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oggiesnr

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Posts posted by oggiesnr

  1. [quote name='discreet' timestamp='1402605376' post='2475340']
    Yes - surely all natural talent is God-given isn't it? So it would be wrong to deny it. :)
    [/quote]

    "The blues is the Devil's music." and fiddle players learn at the crossroads.

    The discussion between God and the Devil is as old as religion. There is no answer. You either have Faith or not. If you don't then you have one set of answers, if you do then you have another. I beieve all you can do is respect the decision that has been made.

    Steve

  2. [quote name='KingBollock' timestamp='1402330440' post='2472292']
    My wife gets rather annoyed at all the calls the police get on weekends from people complaining about the noise from the pub next door. And they don't just complain about the music, "There are people standing outside the pub waiting for taxis and they are talking!", is a common one, apparently. My wife's view of it is "Well, you moved in next door to a pub, what exactly did you expect? The pub has been there far longer than you!", though she doesn't actually say it.
    [/quote]

    In most towns now this is not the case. When we moved here there were five pubs within half a mile of our house, there are now four within fifty yards!

    Also, remember licensing hours? Pubs closing at 11.00 pm? Now it's midnight or later (the one next door is 2.00 am at weekends).

    Yes there are people who move near music venues and complain but that's the exception. Good venues manage the noise and have good relations with neighbours. Bad venues deserve to be shut!

    Rant over :)

    Steve

  3. I have the misfortune to live near a pub. The new owner is great, still puts on live music but looks after the noise levels, has changed the angle of the stage, controls the punters leaving etc and it's fine.

    The previous manager was a t**d. Try lying in bed at midnight on a Saturday night, middle of summer, knowing you have to be up at 5.00 am and being able to write down the setlist and also which words the singer screwed up!

    Sure we complained, every week and eventually the Council served a prohibition order.

    I do wonder why for a smallish pub (200 capacity) why some bands felt the need to mike the drums and backline up through 3000+ watts of PA.

    I'm also amazed at the bar staff, how they can work at some of the volumes is beyond me. If they worked in a factory ear protection would be mandatory.

    Steve

    PS Before some says it, it wasn't a pub when we moved here, it was a furniture shop and the carpark was a sales lot. We objected to Planning Permission but Bristol routinely over-rules rejections by local planners which is what happened here.

  4. Is the guitarist going to be an add-on to the three of you who have already written the material etc? If so what's in it for them needs to be considered. Should one of your songs be picked up and recorded by someone else then who are the songwriters (ie who gets the money)?

    Splitting costs sounds fine and dandy but the three of you have a potential upside as well.

    Other than that, have fun.

    Steve

  5. OK so here you are [url="http://www.grevillehodgson.co.uk/jazz_band_.html"]http://www.grevillehodgson.co.uk/jazz_band_.html[/url]. Now you a different definition for "Jazz Band" :)

    Have fun

    Steve

  6. You can, I'm not sure where but I'll ask around. The genesis is in girls marching bands in the North East (and around here) who have drums, xylophones and a trumpet like kazoo. There are competitions etc for them. I know someone who helps with one so I'll ask.

    Steve

  7. [quote name='Roland Rock' timestamp='1402077458' post='2469898']
    Say a band have a million-selling hit with a cover version. My understanding of royalties is as follows:

    - Mechanical royalties (CDs/downloads/stream sales) go to the songwriter
    - Performance royalties (plays on radio, shops playing songs etc) go to the songwriter

    [/quote]

    Which is why, if you're an originals, band you MUST sort out the music credits at the start.

    Steve

  8. It's horses for courses but I prefer the low B to the high C. I'm playing a lot folk and country so that low D is really useful. I did restring it for a while and found that it really didn't gain me as much. I also had a mad spell where I re-tuned it in fifths (C,G,D,A,E) but the shifts were just too much for my small hands.

    Steve

  9. As my alter ego Pedally Steve I charge £350 plus exes for weddings and no-one yet has blinked an eye even though I'm very much a side show. Last one I did the photographer was getting £2k and the band £600 each.

    You have to give them what they want but within that it's money to be made. If they're having a big enough wedding to have a live band etc then the cost of the band will not be high up the expense list. The wedding dress can easily cost more and that's ignoring the matching bride's maids.

    Steve

  10. [quote name='JamesBass' timestamp='1401061888' post='2459740']

    You say it varies geographically, but I think you have generalised there a tad. I have a friend who's band were signed and fairly well known during the 90s and he regularly receives cheques each month of £5k or more and he reckons 85% comes from SA sales, his band here are much more cult-niché and experience less in sales.

    [/quote]

    Is your friend getting money from sales or from writing credits from radio plays? Makes a huge difference if it's actually your words and music.

    Steve

  11. My next one is going to be built by Ani Macneice up in Otley (also thinking about an EUB). She made a glorious fretless for Tim Yates (Blackbeard's Tea Party) and also a four stringer for Ashley Hutchings. Individually made, you specify what you want and that's what you'll get. Also very good on communication and accurate updates.

    Steve

    Also makes electric mandolins, guitars and electric five string banjo!

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