Superb bass, custom made in Markneukirchen.
I got this bass in a trade and enjoyed it very much. Due to a permanent switch to fretless bass, I am selling this very special instrument.
Half the price of a new one (£6,000/6,500).
Schaller Machine Heads with wooden knobs
Just-A-Nut III Brass
Neck Wood: Wenge neck, 5 laminates
Fretboard: Tigerstripe Ebony fingerboard
Fluorescent Side Dots
Fingerboard Radius: 26"
Scale length: 34"
Width Nut: 45,0 mm / 1.8" - Width 12th fret: 60,8 mm / 2.4" - Width 24th fret: 69,11 mm / 2.7"
Fret quantity material and size 26 Jumbo Bronze (extra hard) frets (width: 2.9 mm / height: 1.3 mm) -
Frets: IFT - Invisible Fretwork Technology
Body Shape: Curved Body Shape
Bodywood (Topwood / Backwood): Bubinga Pommelé body
Pickups Active EMG soapbar H/H
Electronics: Active MEC 3-way electronics
Pot layout: Volume & Balance stacked P/P for active/passive / Mid / Treble & Bass stacked
Bridge system: 2-piece solid Brass Warwick Bridge
Strap system: Warwick security locks
Construction: Hidden neck
High Polish Finish
Hardware colour: Chrome
Weight: 5,6 kg
Included accessories: Warwick User Kit including hex key tools and Cleaning cloth
Certificate: Individually issued certificate of authenticity
Original and super solid flightcase.
The video was recorded with my iPad, the bass was played through an Aguilar TH 350 + 2x Aguilar 1x12" SL.
The sound was set up the way I like it: warm, lots of high mids. The bass is suitable for any style, I play mostly Latin Jazz.
This was meant to be posted on Saturday as I selected next day delivery, but between the supplier and the courier, it actually arrived this morning (potential for another thread, all on its own).
Anyhoo, there's a back story to this purchase, so bear with me. Last March, just before the world went to hell in a hand basket, I had a video for David Byrne on Saturday Night Live come up on my feed, playing Once in a Lifetime with his Utopia ensemble. As a DB/Heads fan I watched and noticed the bass player using some sort of Hofner-esque short scale affair, sounded good. The next video up was from the same SNL programme with DB playing Toe Jam with the same guys, except the bass player had swapped to a shell pink, 5 string of some description; it sounded incredible. A very quick search on Google for the player, then images to see if I could find out what the bass was, revealed it was a short scale, Serek, 5 string. Now, I heard good things about these basses already, so I thought I'd investigate the price - yikes! However, by this time, my interest was piqued and so I trotted off to my local Guitar Guitar to try some short scales to see if this was something worth pursuing. I tried a Gibson double cut, an Epiphone, a Gretsch and Fender/Squier Mustangs, including the JMJ signature. I was hooked, there was definitely something to this resurgence of SS basses. The 2 that impressed me the most were the Gretsch (good playability and tone and an absolute bargain) and the JMJ, which was in a different league to all the rest. Rather than diving straight in, I thought I'd ponder a bit - then lockdown arrived. After the first lockdown ended and GG opened up again, I needed a new tuner and, as my car was in for a service just round the corner from the shop, I went to buy it in person and also try the JMJ again to see if it had just been a momentary whim; it hadn't. I decided to move my Maruszczyk Jake L on to facilitate financing the new purchase and put it up on commission sale at The Bass Gallery (where it is available should you, dear reader, wish to purchase it https://www.basschat.co.uk/topic/443414-maruszczyk-jake-l-in-fiesta-red-reduced-to-£775/ ). I tried the Vintera and a couple of vintage Mustangs while I was there, the Vintera was the best, but not as good as my memory of the JMJ (I also tried a Wilcock Mullarkey, which was brilliant, but beyond my budget). Then... lockdown 2 arrived, coupled with my moving to Scotland, where I'm in temporary accommodation with just one of my basses (Rob Allen MB2) for low end company, the others being in storage and the pause button was hit, again. Well, we all know this lockdown has been tough and I finally snapped and bought a JMJ anyway, without waiting for the Jake to sell and it finally arrived this morning.
A quick play and everything was in order, just my usual set up required (it wasn't bad out of the box to be honest, just not my preference). I'm really rather pleased, my only complaint being, if you're going to put modern, albeit 'aged', Hipshot tuners (nice touch), why not put a modern, hex head, easily accessible, truss rod on? Having to take the very well fitted neck off (twice) is a PITA! Also, if you're supplying a SS bass, provide a SS gig bag, not something that is way too long. Will I become a SS devotee? Time will tell, but early indications are good.
Enough waffle, on with the show...
For sale is my made in USA 1964 Airline Pocket Bass. I bought this from Olivia’s Vintage Guitars back in 2014. It’s a lovely and unusual little thing, and always got a lot of interest when I gigged it. I’m thinning down my gear hence the sale.
It is all original with the original chipboard case. I believe the flatwound strings are original too! It is super short scale at just under 25” and has a big single coil in the neck position and a piezo in the bridge. There is checking/crazing to the paint which looks great.
Eastwood recently reissued these for £780 so I think an original for £600 is a great price. Happy to post at buyer’s expense - I have a box and lots of bubble wrap.
Any questions just ask!
I've got 2 spare gig bags for 3/4 double bass if anyone needs one.
The first is a Hidersine. Not brand new, but as good as, and has never left the house.
The other is a Westbury - the 12 inch padded version. Brand new, still in packaging.
Both showerproof, good tough bags. You never know, we might be gigging again before too long! Message me if either is of interest.