subcurrent

PM'd back.

Sorry for the weird image placing!

[attachment=140141:post-26040-0-09799300-1344989132_thumb.jpg][attachment=140141:post-26040-0-09799300-1344989132_thumb.jpg][attachment=140142:post-26040-0-78972400-1344989098.jpg][attachment=140143:post-26040-0-35280000-1344989116_thumb.jpg][attachment=140144:post-26040-0-53709700-1344989155_thumb.jpg][attachment=140145:post-26040-0-65159300-1344989200_thumb.jpg][attachment=140147:post-26040-0-12265300-1344989243_thumb.jpg][attachment=140148:post-26040-0-14655300-1344989287_thumb.jpg][attachment=140149:post-26040-0-44187800-1344989313_thumb.jpg][attachment=140149:post-26040-0-44187800-1344989313_thumb.jpg][color=#282828][font=helvetica, arial, sans-serif]Here For sale is my Ashdown Head and Cab.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Posted this a few months back, someone wanted to buy it, didn't turn up and is still here, Need the space at home.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I bought his off Martin in the Bass Gallery in London, Great store for those who know it. Ashdown was a relatively small company then that was just starting to make it’s mark. It has served me very well And although it’s a had a couple of services along the way and has never let me down. I have been told around that ashdown now manufacture in the east, don’t know what the new ones are like long term but this one is Uk, has been a sturdy bit of kit.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]There isn’t much I can say about this that a lot of you don’t already know.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The E.Q. May seem to have a strange layout at first but every control boosts and cuts incredibly well, and the choices of frequencies on the faders in between bass middle and treble are perfect, making it super easy to get the sound you are after really quickly, and changing it really quickly too. It seems to adapt to any room very easily with a few tweeks, even on hollow floored stages you can cut the bass end enough to loose woofiness and still maintain loads of bottom end definition whilst still sounding like the bass player. The mid can give real punch and the next two faders along can get loads of growl. Treble wise you can get way more than you will ever need. And if you want Low end, Between what you can push on the head and the fifteen holds, it’s floor rumbling. I’ve noticed some amps don’t react well to distortion, this one does beautifully.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The amp has loads of dynamic range, letting you control ample volume with your fingers. Using the valve preamp seems to giva a bit of natural compression at higher gain, and has a very nice sweet spot if you push the gain to just before over driving.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The Cab is also brittish made, 2x10” cones 1x15” and a tweeter that can be switched on/off or half way . It responds really well to anything you change on the amp, the mix of speakers makes it very versatile. Has way more bottom end and treble than you will ever need. And the mid is very well defined by the two tens.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Originally loaded with all Celestion, unfortunately I had to replace the fifteen due to a tear in the cone, I replaced the whole speaker with what ashdown now use as standard, took the black option instead of blue though. It’s just as good…. And it’s brand new as seen on the picture. Barely been played.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The outside shows wear and tear, but it all works very well.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I would love to hold on to this, but I have a smaller practice amp and it’s not fair for this to be sitting on my landing. It needs to be played by someone.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I’m asking for £[/font][/color][s]650 £550 £450[/s][color=#282828][font=helvetica, arial, sans-serif] £400 ono for the lot.[/font][/color] PM me or call me on 07931153076

Back on Sale for £450 for the Lot.

REDUCED TO £900 OR NEAREST OFFER.

[b]Now reducing to £900 or nearest offer.[/b] So here it is, After years of thinking I would never do this I’m selling it, Because it has to go. I ordered it through Marten at the Bass Gallery in London, and took recommendations off him at the time for woods and finishes. It took 5 months to make In the Warwick custom factory in Germany and made me a very happy boy when it turned up The Fret board is made of ebony, Instead of (I think it was) Wenge that was used as standard on warwicks back then, I preferred the more solid feel, and deeper sound. And thought of one day removing the frets, for which the ebony would be perfect. At the time the standard hardware for the streamer Jazzman was Gold… and the cheeky “fellas” charged me extra to get all black instead Round this period Warwick swapped their nut to some polymer fiber blablabla (Plastic) and I had to get the brass one with the independent screwpieces as an extra too. Ovangkol neck, swamp Ash Back and flamed AA book matched maple top. The Electronics were a bit of a hastle, something else they were changing at the time. But managed to get the circuit with the active/passive push/pull volume pot. And the treb mid bass work a treat compared to others I’ve tried. The little three position switch by the knobs puts the Humbucker as Single coil,(using the coil closest to the bridge) in series or parallel . As a single coil works beautifully with the J pickup witch aint bad on it’s own either. And in series packs some serious punch and picks up mutes and pops amazingly well. Has almost a piano like tone if you combine the humbucker with the J, So much clarity on the low end, 5[sup]th[/sup] string does not get lost or lose volume. Honey Violin finish It has been kept clean and had the strings removed only to show the detail. They are back on now Bought to use as main bass, but ended up only gigging it a few times. Never toured it and has been my at home bass and a take to the studio bass since. Right, enough talking, Have a look at it. If you like it let me know. Tried to upload photos ended up using flicker. I saw a similar one (minus the custom changes) that looked in worse conditiongo up for £900 so Thinking £[s]1000[/s] NOW 900 ono with a hard case. [url="http://www.flickr.com/photos/84827258@N07/"]http://www.flickr.co...s/84827258@N07/[/url]

