Here is the Ibanez GSRM25 5 string Mikro that I mentioned in the "Show off you short scales" thread, where I posted a picture of and talked about my main 4 string Ibanez Mikro Bass:
It got a poplar body and a maple neck with a jatoba fretboard, and I also did some visual mods on it, among other added a silver lotus flower decal with an OM sign in the middle and painted the pickup covers grey, the 2 stock J pickups I wired in series directly to the output jack socket, bypassing the pots, which means that the knobs and the switch are just there for the sake of being decorative.
To be honest, in my opinion, as the pickups were wired from stock they sounded like crap, no matter how I adjusted them, they sounded like a caricature of the famous Jazz Bass burp, a really over emphasized burp there was no way of getting rid of, on top of them just sounding somewhat underwhelming and anemic, except, as I found out by wiring the pickups in series, which not only got rid of the ludicrous bad sounding burping sound entirely, but actually also made them capable of a genuine great full sounding tone overall.
Otherwise this bass was perfect from factory, and I mean absolutely perfect, just to mention one example I would be able to get ridiculously low action if I wanted to without any fret buzz whatsoever, the frets are just dead on perfectly leveled.
On the particular picture above it was actually strung with the 5 lightest strings of a 6 string D'Addario set, gauge .100 to .032, but I later put on the Ernie Ball set meant for Bass VI type instruments, using the 5 lowest strings, gauge .090 to .030, and tuned it F# to D, as in F# standard tuning, 2 half steps above regular 4 string bass E standard tuning, threading the strings through the cut off ball ends of some old bass strings I had, to be able to fit it on the bass's bridge, since those Ernie Ball strings have guitar sized ball ends.
I intend to use it for some songs in the making for a sort of progressive psychedelic stoner rock/metal solo project I am working on called "all I nil", which is supposed to predominantly consist of just bass, programmed drums/percussion and vocals, with a few extra instruments added more sparingly mostly for flavor, like for instance glockenspiel, programmed flutes, cello, violin, piano and synth.
I am still working on my setup/rig for this thing, but one thing that is certain is that an octave up effect will be added to my bass signal, sometimes with separate effects used respectively for the octave up signal and the regular bass signal, sort of giving an effect similar to a 10 string octave bass with pairs of bass and octave strings, just with the advantage I get from doing it this way of being able to process the bass and octave up signal separately.
For this I am using a TC Electronic Sub 'n' Up Mini, which seems to actually work really well for this, as good as flawless and super fast tracking, and in my opinion being capable of sounding more natural/realistic than for instance the EHX POG pedals, which tend to have a slight somewhat organ or synth like quality to the octave up signal.
Pitching your signal up a whole octave is always going to sound somewhat artificial though, no matter how well it is processed, but it has actually still worked surprisingly well and sounded reasonable naturally in my preliminary test runs of this idea, and adds a lot of extra sonic space and flavor, exactly as will be needed for this project, where my bass is going to be the main, and most of the time only, instrument that carries the melodic content of the tracks (well beside the vocals of course).
Other than that heavy thick distortion with fuzz like qualities mixed with a bit of clean signal, and secondarily chorus, flanger and phaser, will see a lot of use for this project.
Just in the process of figuring out which kind of setup will give me the best results for what I have in mind currently, and so far only got fair deal of the basic bass parts down so far (I believe I more or less got the bass parts and final form for 4 to 5 tracks at the moment), then when I got my setup perfected the actual recordings can start, then the programming of the drum/percussion parts and eventual additional flavor instruments comes, and eventually writing the lyrics and getting the vocals laid down.
All in all I think at least another 6 months, very likely even more, before I got an EP, or less likely a full length album, ready for release on Bandcamp and various online digital music streaming services and shops, perhaps even a self released physical version, but we'll see about that when it eventually that time comes.
Here's a short sound sample of a preliminary distortion tone, using some riffs I have been working on for this project (notice that if you are not logged into Dropbox a box might pop up when you click the link, encouraging you to sign up, blocking for the audio player, in that case you just click somewhere outside that box and it will disappear, making the audio player accessible):
https://www.dropbox.com/s/8m02vfjf7dv5ojx/all I nil - New Distortion Sample.mp3?dl=0
And here's a couple of older very rough takes of 2 songs in the making, respectively with the working titles "3rd Eye of Hypnos" and "In Orbit", playing both of them in a bit faster tempo than was is really intended ("3rd Eye of Hypnos" since this recording having had a much melodically expanded variation of the intro and outro riff added) :
https://www.dropbox.com/s/3u06k5cct75coi9/all I nil - 3rd Eye of Hypnos.mp3?dl=0
https://www.dropbox.com/s/7f5wbstq5wh318w/all I nil - In Orbit (Take 2 F%23).mp3?dl=0
1997 UK made Trace Elliot 1048T cabinet. Well used with some carpet damage and dings but sounds awesome and in is perfect working order. Comes with original cable and warranty document.
I bought this as a package with a head that I wanted but the cab is surplus to requirements.
Collection from Essex, or may deliver locally for diesel money.
Built like a tank, but sounds incredible. Perfect for someone needing a cheap but reliable and great sounding 410.
For sale is my fantastic Yamaha BB435 in Teal. Bought late September last year, it hasn't exactly had a hard life, and has performed astonishingly well.
I've had loads of Yamahas over the years, so I knew to expect a great quality instrument, but even so this exceeded my expectations! Superb quality, and the design is fantastic, blending all your favourite traditional features with clever modern refinements.
Stand out points for me are the neck shape /feel - it's extremely comfortable and playable, and the pickups which are absolutely outstanding. In fact, there is virtually no difference between these V5 pickups and the V7's in the top of the range BBP. Really superb tone, plenty of guts but nice, smooth organic tone.
It's in great condition as you can hopefully see from the photos. If you have any questions or want any other photos, just get in touch.
Payment via PayPal or BACS, and either socially distanced collection or a courier can be arranged.
Many thanks for looking! 😊👍
i want to sell my Status S2 classic headless bass. It is a real player with an awsome tone. This nice instrument was built in 2002. Of course ist is used and got a few dings and dongs over the years, but nothing serious. There is a chip on the neck which can bother a bit.
Following the specs:
Headless 4-string, woven graphite through-neck.
Fretted 34" scale. 19mm string spacing.
3-piece body with figured Cocobolo facing,
walnut tone-block and mahogany wings.
Natural gloss lacquer.
Status soap-bar pickups.
3-band EQ with variable frequency midrange.
Master volume, pickup blend control.
Mono-rail bridge units.
I wish you all the best and take care.
I came across some old Trace Elliot bass amp catalogs that I got when I bought a TE bass stack about 10 years ago. I don't need them but figured someone might be interested - I can't bring myself to just throw them out. I've put a £5 price here which is just to cover postage - not charging anything for the actual paper. Two catalogs and some miscellaneous paper (manual, settings guide etc). See photos.