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countjodius

⭐Supporting Member⭐
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Posts posted by countjodius

  1. I've been touring the Tonehammer DI for years (great preamp!) and use it as you've described.  The XLR out goes to FOH for a consistent tone every night, and the jack output goes to the amp.  95% of the time the backline rig I get is the standard Ampeg SVT and 8x10, and most the time I'll run that flat and it sounds good to me!  The same goes if I get an Aguilar TH head, as they are in that same warm and mid-orientated tonal camp.   On the occasions where the backline amp is a brand like Eden, GK or Hartke,  I'll usually run the TH pedal in to the FX return so that the head essentially becomes a power amp for the TH's EQ.  IME cab choice will dictate the tone a fair bit also, especially if you enjoy the warm mids of the Aggie cabs like I do!  I've found that some Hartkes can hype the mids of the TH a little too much, whereas some GKs can scoop them.  As you mentioned, there are so many variables in the chain (bass, strings, etc) that experimenting with your own set up will be key. Hope that helps!

  2. Another +1 for the SKB iSeries if you can get a hold of one.  After airlines damaged 3 consecutive Hiscox cases over the years (the last being the more protective Pro II model) I upgraded to the SKB. No damage so far after 30+ odd flights aside from a missing pressure adjustment knob last week!  The SKB is bulkier and heavier than the Hiscox making it a bit less flexible for fitting in vehicles, though the wheels offset the weight for trekking about airports etc.

     

    Saying that, my guitarist has always used a much less expensive hard foam moulded style case for his Telecaster in the hold, and he's never had any damage!  I'm way too risk averse for that approach with my bass though 😆

    • Like 1
  3. The legendary preamp built in the UK by maestro John East.  Solder free installation which is a big plus!  Manual included detailing operation and fitting. 

    The 3 band active blend EQ comes in the form of 3 stacked knobs and 2 switches, with each controlling the following:

     

    Knob 1: Volume/Blend

    Knob 2: Treble/Bass/Pull for Bright mode

    Knob 3: Mid Frequency/Mid Boost and Cut

    Switch 1: Blend/Pickup switch

    Switch 2: Active/Passive switch

     

    More detailed info can be found here:

    https://www.east-uk.com/product/dj-retro/

     

    There is a quirk to knob 2 in that if the top knob is pulled up for the Bright mode, turning it will also catch and move the lower knob.  Not an issue if the lower one is held in place however, and all operates as it should otherwise!

     

    Cheers!

     

    872908402_DJRetro1.thumb.jpeg.d25d3450cd634e332cbe9db6a352252d.jpeg110409570_DJRetro2.thumb.jpeg.44820b78e2bb97ab8497913aee68272e.jpeg916550132_DJRetro3.thumb.jpeg.a20510b32b1bdf86c8a2d7d04c9cb0e3.jpeg1238519053_DJRetro4.thumb.jpg.81d32372956edd0dfb208ba2d7c980c9.jpg

    • Like 2
  4. John sorted me out with a Vol/Blend/Tone jazz bass loom, all made to compliment the recommended specifications of my incoming Aguilar pickups.  Amazing communication, product and support for fitting it.  Electronics are a new territory for me, and John's solderless loom was a breeze to fit with no prior experience.  Buy with confidence, thanks again!

    • Thanks 1
  5. I bought and item from Yuri recently and can confidently say that he is a credit to the BC classifieds. Clear and quick communication, speedy shipping along with after sales care that would put many actual businesses to shame!  Thanks again @Zolotar

    • Thanks 1
  6. Thanks for a this trove of IEM info @EBS_freak!  I am another in the camp of progressing from the Shure 215 to SE535s, and now looking to make the jump to custom IEMs.  I will echo that the 535s are definitely an upgrade from the 215s for bass players, with more overall separation, clarity and headroom.  My other backup IEMs are KZ AS10s, and whilst they sound a bit livelier, I would say that the Shures just sound smoother and more "professional", and are less fatiguing overall.  The build quality is also a good notch above KZs also.  The current reduced price for SE535s is a great deal IMO as a universal fit option. 

