Bart Funk Bass Posted May 28, 2021 Share Posted May 28, 2021 3 Quote Link to comment Share on other sites More sharing options...
Cosmo Valdemar Posted May 28, 2021 Share Posted May 28, 2021 Another one I've been playing slightly wrong for years... 🤣 1 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted May 28, 2021 Share Posted May 28, 2021 Proof yet again that what sounds really bassy and warm in the mix just isn’t. 3 Quote Link to comment Share on other sites More sharing options...
Lord Sausage Posted May 28, 2021 Share Posted May 28, 2021 Played this at Chester Lakes festival in 2019. I can honestly say it was probably the most I've enjoyed playing a tune ever. So much fun to play. Quote Link to comment Share on other sites More sharing options...
steve1879 Posted May 28, 2021 Share Posted May 28, 2021 This is in our set list, I thought I had the sound pretty close with just my envelope filter but got some tweaking to do now! 1 Quote Link to comment Share on other sites More sharing options...
ezbass Posted May 28, 2021 Share Posted May 28, 2021 I used to play this in a Bowie tribute (well, you just would), most enjoyable but I would never have guessed that was the original tone. 2 Quote Link to comment Share on other sites More sharing options...
Judo Chop Posted May 28, 2021 Share Posted May 28, 2021 Fretless with a pick and octave? Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted May 28, 2021 Share Posted May 28, 2021 I have played this live quite a few times (including in a Bowie tribute) and always went for the brightest tone. I’ve invariably done it fingerstyle though, never thought to use a plectrum. Quote Link to comment Share on other sites More sharing options...
FDC484950 Posted May 28, 2021 Share Posted May 28, 2021 8 minutes ago, Judo Chop said: Fretless with a pick and octave? No, I believe it’s a keyboard bass in the verses doubled, and it’s a fretted bass as you can hear the fret buzz when he picks harder in the “aaah” crescendos. Carmine is a much under-regarded bass player. His work on Let’s Dance was fantastic. His credit list has a lot more on it than I’d have thought as he’s not one of those “names” that immediately springs to mind. I’d like to have a black ESP (I think) PJ with gold hardware like he played on the serious moonlight tour 2 1 Quote Link to comment Share on other sites More sharing options...
ezbass Posted May 28, 2021 Share Posted May 28, 2021 He was with Joe Bonamassa for quite a while IIRC. Loved his work with Bowie. DB certainly had some great bass players in his time. 1 Quote Link to comment Share on other sites More sharing options...
pineweasel Posted May 28, 2021 Share Posted May 28, 2021 This has been a fixture in my band's set for a while and always goes down well. I use an OC-2 for the verses. It doesn't sound quite like the original but it's close enough. Fun song to play, and some nice chords for the guitarists too. Quote Link to comment Share on other sites More sharing options...
Happy Jack Posted May 29, 2021 Share Posted May 29, 2021 I reckon I play this WAY better than he does. 😂 Quote Link to comment Share on other sites More sharing options...
hiram.k.hackenbacker Posted May 29, 2021 Share Posted May 29, 2021 Never heard of it 😂 1 Quote Link to comment Share on other sites More sharing options...
Bart Funk Bass Posted May 29, 2021 Author Share Posted May 29, 2021 Jerry Barnes who works with Nile Rodgers & Chic plays it without any effects and it sounds great live! Just a fingerstyle jazz bass. Quote Link to comment Share on other sites More sharing options...
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