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GregBass

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Posts posted by GregBass

  1. I found a tatty Thunder 1A mk3 (with the humbucker pickup) in a guitar shop for £75. I would say that's a reasonable price - it improved on cleaning/setup, but still can't live with other basses I would expect to see in the £200 to £300 range.

  2. On 09/12/2017 at 13:50, Dan Dare said:

    It sounds as if you need to raise the whole neck away from the body a little, rather than adding a shim at one end to increase the break angle, so a shim covering the entire neck pocket surface looks the way to go. Fwiw, I don't buy the arguments about decreasing resonance by introducing a tiny gap, etc. However, covering the entire neck pocket surface won't result in any gap if you do it neatly ( a piece of veneer - you can experiment with thickness - should do the trick).

    The geometry doesn't support this argument. If the bridge saddles are already at their lowest, you would need to raise the neck by a considerable amount to bring it back to the adjustable region of the bridge. By contrast, making a tiny change to the break angle has a large effect on the bridge adjustment.

  3. I had both done together - my right was much worse than my left. The surgery cured the right completely - but the left has a couple of tender spots that weren't there before! I think your doctor was right - don't have the surgery unless you need it!!

    Playing bass actually bends the wrists to releive the pressure, so I find that it actually helps with the numbness.

  4. They do the Eastwood in a gorgeous greenburst. Not sure how they sound, but they look great :)

    https://www.google.co.uk/search?q=eastwood+classic+4+green&client=firefox-b&dcr=0&tbm=isch&source=iu&pf=m&ictx=1&fir=LCOHPJOtmByhrM%253A%252Czc1YhutpAlZ9dM%252C_&usg=__HzLZ0S9VA5Y_q0nFDnTPW1M0lkk%3D&sa=X&ved=0ahUKEwi1_uHh0KrXAhUBNhoKHa33AmYQ9QEINzAC#imgrc=LCOHPJOtmByhrM:

  5. I use one of the Hiscox cases pictured in previous posts, but it's not a snug fit. I asked those nice Hiscox people if there is a solution for this, and they sent me a set of self adhesive pads to fit inside the case to pad it out a touch.

  6. I took a Japanese P as part of a deal. It had an active EMG fitted. It sounded terrible - all bass and no clarity. I decided to gain adjustability by fitting active electronics. It now sounded terrible louder.

    So - I dumped the EMG and fitted a US Custom Shop 1963. Wow - the bass came alive. It's now my go-to instrument.

  7. [quote name='FinnDave' timestamp='1495459795' post='3303872']
    In the 120 plus gigs I've played with The Wirebirds, I doubt that more than 10% have had the bass through the PA. Apart from vocals, the only thing we mic up is usually the bass drum. Only when we play a festival or bike rally (and not always, even then) do we have the benefit of a big PA and sound crew.
    [/quote]

    Yup - this is my experience as a regularly gigging bass player in a pub band. This weekend we are putting everything through a FOH PA for the second time in my three year stint with my current band. The rest of the time we put just vocals and bass drum through the PA.


  8. I've rarely seen a better case argued for using your ears rather than all this reductio ad absurdum.

    If you like the sound, buy it.

    If you don't like the sound, buy something else.

    If you want to score points, endlessly, boringly, repetitively, then analyse the sound to death using oh-so-clever graphs accompanied by casual put-downs ("I suspect not everyone will know how to read this ...").

    Perhaps clutching a copy of this graph will somehow make your PA sound better in The Tickled Trout.

    I promise you it won't make a blind bit of difference in any pub I've ever played.

    I imagine that the RCFs sound great. I know the Barefaced RFs sound great. Lots of things sound great.

    Get over it.



    Applause. This is the perfect response. Just as an extra: the Barefaced are dead easy to transport and carry.
  9. I use a pair of Barefaced Big Baby 2s with a TC RH750. One cab sounded OK, but incorporating a second allowed me to get the sound I want at lower volumes. I play in a punk/post punk band that virtually never has PA reinforcement (we carry a vocal PA for pub gigs only), but volume is only an issue when the band are telling me to turn down. I usually have gain at 5 and master volume at 2, so I always have a ton of headroom too.

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