I bought this amp some years ago as a back-up to my main amp. Although I gigged it a few times, whilst my main amp was in for a service, it has only seen a maximum of 4 gigs. It then became amp 3,4,5 and so on. In the meantime I spent some money on it purchasing (well over £100.00 and your gain as the amp has hardly been used since) - all direct from Ashdown
8 new feet (4 for the side and 4 for the bottom)
a new leather handle
x2 pedals - change between the various options A - EQ on/off, pre set signature Ashdown sound & B Valve Drive and Sub Octave
The amp has lots of features and packs a punch - at the time it was Ashdown's flagship amp. Whoever gets this amp will get a well cared for and up-together amp. If you're not used to this amount of power and quality of tone, this amp will elevate your sound within the band and give your tone authority. This is the twin amp (2x 575w) model - I always admired these amps and identified it as the 4 fan version (if you look at the others in that range they have 1 or 2 fans and NOT 4 as the more powerful amp has).
Please note current PAT test sticker ( I have ALL my gigging equipment PAT tested yearly as I play so many venues that first ask for Public Liability Insurance and PAT test docs). If you require tech specs then there are lots on line, or more detailed photos, please PM me and I'll ping them over. I put reflective stickers on the two foot pedals so I knew what was what on stage - they can easily be removed - but this highlights the availability of choice of the EQ section, the Ashdown Pre-set tone option, Valve Drive and Sub Octave to you mid performance.
Located just east of Portsmouth on the South Coast (West Sussex) . A cash deal would be my preference but I could be up for trades, depends on what you have to offer - collection only.
Ashdown ABM 500 Combo for sale. 4x10. Good condition for age. Perfect working order. Can be tried out at rehearsal room in central Manchester. 10 minutes walk from Piccadilly train station. Would require collection via car due to weight.
What are people's thoughts on using Ashdown's AA-50-R as an upright bass combo? It looks awfully similar to a PJB Cub in terms of advertised spec, but of course the devil is in the details.
I sent an email to Ashdown around a month ago but never got a reply about this. Ideally I'd try one, but
1) There isn't one near me
2) I don't want to try one and break it
I must say the best 4x10 i have ever owned, also has a great tweeter.
Now down to £300 !!!!!!!!!!!!!!
Grab a bargain.
Also comes with the padded TC cover.
Stackable 600 Watt bass cabinet with tweeter offers extreme portability and superior tone for stage and studio use ?
Vertically stackable with other RS range cabinets for uncompromising full-frequency sound
Compact and lightweight bass cabinet design
4 x 10" custom Eminence* drivers for deep fundamental bass tone
1" titanium diaphragm tweeter with 1.5" aluminum coil for increased percussive attack and definition
Dual speaker link connections on premium Neutrik speakON* connectors (8 Ohm impedance)
L-pad control lets you adjust to get the perfect amount of high-end detail
Stylish ?anti-skid? covered plywood cabinet designed for toughest life on the road
Designed and engineered in Denmark
I picked up an Ashdown MAG600 from here earlier in the week and was keen to try it out last night. I think the model is an EVOIII although it's not labelled as such, it just has the 15th anniversary logo on the front and all the facilities found on the later MAG's. It's well equipped with the usual Ashdown VU meter and passive and active inputs. It has a five band EQ entered around very useful frequencies and deep and bright switches. The EQ can be switched in and out from the front panel. It has a one knob compressor and an octave down facility and overdrive, again switchable from the front panel. The distortion can also be operated with a foot switch. The Octaver is a bit of a waste of space - sure it works well and sounds good but without being able to foot switch it in and out you could only really use it for a whole song.
On the back it's just got an IEC mains in and switch, two big fans and usefully, a pair of Speakon/Jack combo sockets - so all round, a pretty well equipped amp.
I played with Stray, a fairly loud but not stupid loud, Classic Rock five piece at Leo's in Gravesend. It's a nice rock venue with a medium stage and a good sound engineer and PA. I was running the amp through an Eden Nemesis 4 x 10 which is an 8 ohm cab rated at 500W. I've used the cab with other heads and it's never been lacking volume, but of late, I've been running a 2 x 12 stack to get the sound closer to my ears (which are protected with ear plugs).
Tonally, I bloody love the thing. The EQ, as mentioned is really useful and the tone is solid and clear but warm with a hint of grit when pushed. I played the first set with a Jazz Bass and the second with a Ric 4003 - two different beasts and the Ashdown really brought out that difference. In isolation I was over the moon with the tone. I had the deep switch in and each EQ knob pushed a bit past noon with a bit more top and high mid than the rest. Once we'd kicked off sound checking though, I had to really crank the master volume and by the end of the night it ended up around at around 3 o'clock. Bear in mind that with my Class D heads (A GK MB500 and a Bugera Veyron 1001T) I seldom get the master volumes past 11 o'clock - so this surprised me a bit. Having said that - the tone did not break up at all - it was sweet.
I think - having not used the 4x10 for a while, the perceived lack of volume may have been down to all the sound coming past my knees. I know I was pretty loud cos the Jazz fed back a couple of times. I'm also going to experiment with not having the deep switch in, so I can drive the front end a bit more.
To summarise - the amp is well equipped and easy to dial in great tone, but the verdict is out on for the time being on volume. I'd be interested in the collective opinion on my observations.