TheGreek Posted January 7, 2018 Share Posted January 7, 2018 In my eternal search for a more modern Trace Elliot sound, somebody recommended an Ashdown retroglide 800 bass amp - to be fair I hadn't heard anything about these though I have been impressed with the Customer service from Ashdown from my recent experience. Claims are that these provide a Trace Elliot sound without the weight. Anybody with any experience of this head? Quote Link to comment Share on other sites More sharing options...
fleabag Posted January 7, 2018 Share Posted January 7, 2018 1 Quote Link to comment Share on other sites More sharing options...
2elliot Posted January 7, 2018 Share Posted January 7, 2018 No. They sound like an Ashdown. It's a very nice amp but it wasnt for me. I sent mine back. Quote Link to comment Share on other sites More sharing options...
discreet Posted January 7, 2018 Share Posted January 7, 2018 (edited) 6 hours ago, TheGreek said: In my eternal search for a more modern Trace Elliot sound... My recent Trace Elliot experience leads me to suspect that the only way you'll get an amp with 'the Trace Elliot sound' is by using a Trace Elliot amp. No combination of amp or cab or combo I've ever used has sounded like a Trace. Er... apart from my Trace, obviously. Edited January 7, 2018 by discreet Spelling Quote Link to comment Share on other sites More sharing options...
big rob Posted January 8, 2018 Share Posted January 8, 2018 I have a retroglide and have no issue volume or tome wise, never go's above 4 in a very loud band and have comparable volume output to my TC RH750 head. Not sure if some have had a fault causing the volume issue but mine is fine. Regards Rob Quote Link to comment Share on other sites More sharing options...
BassBod Posted January 8, 2018 Share Posted January 8, 2018 No...it’s a great little amp, but think of it as a 400w power amp with a clean graphic eq. Next to an older TE head it sounds clean and lean, not warm and comfy. Can’t compare to the later TE (Series VI and beyond) as I never used them, and don’t have any around. Quote Link to comment Share on other sites More sharing options...
naxos10 Posted January 8, 2018 Share Posted January 8, 2018 It is a fine little amp. I use mine with a Barefaced 2 Ten from a DHA VT1 and it is very versatile combo due to the graphic. I can get sounds ranging from modern to traditional tones. Quote Link to comment Share on other sites More sharing options...
BassBod Posted January 8, 2018 Share Posted January 8, 2018 19 minutes ago, naxos10 said: It is a fine little amp. I use mine with a Barefaced 2 Ten from a DHA VT1 and it is very versatile combo due to the graphic. I can get sounds ranging from modern to traditional tones. Yes, I use mine with Sansamps all the time, makes it warmer and rounder. Very useable, compact and light. But the old TE AH150 just doesn’t need any such help. It sounds huge...and just sort of “right” 😳 Quote Link to comment Share on other sites More sharing options...
discreet Posted January 8, 2018 Share Posted January 8, 2018 3 hours ago, BassBod said: I see you favour the 'spine shape' graphic curve... much experimentation sees me moving towards a similar shape on my Trace combo... Quote Link to comment Share on other sites More sharing options...
BassBod Posted January 8, 2018 Share Posted January 8, 2018 Yes, it works well - just adjust to suit the room (usually the low end). I was trying to get the two amps close and it’s pretty easy, except for the big natural low end on the older amp. That is the inherent difference (big transformers). I’d love to try the Ashdown MK red amp one day 😜 Quote Link to comment Share on other sites More sharing options...
discreet Posted January 8, 2018 Share Posted January 8, 2018 1 minute ago, BassBod said: Yes, it works well - just adjust to suit the room (usually the low end). I was trying to get the two amps close and it’s pretty easy, except for the big natural low end on the older amp. That is the inherent difference (big transformers). I’d love to try the Ashdown MK red amp one day 😜 While trying to avoid the 'smiley face' curve, I'm finding the 500Hz area quite troublesome when using a Jazz with rounds. I like favouring mids to punch through a mix, but it just seems too 'buzzy' and in your face. Had a similar issue with an Ashdown ABM 600, so I'm sure it's not just a Trace thing. Quote Link to comment Share on other sites More sharing options...
