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Bass Guitars - what features do you LOVE?


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[quote name='TheGreek' timestamp='1457713607' post='3001280']
This has been in the back of my mind since I put my Ritter up for sale. Almost certain that the proceeds of the sale will go towards an ACG Harlot SC like my existing one. The plan is for:[list]
[*]Harlot SC body, Natural finish, burl or spalted timber - preferably light coloured (Sycamore?)
[*]Headless 5 or 7 piece asymmetric thru neck - ebony/maple/purpleheart
[*]Plain Ebony fretboard (no markings)
[*]I'd like black frets but haven't seen these on anything - does anybody do black frets??
[*]Black hardwear - pick up covers, knobs, bridge, nut
[*]SIMS p/ups (15 different settings from 2 pick ups)
[*]Black tapewound strings (Status do 40-100s)
[*]Internal strap locks - like those on early Warwicks
[/list]
Just need to sell the Ritter...
[/quote]
15 settings on the pups plus a filter preamp???!!! what won't it be able to do?

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Rosewood fingerboards

Twin pickups

Pick up pan

Ash body with a clear or trans finish

Natural woods and figuring

Slimmish neck

Versatile but still natural sounding EQ (think Wal and Audere - love those preamps)

Chunky bridge

Asymmetric double cut bodies (and not... Well, I'll leave that thought hanging...)

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ebony fretboards (don't have one in any of my 4 basses now, mind)
large tuners - don't trust the little Gotoh style ones, for no good reason probably
significantly rolled-off fingerboard edges
brass nuts
d-tuners
quick-release bridges
flamed and/or quartersawn maple necks
gloss finish on the neck and body
exposed polepieces on the pickups
those polepieces flush with the enclosures or hex-key-adjustable

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Ceramic pickups
maple fretboards
series/parallel switching
five strings

Edit
Things I think I'd love, but never used:
Multi-coil pickups
filter pre-amps
graphite necks
aluminium bodies/necks
multi-scale
LEDs


So a graphite necked, aluminium bodied, multi-scale five string bass with ceramic multi-coil pickups, a filter pre-amp and LED fret-markers should in principle be my ideal bass :lol:

Edited by Graham
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Active electronics

Simple, intuitive controls

No extraneous electronic hum (noiseless operation)

Humbuckers or single coil with exposed pole pieces

Coil selection switch

Series/parallel switching

Basses with broad response to plucking intensity and position for flexibility

Figured maple necks

Maple boards

Rosewood or ebony boards

Shiny chrome hardware

Natural or burst finishes

Curvy design detail (Such as MM scratch plate - Bongo body edges)

Simple scratch plate colours (black, white - the same in pearl format)

Capability of punchy, fat bass sound without too much effort

Wacky colours such as fiesta red, tangerine pearlescent

Edited by drTStingray
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Nickel hardware
Matching headstock
Satin nitro neck finish on wood
Narrow necks
Babicz bridge - and yes I have one of the very very few nickel ones (produced as a prototype, I'm told)
Low weight - ie under 8lb
Graphite neck
Passive
Maximum 4 strings

Edited by Twigman
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Don't really have any - my only no-no in the other thread was photo-flame, so I'm pretty open minded. I personally think it comes down to the individual bass - some spalted finishes look great, some look completely wrong, don't really like many single cuts, but have seen some I really like.

If I were to commission a second bass I think the only main stipulation would be for it to be significantly different to my existing one.

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[quote name='drTStingray' timestamp='1457788857' post='3001797']


Basses with broad response to plucking intensity and position for flexibility

[/quote]

this is a big one for me.... do you think it's a model/design type atribute or do you think it's down to the individual instrument?
My main bass (streamer stage 1) has this flexibility, I've had a P bass that started to growl like anything when you dug in and was so so responsive - but other basses I've played seem to sound the same however you hit the strings.

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Hmmm. A lot of people in this thread are really just saying that they only like the bass they happen to have...and, er, that seems to be partly true in my case.

Anyway, after 30 years of playing, at this point, I think my favourite things are:

V-shaped or asymmetric necks

Graphite neck rods (huge improvement to modern US Fenders IMO)

Filter preamps

Jazzes. Just any playable Jazz really.

Thin frets. Can't stand massive Warwick bell brass things.

Straplocks

Original EMGs (though unfashionable these days)

Chunky new nickelwounds

Thin bodies and light weights

Some sort of passive master tone control, whatever the rest of the electronics

Pan pots

Clip-on tuners.

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Maple fingerboards
Rosewood fingerboards
Ebony fingerboards
Blocks and binding.
Chrome or Nickel hardware.
Solid looking bridges
Slim necks (from back to front)
Solid colours
Colour stained quilted maple tops.
Active/passive switches on active basses
Bone nuts
Skunk stripes
Matching body and headstocks
Lacquered necks

There's other stuff probably

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[quote name='NickD' timestamp='1457802083' post='3001942']
Update...

Things I found out I love about an hour ago.

Zero radius fretboard.
Asymmetrical neck carves.
Scottish basses...

Let negotiations [s]with[/s][b] for[/b] the wife commence!
[/quote]

Fixed it for you Nick - is there a BIN option?

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