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el-gnomo

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Posts posted by el-gnomo

  1. These are great cabs, built to go with the V-Type range. They sound great with any amp, but especially with big valve amps!

    This is the Metal grilled, green carpet covered version, 4x 200W speaker giving 800w handling (with adjustable tweeter), it can cope with volume :-)

    I bought it nearly new in the mid-nineties, I think I remember the shop assitant telling me it had been used briefly by The Seahorses, or Terrorvision, I can't remember which now.

    It's been stored in my pet-free, smoke-free house, unused, for the last 10 years, and my wife tells me we need the space, so here it is!

     

     Collection preferred. I could deliver within a reasonable radius of East Herts.

     

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  2. So, add another 18 months, and I've finally changed my strings ;-)  I've put a set of GHS Crossovers on.

    So far all I can report is that they are very bright and twangy at first, they need some time to settle before I can comment on tone. Also they shredded my fingers on last weekends gig, my fault for changing strings so close to a gig, without time to give them a coat of sweat and dirt ;-)

  3. [quote name='TrevorR' timestamp='1494999115' post='3300234']
    Can't find it on YouTube but the live version of Bodhisattva on the Citizen Steely Dan compilation has the most hilarious intro by a thoroughly stoned MC. You can eve hear the band wetting themselves with laughter as he rambles on for about a minute and a half...
    [/quote]

    Seem to remember reading that they hired the same announcer for tours at one point, because they found him so bad he was funny, and he always introduced them as "Stevie Dan".

  4. I'd agree with everything already offered here. I've had this issue a lot.
    The OP doesn't mention style of music, or size of venue, so excuse me if this suggestion doesn't fit your needs.

    I've worked a lot with our engineer, and we've reduced the volume of the subs, and lowered the HPF for the 'tops', which has helped a lot for me.
    I also try to avoid having the subs on the stage, if you can. Or have them as far forward as you can manage.

    Festivals are the worst places for this issue IMHO. As a sweeping generalisation, they all seem to have the PA set up for ear blistering dance music, even if it's a folk festival, with the subs very close to, or on/under, the stage. Then they set a bassy kick sound twice a loud as it needs to be. For these events I mostly play from memory ;-)

  5. [quote name='MoonBassAlpha' timestamp='1477847942' post='3164806']
    No love for the theme for Bergerac yet?
    [/quote]

    Yep, great bassline!

    http://www.youtube.com/watch?v=xQ369paM8_Y


    Also Taxi (Angela by Bob James)

    http://www.youtube.com/watch?v=5DL8SGEyhZE

    and

    Hill St Blues

    http://www.youtube.com/watch?v=Je2fGzKiqRM

  6. I don't use the end pin stand, but have had problems with the tripod stand. It's not great quality IMHO.
    I drilled a hole through the main tube, and use an allen key through it to make sure the bass doesn't slowly head towards the floor on gigs!

  7. Had my NXT for 4 years, and I haven't changed the strings yet. I did get a friend to bring over some D'Addario traditionals from the US a while back (much cheaper there at the time), as the factory strings didn't sound "upright" enough to me, but I bought a Phil Jones C4 cab, and they do now !!

    The GHS strings do look interesting, would love to hear some real world experience from someone who's used them.

  8. [quote name='Hobbayne' timestamp='1474360990' post='3137322']
    Strangely enough, Its The Beatles 'Come Together' that irks me. While its not difficult to play, I cant get that slide up to the top D to sound smoothly.
    [/quote]

    I seem to remember dropping my E string to D when I played it many years ago. I assume it was because it made the song easier !

  9. It was Jahmal Nichols, he's a doubler who has an endorsement deal with TC Electronic. He used a TC Blacksmith head last year at Glasto, and (I think) an RH750 and some RS series cabs this year ? Don't see many upright players using TC, so maybe his choice is swayed by his slab playing?

    Looks to me like he has a David Gage pickup, but I'm guessing based on pictures. No idea what he uses between pickup and amp I'm afraid.

  10. Love my NXT, yes it's not a real DB, but I'll put up with that to be able to load it on the passenger seat ;-)
    I use a Raven labs PHA-1 preamp in front of whatever amp I use, and the 3( or4?) MegOhm input impedance improves the tone, reducing the "clack". I can use the gain to push the input up a little, but the output level of the NXT is on a par with my passive basses.

    Maybe keep a lookout for second hand preamps, then google the input impedance. OR get someone to make you an FDeck preamp ? http://basschat.co.uk/topic/232358-fdeck-clone-made-in-uk/

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