[quote name='Mokl' post='23231' date='Jun 25 2007, 09:43 PM']I'm well down on numbers compared to you lot, but it's good fun to think of the guitars that have passed my way. 
 
Westone Thunder I: My first bass, and I didn't realise how good it was at the time.  Great build quality, came out of the Matsumoku factory. 
 
1989 Musicman Stingray: Bought this from the same fella that I bought the Westone off - he decided he wanted to buy some "decks".  His loss was my gain!  Still have this and won't ever part with it, plays like a dream and has an amazing birdseye maple neck.  Got bags of mojo now too. 
 
Rickenbacker 4001 (early 80`s):  This was a pile of cack to play, but sounded great.  I kept it for a fortnight and swapped it for a brand new... 
 
Rickenbacker 4003 Mapleglo:  This was a stunning bass, but I never got on with the tone. 
 
G&L ASAT Bass: Ridiculously lovely translucent red finish and beautiful, slim neck.  I still feel pain when I think of how I parted with this.  Amazing slap tone, fabulous versatility, but the neck used to dive so badly and I just couldn't live with it :-( 
 
Warwick Thumb Bolt On:  Probably the best all round tone I've had - cut through the mix wonderfully well.  I only parted with it because I fell in love with a Jaydee Super Session. 
 
1983 Jaydee Super Session:  Completely impractical for me, this bass, but it was an amazing slap bass with a clear, punchy tone.  Only sold it very recently, mainly due to me getting married and moving abroad in the near future. 
 
1986 Wal Custom (Geddy Lee MK I):  The bass I'd always wanted, although never thought I'd end up with a black Geddy Lee.  Got it just before the prices went silly.  This bass, looks and sounds evil.  I cannot imagine a better rock-bass tone - that in itself makes up for the slightly uncomfortable body shape and strap balance.  I hope I never have to sell it. 
 
Lakland Skyline 5501 NTMB:  Lovely 5 string, was really impressed with the quality.  Never quite got on with the tone or the extra string.... I've since realised that Barts don't suit my personal taste, otherwise a wicked bass. 
 
F Bass BN4:  Stunningly beautiful bass in every way.  Sublimely useable tone and wonderful quality, balance and playability.  I've just recently sold this to a fellow BC'er.  Hope it's still doing the biz, Peter. 
 
Bravewood 1963 Jazz Bass "of Doom":  Made for me by John at Bravewood, this is my own Jaco bass.  A bit sad?  Possibly!  But it is amazingly authentic looking and sounds wonderful.  Epoxy fingerboard coating, the works.  I won't be selling this. 
 
Sei Flamboyant 5:  Very lovely looker, with practically every option available.  This is the bass that confirmed that I don't like the sound of Bartolinis, so I had to reluctantly part with it. 
 
Modulus Flea Bass:  "One Off"  Green flake finish!  Played great, sounded good but preferred my Stingray.  Used as a part-ex against my latest... 
 
Fodera Monarch Classic:  This is the bass that has cured my gas - which is just as well seeing as how I have to grow up and stop blowing my cash!  It's taken me a little while to grow into this bass, and I think it really needed a few months playing in.  Now I can't imagine playing anything else, it is effortless to play, sounds stunning and balances perfectly.  It's a stunning looker without being too bling (spalted maple top with pale-moon ebony board (stripey!)). 
 
That concludes the voting.  Crikey, that's more than I thought![/quote] 
 
 
 
Wal, Musicman, Lakland, G&L...................I am envious right now, saving for me first 'real' bass, a G&L SB2, If I ever had me grubby mitts on a Wal.......it would have to get it surgically removed.  Plus a Rick.......Tone to die for...come back as a zombie...then die again.