     

    The reason I am looking to go the custom route is mainly for the sub bass definition.  I find that any of my previous universal fits have pretty limited articulation as soon as the sub octave pedal is engaged!  I'm hoping that if I get a good set of custom IEMs with a higher driver count, I may even be able to ditch the backline for international gigs.  I have been looking at Cosmic Ears, and was wondering if anyone has experience with the brand, and the CE6B model specifically?  They seem like a great price point for a 6 driver IEM, and I like the fact that they are made in the UK also in terms of product support and turnaround time.

    • Like 1
  7. A pleasure dealing with Peter when I bought a pedal from him recently.  Great communication and he made sure that all of the details were covered. Peter obviously takes pride in his gear and the pedal I received was spotless.  Thanks again!

    • Thanks 1
  8. 1 hour ago, Sambrook said:

    Sorry to slightly disagree with some of the above comments. L2000 strung with TI flats and played on the neck pickup is, I think, P bass heaven...

    I've not played the Yamaha in question, but I concur with @Sambrook!  Nickel strings or flats, neck pup, series and passive mode, volume adjusted for desired growl  = lovely P-style thump! 

    • Like 1
  9. Owned from new, and comes boxed with manual.  An amazingly transparent, musical and easy to set compressor which I'd definitely hold on to if I didn't need the HPF on my other comp! 

    "Based on the highly sought after THAT Corp. 4320, this has been designed to match any other pro grade compressor for bass. 

     Using real VCA or Voltage Controlled Amplifiers as well as an on board true-RMS detector, the accuracy is incredible and the sound is very transparent.  While other compressors based off of older chipsets can sound great, they lack that studio grade definition and control which bassists need to get their tone. Think of this as a pro rack mount compressor at your feet."

    More info and samples here:

    https://robertkeeley.com/product/bassist-compressor/

    Price includes postage.

    Keeley angle.jpg

    Keeley base.jpg

    Keeley boxd.jpg

  10. The original lightweight game-changer Barefaced up for grabs which I have owned from new.  Comes with a freshly upgraded handle and some replacement feet direct from Barefaced HQ.  PVC Hot Covers, er, cover included also!

    Specs:

    16 kg

    8 ohms

    3 driver design with 12" woofer, 6.5" mid driver and tweeter

    Mid driver attenuator bypass switch accessed via front right port

    Tweeter volume knob accessed via front left port.

    Silver cloth grille (cellophane still on the logo badge!)

    Full specs and info here:

    https://barefacedbass.com/product-range/Big-Baby.htm

    Collection from Glasgow preferred, but shipping may be possible via Interparcel if there is interest further afield.  Drop me a PM :)

    Barefaced front.jpg

    Barefaced handle.jpg

    barefaced rear.jpg

    Barefaced side.jpg

    Barefaced cover.jpg

  11. A set of lightly used GHS Pressurewound M7200-5.  They were on a Lakland 35" scale for a few hours, and I don't think I even cut them to length.  I'm also throwing in a set of 4 string D'Addario Chromes that have been in the box and a sealed bag for a few years now, and didn't see much use.  An ideal bundle for those wanting to compare and contrast!

    Specs:

    GHS M7200-5

    Gauge 44, 62, 84, 106, 128

    Nickel

    Hexcore

    D'Addario Chromes ECB81

    Long scale

    Regular Light gauge 45, 46, 80, 100.

    £30 posted for both.
     

    GHS Pack.jpg

    GHS strings.jpg

    Chromes box.jpg

    Chromes strings.jpg

  12. I had a great experience buying a cab from @Cat Burrito recently.  Excellent communication and chat from the start which made for a relaxed and easy transaction.  The cab was well packaged and dispatched promptly, fulfilling my particular shipping requests to a tee.  Buy with confidence- a real credit to the forum as others have said.  Cheers again Tim!

  13. Another vote for the refret option if it has come to that.  As mentioned I definitely recommend getting an experienced repair person/lutheir to tackle it, preferably one that comes recommended from someone you trust. I had my '73 Jazz refretted a good while ago now, and whilst it plays great, it wasn't the neatest job. I was younger and less experienced then though, the "repairman" wouldn't be getting away with that these days! 👊🏽

    • Like 1
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