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markyboy2106

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Posts posted by markyboy2106

  1. I found the RGT exams and processes to be progressive and well constructed on the whole. I have just completed grade 8 and found it was a good way in the little time I have, to practice at home and focus my playing whilst picking up some of the theory behind my playing. I had been playing many years prior to thinking about grades but felt it was something I wanted to do in order to develop a further knowledge of the instrument, but to also give me a few more tools in my armoury. Go for it.

    On a seperate note I would like to continue my progression but can't find a diploma or something similar to enrol on that will allow distant/part-time learning. Has anybody any ideas on this?

    Cheers

    Mark

  2. Hi

    Just thought I'd add the Visual Sound Liquid Chorus as an option. I use one and I like it. Its got depth and versatility. I also had a Jacques Meistersinger which blew up after one gig...but sounded good...but blew up after one gig...but sounded good...

  3. Hi there

    There's a chance of one of these bad boys coming up for sale near me for around £1000ish. I've not played one before and it would my first foray into the world of 5 stringers. Will be keeping my 3-eq EBMM, and have looked also at Lakland, Sandbergs, etc, (all of which has been well documented and commented upon on this forum which is much appreciated). Is it worth a punt for a grand?

  4. [quote name='OutToPlayJazz' post='209995' date='May 31 2008, 09:16 AM']HeHe... I have the 2x10 Traveller cab on top of the mini 15 combo... My drummer's wife says it looks like "Monkeee!"

    [/quote]

    I know this is a completely unrelated point to this thread but I have the same set-up but with the Jeff Berlin combo, and it is ace but I will now be unable to shake off the monkey thing...it is a poweful image. Just out of interest what settings do go for on the eq?

    Sorry for the interuption to this otherwise great thread?

  5. [quote name='lukeward2004' post='212545' date='Jun 4 2008, 03:21 PM']I have 2 Warwicks at present and I love them - A Streamer Stage One and a Streamer LX5.

    The Stage One is a 4 string and is for sale/trade at the moment purely because it doesnt get played much next to my LX5 and Vigier Passion III - your best bet really is to play a bunch and see what you like.

    WHere are you based? You are welcome to pop in and have a go on my babies if you want to mate![/quote]

    That's a great offer, but I'm based up in Manchester.

    Anyone know of a Warwick stockist Manchester way

  6. Hi there

    I'm in the fortunate position of having approximately £1000 to spend on a 5-string bass. I am considering Clover and Lakland, based on recommendations and having tried them out. Versatility, tone, good 'B', and good high fret access would be desirable (24 frets would be great, but not necessary). However, I have thought recently about a Warwick. They have such a huge array of models and are very popular, yet it would seem they are rarely recommended.

    Are they good?

    If so, which ones?

    If not, what's wrong with them?

    Cheers

  7. [quote name='BigRedX' post='198109' date='May 13 2008, 04:50 PM']How about a Bacchus?

    [url="http://deviser.co.jp/bacchus/2007/04/16-122103.html"]Twenty Four Alder Custom[/url] or
    [url="http://deviser.co.jp/bacchus/2007/04/15-122933.html"]Twenty Four Ash Custom[/url]

    Around £1000 new (plus shipping and import) although if you're prepared to wait you should be able to get one for around half that used from Ishibashi.[/quote]

    I'd never heard of a Baccchus until now. What's their story? They look great...

  8. Just to qualify the Dark Side statement I have never considered getting a bass that does not conform to the old P or J appearance. The more I look through the build diaries and bass porn the more I find the prospect of a custom or boutique bass more appealing. I suppose i am reaching an age now where a wider spectrum of opportunities should be considered, beyond just Fender and MM. Keep the suggestions coming.

    (please note I have discontinued Star Wars role play against my better judgement and for the preservation of my last remaining iota of non-geekiness)

  9. [quote name='The Burpster' post='198062' date='May 13 2008, 03:55 PM']Aaaaahha so now your talking a little less limited......


