Marky L Posted February 5, 2009 Share Posted February 5, 2009 Well, I never did. So I'm wasting time at work and have a look on the centre for all misinformation - wikipedia - at Paul Simonon's page to discover that on the majority of tracks on Cut The Crap and also Rock Casbah, the bass tracks were actually laid down by Mr Norman Watt-Roy. Wow, I need to go back and listen to these and see if it's obviously Norman. I never knew this fact (if it is correct) and I wonder why it was Norman doing the duties on these. Quote Link to comment Share on other sites More sharing options...
bremen Posted February 5, 2009 Share Posted February 5, 2009 [quote name='Marky L' post='400998' date='Feb 5 2009, 01:38 PM']Well, I never did. So I'm wasting time at work and have a look on the centre for all misinformation - wikipedia - at Paul Simonon's page to discover that on the majority of tracks on Cut The Crap and also Rock Casbah, the bass tracks were actually laid down by Mr Norman Watt-Roy. Wow, I need to go back and listen to these and see if it's obviously Norman. I never knew this fact (if it is correct) and I wonder why it was Norman doing the duties on these.[/quote] I think he was reponsible for Sandinista too. Quote Link to comment Share on other sites More sharing options...
KevinJazzBass Posted February 5, 2009 Share Posted February 5, 2009 It's a crazy fact isn't it? Although as far as i know Topper Headon actually played bass on Rock the Casbah. Norman was drafted in to play on some of the Clash's recording sessions in New York, this was because Paul was actually acting in a film which was shooting in Vancouver at the time. It was Micky Gallagher playing organ for the Clash and I'd imagine it was him who got Watt Roy as they were band mates in The Blockheads. However i also read that when Simonon rejoined the recording sessions in New York he actually rerecorded and rewrote Watt Roy's parts. I do still find it fascinating though. Kev Quote Link to comment Share on other sites More sharing options...
xilddx Posted February 5, 2009 Share Posted February 5, 2009 Crikey, I had no idea! Norman's awesome. I'll almost certainly be meeting Mick Jones next week, I might ask him! Quote Link to comment Share on other sites More sharing options...
SJA Posted February 5, 2009 Share Posted February 5, 2009 (edited) "Magnificent seven" on Sandinista was Watt-Roy. I remember Simonon mentioning it in his interview in Bassist. Edited February 5, 2009 by SJA Quote Link to comment Share on other sites More sharing options...
Funkmaster Posted February 5, 2009 Share Posted February 5, 2009 I saw Norman play with Wilko Johnson about 20 years ago and was blown away by his talent and ability. The Welsh T Band are supporting The Blockheads in Wakefield in April. I'm not usually a nervous type but I think I will be that night with competition of that standard! Quote Link to comment Share on other sites More sharing options...
Marky L Posted February 5, 2009 Author Share Posted February 5, 2009 According to the wiki article, Strummer and Jones laid the bass down for early Sandanista! recordings which Paul re-recorded on his return from filming. Also Jones and the engineer may have laid down some bass tracks on Combat Rock. So what was Simonon up to? Doesn't take that long to splatter a bit more Jackson Pollock stylee paint up yer bass!! Maybe he was on "rolling fat ones" duty?? Quote Link to comment Share on other sites More sharing options...
Hamster Posted February 5, 2009 Share Posted February 5, 2009 Carol Kaye will be along in a minute to take the credit for this! Quote Link to comment Share on other sites More sharing options...
Rich Posted February 5, 2009 Share Posted February 5, 2009 [quote name='Hamster' post='401198' date='Feb 5 2009, 04:21 PM']Carol Kaye will be along in a minute to take the credit for this! [/quote] coffee->screen Quote Link to comment Share on other sites More sharing options...
thepurpleblob Posted February 5, 2009 Share Posted February 5, 2009 While we're at it I understand he played on Frankie Goes to Hollywood's "Relax" too.... In fact I think Trevor Horn just got the Blockheads to do the whole thing. Quote Link to comment Share on other sites More sharing options...
ezbass Posted February 6, 2009 Share Posted February 6, 2009 Norman is the absolute MAN. A really nice guy in the flesh too. Quote Link to comment Share on other sites More sharing options...
bass_in_ya_face Posted February 6, 2009 Share Posted February 6, 2009 I am sure I read somewhere that during the recording sessions, Joe Strummer asked Norman to stop playing such complicated stuff as Paul Simenon had to play it on tour! 1 Quote Link to comment Share on other sites More sharing options...
neilb Posted February 6, 2009 Share Posted February 6, 2009 (edited) [quote name='ezbass' post='401989' date='Feb 6 2009, 01:35 PM']Norman is the absolute MAN. A really nice guy in the flesh too.[/quote] Very true, nice bloke. Me and NWR (and two other very nice blokes Messrs McBrain and Dickinson) Edited February 6, 2009 by neilb Quote Link to comment Share on other sites More sharing options...
Marky L Posted February 6, 2009 Author Share Posted February 6, 2009 [quote name='neilb' post='402129' date='Feb 6 2009, 04:17 PM']Very true, nice bloke. Me and NWR (and two other very nice blokes Messrs McBrain and Dickinson)[/quote] Man, that face says he's sure seen and done a lot!! Quote Link to comment Share on other sites More sharing options...
neilb Posted February 6, 2009 Share Posted February 6, 2009 [quote name='Marky L' post='402315' date='Feb 6 2009, 07:48 PM']Man, that face says he's sure seen and done a lot!![/quote] Me or Norm? Quote Link to comment Share on other sites More sharing options...
andyonbass Posted February 6, 2009 Share Posted February 6, 2009 Here's an interview with him, he briefly mentions the clash stuff at about 5 mins in 1 Quote Link to comment Share on other sites More sharing options...
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