way, all basses could be said to be copies of Fenders - so it's no surprise that there are plenty of basses out there that are close enough to be indistinguishable, and a good few that do the same thing even better than the originals...

What's the argument for calling that a bass (with extra high strings) and not a guitar (with extra low strings)?