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Yamaha SPX 90 II Reverb / Effects £195
£195
South Birmingham


pburrows
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IMG_2360.thumb.jpg.1a4a3df16d750f26952ba0d54d876b29.jpgIMG_2362.thumb.jpg.16c1de43e73d807bda2fa250f602fa99.jpgIMG_2361.thumb.jpg.2fbf70fffdd8abc226a45505de781e0c.jpgStunning Yamaha SPX 90 II Reverb / Effects. Excellent condition. Fully tested and ready to go. Some very minor markings to the case where it has been put in and out of the rack. The front panel is in excellent condition and lights up perfectly. This gives the most amazing 80s vintage sound to your bass!  Comes with original packaging and box.

The Yamaha SPX90 is the first rackmount FX unit to achieve world dominance. Prior to the SPX90, racks contained nothing but expensive gear that did one or two effects but, post-SPX, everyone could afford a multi-fx unit – so everyone bought one

The SPX was, and still is, a great little fx unit. It has a selection of very usable plates & halls plus gated reverb, early reflection reverb programs and delays. It also has a number of fairly basic pitch change presets plus panning, vibrato, parametric EQ and a compressor. Of these, the reverbs (halls, plates, rooms) are the most useful. But the best bit of the SPX90 is the wide selection of chorus / flanger / phaser effects on offer, particularly Symphonic

Symphonic is a great, deep chorus effect like a Dimension D on steroids. It can be subtle, like a Dimension D, or tweaked to create an over-the-top chorus with lots of pitch changing. It’s great for widening synth basses, warming up the low end of tracks, adding movement to a Rhodes patch or thickening acoustic guitars

If you don’t like Symphonic, there are Phaser, Flanger, Tremelo and other time-based effects, all of which are easily editable

Firing up an SPX90 some thirty years later it’s intriguing to find that it sounds as good as ever, with a warm, wide sound full of character. Early outboard gear and effects are much in demand at the moment and – on the evidence of the SPX90 – it’s easy to see why

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