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blinddrew

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Posts posted by blinddrew

  1. I've only been playing DB a few years but I have to say it's one of the most "fun" instruments to play. I can't tell you why, or even explain what I really mean by fun in this instance, but there is just something about it that makes playing and learning enjoyable in a pretty special way.
    Excuse the ramble, but welcome to the upright club :¬)

  2. Another +1 for Ben's endpins here. Even on a dirt-cheap bass it made a noticeable improvement in tone, plus you have all the aforementioned convenience points.
    By the way, when I say "noticeable improvement in tone" I don't just mean noticeable to me in a good acoustic environment, I mean other musicians commented on how much better it was sounding when playing it in the pub. :¬)

  3. I have one of the G4M cases (to go with the bass) but the only time I've used it has been to put it in a van a couple of times. It's big, really big (no more so than other hard cases I'd guess though). Build quality seems ok (for the little I've used it) and the wheels run ok. Most of my playing is in small pubs though, so taking up the space with a huge black coffin just doesn't work. Soft case on my back for me.

  4. Snark do a clip on tuner (SN-2) that's a full range tuner (rather than the guitar-based SN-1) and works really well.
    I got a wooden end-pin from Ben Bastin (look him up on this site) that has made my cheapo bass sound waaay better (even when I'm playing it).
    Wheels and the like is very much a case of what you need. I carry my bass about a mile or so each way to my regular session in a standard gig-bag, but I'm lucky enough not to have any recurring injuries or strains. If you do go down the wheel route you'll still need to be careful with it, I've heard of end blocks getting pretty battered from going over bumps and kerbs.
    Only thing I wouldn't recommend is shelling out for a hard case. I got one free with mine and since I collected it I've not used it other than when I moved house. Most places you go to play just won't have the space to store a bloody great coffin!

  5. [quote name='Ian Savage' timestamp='1400604896' post='2455396']
    I'd put a couple of breeze blocks under the stands to get them up by another foot or so (or two of them if you can make 'em stable enough) - you could always wrap them in a bit of fabric if aesthetics are a consideration!
    [/quote]
    Yep, that would definitely be better, but softly softly catchee monkey... :¬)

  6. [quote name='RockfordStone' timestamp='1400164699' post='2451373']
    I was going to say the same, if you lift them so they are around ear level when you sit you might get a better mix :)
    [/quote]
    Yep, but (again) there's a degree of negotiation going on here ;¬)
    Also I find that I kick away from the desk and slouch a bit when I'm properly listening back - which brings it much more in line. The THR10 on the right works as a nice "grot-box" and actually I do a lot of my mix monitoring through that in mono.

  7. In an average set of messyness...
    No sound treatments to the room (not everything is negotiable) so it does sound a bit on the boxy side but it allows me to do what I want to do :¬)

  8. Finally got round to having a play with the new pin in today (damaged my shoulder recently so the bass has been on the back seat). Clear improvement in resonance in the mid-range but my practice room is so echoey... echoy? echo-ey? ...has lots of echo so it can be hard to tell.
    Proof of the pudding will be in the pub tomorrow night.
    Thanks Ben, great service :¬)

  9. Rabbie, I'm no expert but I'd avoid WD-40 or any of the other spray lubricants. These fluids are designed to "creep" and, whilst that may help initially, you don't want them subsequently creeping onto the binding post. I'd suggest a much heavier oil instead, ideally a bit of grease, but a drop of 3-in-1 will probably do the trick.

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