    [url="http://www.yamaha-europe.com/yamaha_europe/uk/10_musical_instruments/30_guitars_basses_amps/70_bass_guitars/10_bass_guitars/30_trb_basses/60_TRB1004/index.html"]http://www.yamaha-europe.com/yamaha_europe...1004/index.html[/url]

    [url="http://www.cloverbasses.com/index.php?id=9&bass=7"]http://www.cloverbasses.com/index.php?id=9&bass=7[/url]

    [url="http://www.status-graphite.com/status/carts3/frames/frame1.htm"]http://www.status-graphite.com/status/cart...ames/frame1.htm[/url]

    [url="http://www.ibanez.com/bass/guitar.aspx?m=SRX690EX"]http://www.ibanez.com/bass/guitar.aspx?m=SRX690EX[/url][/quote]

    damn it...I feel I'm being lured to the dark side...

  10. I think I am now starting to get it. The distance from nut to bridge is relatively standard 34"-35" (is this right). Therefore you can't just go attaching a 24 fret neck to any body shape otherwise you end up in a whole world of pain tuning-wise (this is a eurekea moment for me). Therefore the distance between end of neck and beginning of neck pup makes it difficult to fit a pickguard as the distance is quite small. Hence, most come without pickguards.

    What other 24-fretters are around that people have had success with that have maintained that air of classic styling? Custom jobs included...

  11. Hello all

    I'm interested in purchasing a 5-string bass that has 24-frets.

    This is not a difficult proposition I hear you say, but there is one condition. I would like it to have the appearance of a traditionally styled fender-style jazz bass. 3-tone sunburst and with mint-green scratchplate.

    Where could I find such a beast and more importantly is there a problem with a 24-fret neck that prevents them from being standard (excuse my lack of knowledge here if there is an obvious answer)?

    Please help

    You're my only hope

  12. Hi there

    Thinking of buying a Sandberg Cal Bass. Played one in Sounds Great Music (fantastic shop) but I'm a little unsure as to which model of bass to go for.

    These are the models with either the J-style neck pick-up, or the P-style neck pick-up both with the bridge powerhumbucker.

    What would be the difference in sound if you compared a J-style PUP to a P-style PUP?

    Would there be a compromise on versatility with one over the other?

    Also, I've never purchased a 5-string. Would this be a good time to get one?

    Cheers Mark

    The models I've mentioned can be seen can be seen at www.sandberg-guitars.de

  13. [quote name='mr pablo' post='166844' date='Mar 31 2008, 01:21 PM']Here's my updated board, still got a compressor to get and i quite fancy another hyperpak cause i miss the one i sold to Finbar. . .

    [attachment=7151:Pedals.jpg]

    Signal goes:

    Bass > TU2 > Cream Pie > EQ > Chorus > SAPBDDI

    I plan on using the stereo out on the chorus when I get another cab to run a stereo set up one half clean one half dirty just for the banter :)[/quote]

    Nice board. What's the Dave Hall pedal at the top? Looks interesting.

    Mark

  14. Cheers for that. These suggestions look really interesting. However, my problem lies in not really understanding the schematics (for want of a better word) of looping/switching on a pedalboard. If someone could post a photo of a board fully looped up or a diagram of how you add in A/B switches, blenders and the like into the mix that would be really helpful to me. I've checked on the post-your-pedalboard thread but its usually quite difficult to see the intricacy of the connections.

    Thanks for your help and suggestions. Keep 'em coming!!!
    M

  15. [quote name='GonzoBass' post='165440' date='Mar 28 2008, 05:57 PM']Since you appear to be a Jaco fan and have some of his technique
    I might suggest his version of "Amerika".
    It makes a nice solo piece.

    Mike Dimin also has a few chordal solo pieces available [url="http://www.michaeldimin.com/licks.htm"]HERE[/url].
    Definitely worth a look...[/quote]

    I forgot to mention I had done Amerika also. It's fantastic to play and a beautiful piece. I love the bass line to Dry Cleaner from Des Moines by Jaco with joni Mitchell. Definitely worth a listen, but definitely something which is ore of an accompaniment rather than a stand alone piece. Thanks for the other suggestions I'll check them out.

  16. Hi there

    I have to perform an advanced bass piece as part of an upcoming exam. I'm also a teacher and have a feeling it could onto the college's end of year show as well so I'm looking for something that is impressive, fun to learn and play, and challenging. I've done the usual Jaco stuff (Blackbird, Portrait of Tracy, Teen Town, Birdland) before and was looking for something a little different.

    I hope given the eclectic nature of basschat I might get some interesting suggestions

    Cheers

    M

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