BassBod Posted January 8, 2018 Share Posted January 8, 2018 Just now, discreet said: While trying to avoid the 'smiley face' curve, I'm finding the 500Hz area quite troublesome when using a Jazz with rounds. I like favouring mids to punch through a mix, but it just seems too 'buzzy' and in your face. Had a similar issue with an Ashdown ABM 600, so I'm sure it's not just a Trace thing. The secret for me is not trying to get my “home sound” in a gig situation - you need something with low-mid energy and more edge than you like. Mostly I’m boosting a bit 40- 200HZ cutting a bit 300-500HZ and boosting 5kHz. But never a lot of cut or boost, and retuned to whatever the stage needs. Quote Link to comment Share on other sites More sharing options...
TheGreek Posted January 8, 2018 Author Share Posted January 8, 2018 I saw this one...anybody know if they're a member here? https://www.gumtree.com/p/guitar-bass-amplifiers/ashdown-retroglide-800-bass-amp./1281476568 Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted January 8, 2018 Share Posted January 8, 2018 There was one on here for sale from that neck of the woods Mick, done a search and can`t find it - tho to be honest I find searching on the new improved forum a major pita Quote Link to comment Share on other sites More sharing options...
discreet Posted January 8, 2018 Share Posted January 8, 2018 1 hour ago, BassBod said: The secret for me is not trying to get my “home sound” in a gig situation - you need something with low-mid energy and more edge than you like. Mostly I’m boosting a bit 40- 200HZ cutting a bit 300-500HZ and boosting 5kHz. But never a lot of cut or boost, and retuned to whatever the stage needs. Due to band circumstances I've not gigged it yet, but I'm lucky enough to be able to play along loudly to a recording while making changes, so at least it's not 'solo' as such. 1 Quote Link to comment Share on other sites More sharing options...
Kevin Dean Posted January 8, 2018 Share Posted January 8, 2018 4 hours ago, discreet said: I see you favour the 'spine shape' graphic curve... much experimentation sees me moving towards a similar shape on my Trace combo... Just out of interest that is very close to the shape I use on my Ashdown JJ head . 1 Quote Link to comment Share on other sites More sharing options...
Ghost_Bass Posted January 10, 2018 Share Posted January 10, 2018 I used the same "seagull shape" EQ in my old TE 1215 GP12 combo back in the days. I think this EQ in reality takes care of some inset problems with the "classic trace sound", it removes the muddy low end replacing it with a more puchy low-mid, removes the boxiness in the mids region and also removes the static noises in the high frequencies. I can get the same (even better) tone from my current Genz Benz / Barefaced setup with my EQ completely flat. That's one of the reasons i moved on from this (the weight was also a big issue). BTW, this pic must have 12+ years (you can tell by the spider webs... ), i don't own any of that gear anumore exept for that Seiko 747 tuner on top of the amp. 1 Quote Link to comment Share on other sites More sharing options...
naxos10 Posted January 15, 2018 Share Posted January 15, 2018 I tried the 'seagull' shape on my Retroglide and Two10 last night while practicing in a very small studio. It produced a very acceptable sound not to vintage and not to modern. I will try it in a few different situations and see how we get on. Quote Link to comment Share on other sites More sharing options...
discreet Posted January 15, 2018 Share Posted January 15, 2018 (edited) 1 hour ago, naxos10 said: I tried the 'seagull' shape on my Retroglide and Two10 last night while practicing in a very small studio. It produced a very acceptable sound not too vintage and not too modern. I rehearsed with that shape too - solo you can hear the underlying Trace 'twang', but with the band it becomes a warm, vintage sound and the 'twang' gives it a very nice punch and presence. Using my BDI-21 set flat with Blend at 2 o'clock helps a lot with this. Edited January 15, 2018 by discreet Quote Link to comment Share on other sites More sharing options...
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