NOW REDUCING TO £900 OR NEAREST OFFER. [url="http://basschat.co.uk/uploads/monthly_08_2012/post-26040-0-19305000-1344816477.jpg"][color=#282828]So here it is, After years of thinking I would never do this I’m selling it, Because it has to go.[/color] [color=#282828]I ordered it through Marten at the Bass Gallery in London, and took recommendations off him at the time for woods and finishes. It took 5 months to make In the Warwick custom factory in Germany and made me a very happy boy when it turned up[/color] [color=#282828]The Fret board is made of ebony, Instead of (I think it was) Wenge that was used as standard on warwicks back then, I preferred the more solid feel, and deeper sound. And thought of one day removing the frets, for which the ebony would be perfect.[/color] [color=#282828]At the time the standard hardware for the streamer Jazzman was Gold… and the cheeky “fellas” charged me extra to get all black instead[/color] [color=#282828]Round this period Warwick swapped their nut to some polymer fiber blablabla (Plastic) and I had to get the brass one with the independent screwpieces as an extra too.[/color] [color=#282828]Ovangkol neck, swamp Ash Back and flamed AA book matched maple top.[/color] [color=#282828]The Electronics were a bit of a hastle, something else they were changing at the time. But managed to get the circuit with the active/passive push/pull volume pot. And the treb mid bass work a treat compared to others I’ve tried.[/color] [color=#282828]The little three position switch by the knobs puts the Humbucker as Single coil,(using the coil closest to the bridge) in series or parallel . As a single coil works beautifully with the J pickup witch aint bad on it’s own either. And in series packs some serious punch and picks up mutes and pops amazingly well.[/color][/url] [url="http://basschat.co.uk/uploads/monthly_08_2012/post-26040-0-19305000-1344816477.jpg"][color=#282828]Has almost a piano like tone if you combine the humbucker with the J, So much clarity on the low end, 5[/color][sup]th[/sup][color=#282828] string does not get lost or lose volume.[/color] [color=#282828]Honey Violin finish[/color] [color=#282828]It has been kept clean and had the strings removed only to show the detail. They are back on now[/color] [color=#282828]Bought to use as main bass, but ended up only gigging it a few times. Never toured it and has been my at home bass and a take to the studio bass since.[/color] [color=#282828]Right, enough talking, Have a look at it. If you like it let me know.[/color] [color=#282828]Tried to upload photos ended up using flicker.[/color][/url] [url="http://www.flickr.com/photos/84827258@N07/"]http://www.flickr.co...s/84827258@N07/[/url] [color=#282828]I saw a similar one (minus the custom changes) that looked in worse conditiongo up for £900 so Thinking £950 ono with a hard case.[/color] [attachment=118752:post-26040-0-21183300-1344816525.jpg]

Hello, Sorry man, didn't get a warning on my emails and only just saw this, I am In SE15, South London, Possibility of moving it to NW5 if ab necessary. Whole thing is still available.

PRICE REDUCED AGAIN £450!!!!!! [quote name='subcurrent' timestamp='1344989322' post='1772180'] Here For sale is my Ashdown Head and Cab. I bought his off Martin in the Bass Gallery in London, Great store for those who know it. Ashdown was a relatively small company then that was just starting to make it’s mark. It has served me very well And although it’s a had a couple of services along the way and has never let me down. I have been told around that ashdown now manufacture in the east, don’t know what the new ones are like long term but this one is Uk, has been a sturdy bit of kit. There isn’t much I can say about this that a lot of you don’t already know. The E.Q. May seem to have a strange layout at first but every control boosts and cuts incredibly well, and the choices of frequencies on the faders in between bass middle and treble are perfect, making it super easy to get the sound you are after really quickly, and changing it really quickly too. It seems to adapt to any room very easily with a few tweeks, even on hollow floored stages you can cut the bass end enough to loose woofiness and still maintain loads of bottom end definition whilst still sounding like the bass player. The mid can give real punch and the next two faders along can get loads of growl. Treble wise you can get way more than you will ever need. And if you want Low end, Between what you can push on the head and the fifteen holds, it’s floor rumbling. I’ve noticed some amps don’t react well to distortion, this one does beautifully. The amp has loads of dynamic range, letting you control ample volume with your fingers. Using the valve preamp seems to giva a bit of natural compression at higher gain, and has a very nice sweet spot if you push the gain to just before over driving. The Cab is also brittish made, 2x10” cones 1x15” and a tweeter that can be switched on/off or half way . It responds really well to anything you change on the amp, the mix of speakers makes it very versatile. Has way more bottom end and treble than you will ever need. And the mid is very well defined by the two tens. Originally loaded with all Celestion, unfortunately I had to replace the fifteen due to a tear in the cone, I replaced the whole speaker with what ashdown now use as standard, took the black option instead of blue though. It’s just as good…. And it’s brand new as seen on the picture. Barely been played. The outside shows wear and tear, but it all works very well. I would love to hold on to this, but I have a smaller practice amp and it’s not fair for this to be sitting on my landing. It needs to be played by someone. I’m asking for £650 ono for the lot, Please let me know if you are interested. [/quote]

