Greg.Bassman Posted January 30, 2018 Share Posted January 30, 2018 (edited) Hi everyone. Where can I find out more about fills and soloing and applying them in a band context within different genres? Any recommended books, video lessons etc. I'm not looking for anything fancy like ‘Jazz noodling’, just something that is going to 'get me through', when called for. I am often a ‘by the pattern’ player, so something with plenty of exercises to choose from would be ideal. Cheers! Edited January 31, 2018 by Greg.Bassman Quote Link to comment Share on other sites More sharing options...
OliverBlackman Posted January 31, 2018 Share Posted January 31, 2018 Ready aim improvise is a popular choice book wise. Or if you like funk lines there is one that I had with loads of 4 bar patterns, can’t remember what it’s called though. Really though the ability to improvise comes from learning scales/ arpeggios (chord tones)/ and theory to a point where you no longer need to think about it. It’s hard work but makes a huge difference to the way you play music. You say you’re a pattern player, well everything is created from a scale/ chord so that’s a good place to start. Another idea is to copy something else in a song. So say the guitar, keys, horns, or strings, or even singer plays a line, you could copy some of that to the bass as a fill. Quote Link to comment Share on other sites More sharing options...
Bilbo Posted February 6, 2018 Share Posted February 6, 2018 The Marc Johnson /Chuck Sher book is great. Concepts for Bass Soloing. Quote Link to comment Share on other sites More sharing options...
ghettoshred Posted February 10, 2018 Share Posted February 10, 2018 On 31.01.2018 at 01:29, Greg.Bassman said: Hi everyone. Where can I find out more about fills and soloing and applying them in a band context within different genres? Any recommended books, video lessons etc. I'm not looking for anything fancy like ‘Jazz noodling’, just something that is going to 'get me through', when called for. I am often a ‘by the pattern’ player, so something with plenty of exercises to choose from would be ideal. Cheers! You can check this book for your improvisations "Jamey Aebersold - ii v i progression" and there is play alongs with it (: For your fills, my comment is listen a lot and play what you like (: Quote Link to comment Share on other sites More sharing options...
FDC484950 Posted February 10, 2018 Share Posted February 10, 2018 It sounds so straightforward but feels a bit like “make me into a better player without having to put much effort in”. Don’t be offended - but what you’re looking for is a (wood) shed load of practice, listening to the music you like and copping the fills, lines, solos etc. As someone once said - all the answers are in your record collection (although that’s a bit out of date - maybe I should have said iTunes library). I don’t think you’re going to get much help from a book. Quote Link to comment Share on other sites More sharing options...
Dad3353 Posted February 10, 2018 Share Posted February 10, 2018 1 hour ago, FDC484950 said: ...I don’t think you’re going to get much help from a book. I can't agree with that. There are some excellent methods out there, on theory, technique and/or composition/harmony, plus transcriptions of 'greats'. Not to say that listening isn't useful (it is...); reading (or rather: 'studying'...) has its place too. 1 Quote Link to comment Share on other sites More sharing options...
FDC484950 Posted February 10, 2018 Share Posted February 10, 2018 1 hour ago, Dad3353 said: I can't agree with that. There are some excellent methods out there, on theory, technique and/or composition/harmony, plus transcriptions of 'greats'. Not to say that listening isn't useful (it is...); reading (or rather: 'studying'...) has its place too. I didn’t say that books aren’t useful to anyone, anywhere; just in this particular case. The OP doesn’t appear to want to embark upon a course of study but asked for some book recommendations with licks or patterns. Now we don’t know the OP’s ability to pick up licks etc. from a song - but it’s a reasonable bet that he has some ability - and working things out from his favourite tunes will make his ears better (which you’re very unlikely to improve with most books), he’ll get to where (it sounds like) he wants to be, and best of all - it’s free! Quote Link to comment Share on other sites More sharing options...
ambient Posted February 10, 2018 Share Posted February 10, 2018 (edited) How good is your knowledge of triads, chord tones, pentatonics and scales? Most riffs/licks and bass lines are created from them, fills are the same. Edited February 10, 2018 by ambient 1 Quote Link to comment Share on other sites More sharing options...
Coilte Posted February 10, 2018 Share Posted February 10, 2018 (edited) IMO it's not an "either/or" thing between books and listening. Both have their place in a constructive practice session. There is a lot to be said for simply sitting down and trying to work out the bass lines to a song by ear, using trial and error. As for a book.....my recommendation would be to delve a little into walking bass lines. Even if you are not really a jazz fan, learning walking bass lines can help you to see/hear chords in a different way. It will get you away from familiar patterns. My book recommendation for this would be Walking Jazz Lines for Bass : https://www.ebay.co.uk/itm/Jay-Hungerford-Walking-Jazz-Lines-For-Ba-Bass-Guitar-Sheet-Music-Downloads/302615456542?epid=1065246151&hash=item4675496b1e:g:QtgAAOSwuShaagEY It comes with a CD....so that's the listening side of things also covered. Edited February 10, 2018 by Coilte Quote Link to comment Share on other sites More sharing options...
DJpullchord Posted February 10, 2018 Share Posted February 10, 2018 Just experiment and if you hit a bum note either look like you meant to play it or miss it out next time round. After a while your fingers will move about without engaging with the brain. It’s weird. I’m in a pentatonic trap though, so you should probably take advice from others first. Quote Link to comment Share on other sites More sharing options...
Joxotic5 Posted February 10, 2018 Share Posted February 10, 2018 I found this book helpful, gets you using the pentatonics, mixolydian and blues scales to play fills. There’s some scale exercises that get you moving about the fretboard so you’re not just stuck in one position. All the examples are in a funk, soul, r&b or hip hop style but what you learn would translate to other styles too. Also maybe try coming up with a rhythm in your head first of how you want your fill to be, then add notes from the relevant scale to your rhythm. Quote Link to comment Share on other sites More sharing options...
Greg.Bassman Posted February 11, 2018 Author Share Posted February 11, 2018 (edited) Hi everyone. Wow, some good suggestions here, thank you! (Just to shed some light on the matter) I know my major, minor and blues pentatonic scales (very basic); incidentally, a couple of the suggestions on here so far have mentioned pentatonics, so thats great. Pentatonics seem to be some of the most widely used amongst players, and musically, tend to work in a multitude of playing styles and situations- so it seems like a good place to focus on for the time being. Until now, a lot of my musical ‘vocabulary’ has been built up through watching friends play, the odd youtube video and from listening to my favourite records; but you can never underestimate a good book either, hence why I’m asking for tried and tested recommendations. I love funk, disco and hip hop (to name a few). I practice what I know religiously, but ‘what I know’ feels relatively limited, which is why I’m looking for some new licks/patterns to get inspired by. Thanks again all! Edited February 11, 2018 by Greg.Bassman 1 Quote Link to comment Share on other sites More sharing options...
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