TomTFS

The Moog MP201 will do that surely? Hardly cheap though.

The M9 does it with the 'pattern trem' plus it has all the other stuff so you could trim down your board maybe?

[quote name='fatback' post='1370248' date='Sep 12 2011, 11:36 AM']I think it cures the feedback just because the cab is not so near the body of the bass rather than because of lost frequencies. 6db is quite a lot though. The cab is a metre off the stage, which would give a freq centre of 85.75hz, is that right? I wonder if the problem might have been made worse as I tend to eq out a lot of mids and boost the bass, leaving the amp with a lot of work to do. I might be able to get away with raising the cab somewhat less; i'll maybe try that.[/quote] If you're only using it for personal monitoring, just re-eq it so you can hear it? Also try something a bit more stable than a keyboard stand. Especially with lower frequencies you want the driver to be as secure as possible to maximise output.

[quote name='Mr. Foxen' post='1363556' date='Sep 5 2011, 10:46 PM']Not the SVT.[/quote] This. Plus that parallel cable would be a dodgy cable as you'd need to make a half Y-split kinda affair. So it's going to have 3 ends. I definitely wouldn't trust it with any of my amps, far too easy to short out.

My bas are currently tuned to CGCF, why's it so weird? It's just drop D down a step? I'm using an SVT2 and an old 70s Ampeg 2x15 with Celestions in it. Handles it fine but I like it to sound like its driven to hell. Fits the music better. Got an Eden head/Ashdown MAG410 cab setup that I use for another band that handles low A pretty well too. In either case you're never going to hear the fundamental on the C or the A very well out of a bass amp. Should be there through the DI signal though, but whether the PA goes that low is another thing entirely.

Looks like some kind of Fulltone, an MXR M80, Boss Graphic, tuner, delay, noise suppressor, plus the vocal effect thing and reverb? Also an EHX POG and Digitech looper/delay and a danelectro pedal. You can find the exact ones yourself.

Most Edens will, plus valve Ampegs (not sure on the SS ones).

[quote name='Mr. Foxen' post='1349410' date='Aug 23 2011, 08:23 PM']Newstead's technique came from not having an amp so needing all his volume acoustically.[/quote] Wait, what?

[quote name='EBS_freak' post='1350229' date='Aug 24 2011, 01:36 PM']Isn't that what Ashdowns sound like anyway?[/quote] Hahah, yea pretty much. Always used to have to have the 180hz slider almost all the way out to make it remotely clear sounding.

[quote name='cheddatom' post='1350234' date='Aug 24 2011, 01:38 PM'] oh I thought it was just the same as a "low pass" as in just an EQ that cuts off everything above a certain point, and you can change that point with an EXP pedal. I know there are differences between the rate of cut-off (no idea what the proper name is) but they don't have resonant filters or anything. Clearly I have no idea about electronic music. I use my wah to create the kind of effect I thought we were talking about, where you go from a very dull sound and gradually fade to a bright sound.[/quote] Very similar ideas and effects, but its like saying all distortion pedals are the same and trying to encompass distortion/OD and fuzz all together. Wah is actually a band pass, so it cuts off frequencies below and above the point you set. It works well on guitar since a guitar is mainly midrange anyway. A low pass filter will do the same kind of thing, it just keeps all the low frequencies in, hence being better for bass. The rate of cut off is the slope, then you have resonance which adds a boost/peak at the cutoff frequency. After that theres all the madness of adding LFO's a trigger that senses your playing.