SOLD!!!!!!! SOLD!!!!!!! SOLD!!!!!!! [quote name='subcurrent' timestamp='1344899605' post='1770971'] three programable analogue channels and bipass, loads of pure good sounding drive that is easy to keep defined, also really good as a treble booster because of the the presence nob, boosts and cuts bass and treble so useful as an alternate tone tool. I also a Phantom power and earthed D.I. box, So you can decide exactly what goes to the desk be it live or recording. Low noise, great tones and sturdy build I am cutting down to a home setup so no longer need this. They seem to go for around the £200 mark selling £110 [attachment=115590:_MG_4930.jpg] [/quote]

Dropping price to £950 [quote name='subcurrent' timestamp='1344816531' post='1769738'] [attachment=115497:_MG_4897.jpg]Custom streamer jazzman 5 So here it is, After years of thinking I would never do this I’m selling it, Because it has to go. I ordered it through Marten at the Bass Gallery in London, and took recommendations off him at the time for woods and finishes. It took 5 months to make In the Warwick custom factory in Germany and made me a very happy boy when it turned up The Fret board is made of ebony, Instead of (I think it was) Wenge that was used as standard on warwicks back then, I preferred the more solid feel, and deeper sound. And thought of one day removing the frets, for which the ebony would be perfect. At the time the standard hardware for the streamer Jazzman was Gold… and the cheeky “fellas” charged me extra to get all black instead Round this period Warwick swapped their nut to some polymer fiber blablabla (Plastic) and I had to get the brass one with the independent screwpieces as an extra too. Ovangkol neck, swamp Ash Back and flamed AA book matched maple top. The Electronics were a bit of a hastle, something else they were changing at the time. But managed to get the circuit with the active/passive push/pull volume pot. And the treb mid bass work a treat compared to others I’ve tried. The little three position switch by the knobs puts the Humbucker as Single coil,(using the coil closest to the bridge) in series or parallel . As a single coil works beautifully with the J pickup witch aint bad on it’s own either. And in series packs some serious punch and picks up mutes and pops amazingly well. Has almost a piano like tone if you combine the humbucker with the J, So much clarity on the low end, 5[sup]th[/sup] string does not get lost or lose volume. Honey Violin finish It has been kept clean and had the strings removed only to show the detail. They are back on now Bought to use as main bass, but ended up only gigging it a few times. Never toured it and has been my at home bass and a take to the studio bass since. Right, enough talking, Have a look at it. If you like it let me know. Tried to upload photos ended up using flicker. I saw a similar one (minus the custom changes) that looked in worse conditiongo up for £900 so Thinking £1000 ono with a hard case. [url="http://www.flickr.com/photos/84827258@N07/"]http://www.flickr.co...s/84827258@N07/[/url] [/quote]

Price drop to £550 [quote name='subcurrent' timestamp='1344989322' post='1772180'] Here For sale is my Ashdown Head and Cab. I bought his off Martin in the Bass Gallery in London, Great store for those who know it. Ashdown was a relatively small company then that was just starting to make it’s mark. It has served me very well And although it’s a had a couple of services along the way and has never let me down. I have been told around that ashdown now manufacture in the east, don’t know what the new ones are like long term but this one is Uk, has been a sturdy bit of kit. There isn’t much I can say about this that a lot of you don’t already know. The E.Q. May seem to have a strange layout at first but every control boosts and cuts incredibly well, and the choices of frequencies on the faders in between bass middle and treble are perfect, making it super easy to get the sound you are after really quickly, and changing it really quickly too. It seems to adapt to any room very easily with a few tweeks, even on hollow floored stages you can cut the bass end enough to loose woofiness and still maintain loads of bottom end definition whilst still sounding like the bass player. The mid can give real punch and the next two faders along can get loads of growl. Treble wise you can get way more than you will ever need. And if you want Low end, Between what you can push on the head and the fifteen holds, it’s floor rumbling. I’ve noticed some amps don’t react well to distortion, this one does beautifully. The amp has loads of dynamic range, letting you control ample volume with your fingers. Using the valve preamp seems to giva a bit of natural compression at higher gain, and has a very nice sweet spot if you push the gain to just before over driving. The Cab is also brittish made, 2x10” cones 1x15” and a tweeter that can be switched on/off or half way . It responds really well to anything you change on the amp, the mix of speakers makes it very versatile. Has way more bottom end and treble than you will ever need. And the mid is very well defined by the two tens. Originally loaded with all Celestion, unfortunately I had to replace the fifteen due to a tear in the cone, I replaced the whole speaker with what ashdown now use as standard, took the black option instead of blue though. It’s just as good…. And it’s brand new as seen on the picture. Barely been played. The outside shows wear and tear, but it all works very well. I would love to hold on to this, but I have a smaller practice amp and it’s not fair for this to be sitting on my landing. It needs to be played by someone. I’m asking for £650 ono for the lot, Please let me know if you are interested. [/quote]