Spoonman

This is my Jazz! I asked for a few differences with mine: Fender Hi-Mass Bridge Hipshot Ultralite Tuners Master Volume / Pickup Blend / Master Tone wiring It plays great, sounds great, resonates nicely, and balances perfectly. Also I think it looks rather cool too.

I just wanted to share on this thread some of my experiences about my Limelight Jazz bass I received in May this year. I'd read about the tarnished screws earlier here no longer being an issue, so I ordered with confidence, but it was still a major issue with mine. The setup that the bass arrived with wasn't great, so when I came to sort it out, I found that had to replace the bridge completely because I couldn't adjust anything effectively. Mark did send a replacement, to his credit. Also many of the pickup screws were almost impossible to remove, let alone adjust. After an insane struggle trying to get them out, I replaced them with some new plain black ones. This is a long story cut very short, but after a lot of back and forth, and a decent setup from my normal local tech, the bass is playing and sounding wonderful. The paint job and the fretwork and everything is really great. I don't want to put anyone off buying a Limelight, because I'm really enjoying mine now, and Mark was a nice chap to deal with, and we did get there in the end. But if you're thinking about ordering one, I'd just suggest asking him to use new screws instead of the tarnished ones. That fact nearly ruined my bass completely!

Yeah sure, I can try! I like the Stomp for an 'anything extra' kind of thing. So I use my own fuzz and octave down pedals for most gigs, then I'll change the preset on the Stomp for the other things I might need for that situation. Commonly that's the Poly Capo for a POG Octave up kind of sound, the Line 6 Envelope Filter, the 70s Chorus, and the Script Phaser. I also run the line 6 own compressor as an always on thing. But as well I use the synth sounds a fair bit, the delays and reverbs, the looper, the freeze. The Poly Capo is useful sometimes too if you have the odd song in a set that's in Eb standard, rather than lose time tuning down the bass for one song. It tracks well and works just fine. I'd recommend it - it's a real swiss army knife thing. I've always liked to experiment with different sounds, and it's allowed me to have all the sounds I'd ever need, but not lug a huge board (that's bigger than the guitarists'!) around with extra stuff that I might not need on that particular night. I can't see me changing any time soon!

Maybe! Depends on the pedals I suppose. It gets a bit crowded after you squeeze your power supply and cabling in, but something tiny might squeeze in. It's about 42mm of height, and then 85mm of depth under there, from a quick measure of mine. You can change the positioning of the rungs on the board though, so the depth can be different. Mine has ended up with a bit of pedal overlap of the top shelf over the bottom. This is what the back and sides look like if it helps...