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Pete1967

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Everything posted by Pete1967

  1. ** Sold ** Hi All, I've decided to sell my Michael Kelly Dragonfly 5 acoustic 5 string bass guitar. I bought it for one project about 10 years ago (and had to import it from the USA!) which saw some recording and just one gig. It's been played at home occasionally since. 34" scale length, tobacco burst finish with a quilted maple veneer, ripple mahogany neck. Fishman piezo pickup under the saddle mated to a FIshman preamp with 4 band EQ. Just set up with phosphor bronze round wound strings - the action is about .5mm higher than you'd have a solid body but you need that really because PB strings are more compliant and acoustics tend to get played a bit harder. There's plenty on the saddle for it to be dropped down if needed. No fret or nut buzzes and plays nicely for an instrument in this price bracket - plenty of unplugged noise! Excellent, near mint condition. Comes complete with a Tribal Planet semi rigid gig bag. Located in North Leeds. Any trial/inspection welcome - tea and biscuits provided free. Collection preferred, but fully insured shipping available which should be around £40, but please contact me for exact shipping costs. Its on EBay at £325, but to a BC'er - £300. Edit: sorry for the weird pic order - not sure how to adjust, but you get the ide I'm sure!
  2. After much soul searching I've decided to sell my Shuker 5 string Jazz. Made for me by Jon in late 2012 and delivered in early 2013. I just have to be realistic about the number of basses I can keep and since arthritis in my left hand is limiting my playing significantly now I just don't need them all (bit of a bummer at 53!). I have three of Jon's basses including a S2 of a very similar spec that was the first that Jon built for me and I just can't let that one go, so this one it is. It's a real wrench to get it go, but it is what it is. I'd always wanted a Sadowsky but after discovering Jon I realised that I was never going to buy anything else, so I asked him to build me something that would kill an NYC and boy did he deliver that. This thing has massive tone and is incredibly versatile. It'll do a passable P and go all the way to Mark King at his most fragile, with great vintage jazz tones in between, but it really excels at modern Jazz tones - that's what it was designed for of course. It's utterly silent and is a fantastic studio instrument. The neck is incredibly stable - the last time it was out of the case was in 2019, and when I fished it out to take the photos it was still dead in tune. Balance is perfect with zero neck dive thanks the the super light tuners. Weight is 9lb. Condition is exceptional - never gigged, just used for some recording at home. There are some extremely light swirls in the finish on the top but it's only visible in reflected light (with glasses on!) - they would buff out completely. Next to no wear on the frets. It was serviced by Jon in 2019 and will be fully checked before leaving me. Specs are: 34" Scale 24 fret Swamp Ash body with quilted maple curve top and black pinstripe veneer under Gloss Cherry burst finish with matching headstock 5 piece laminated maple/flame maple neck with carbon graphite reinforcement (not sure on the neck depth but will get the verniers out and update the ad - it's around 21mm though I think) Dual action truss rod High nickel content frets Stunning birdseye maple fretboard with Abalone dot markers Phenolic nut Schaller BM light tuners Schaller 2000 bridge - currently set at 18mm centres but is adjustable wider and narrower DiMarzio UltraJazz pickups Jon's own three band preamp with sweepable mid frequency. Vol and Blend. Sadowsky knobs Weight: 9lb according to my luggage scales Shuker branded Hiscox liteflite included - as new Something of this spec from Jon now would be way north of two grand and heading towards three, so this is a bargain for a virtually as new instrument - I'll listen to sensible offers of course, but I'm not minded to shift much on price. UK delivery by fully insured courier is included, or Covid safe pickup from north Leeds or meet up within sensible distance. Any questions please ask! Sob....
  3. I used a TRB5 for years as my main instrument and I’m pretty certain that the tuners are rebranded Gotoh’s. I know that doesn’t help much on the search for an OEM part but it might give a workable alternative if you can cope with the button saying Gotoh and not Yamaha...
  4. Admittedly I don't have much direct experience of these basses, although I have played an Xotic, but on the more general topic of are Japanese basses good, my belief is that they are among the best and often beat similarly mass produced instruments from 'you know who' in the USA for quality and consistency. I used Yamaha basses for years (mostly a TRB5) and they were absolutely rock solid. I only moved from Yamaha when I discovered Jon Shuker.
  5. I've worked on a couple of Blades - very underrated instruments. I'm just slightly confused by the headstock on yours because Levinson's headstock it different to that - might just be a variant that I've not come across though. Adjusting a neck pocket is fairly straightforward with the right skills and tools.. the scratch plate would probably need to be done too (if there is one).
  6. Yeah - spot on. Probably better than the originals
  7. Phew! Glad the suggestion wasn't a dud!
  8. not sure what the originals were but it looks like Schaller M6-90 or Gotoh SG360 would fit.
  9. if it's a 'commercial' finish on a mass produced instrument then it's almost certainly poly which means it'll be quite thick, in which case a strip down, flat with wet and dry to 2000 and buff on a wheel would probably get it looking like new, either that or a drop fill and flat/buff. A local guitar tech/luthier would be your best best. There might be someone on the recommended luthiers list here....
  10. Cheers Nigel... and replied. Bridge now sold pending the usual.
  11. Almost certainly a metric thread, somewhere between M2 and M3, and 12mm in length by the look of it, but I'd contact Mayones to be sure. This might be your source
  12. Hi All... I've accumulated a few parts that I'm not going to use for my builds, so I thought it would be better for them to go to a home that would appreciate them... as they say on Flog It! All are brand new, never used and in mint condition. All prices include UK postage... for further afield please PM me. 1) A four in line set of Gotoh GB350 Res-o-Lite tuners in cosmo black (that's the black chrome finish not the black painted). Brand new seems to be around the 100 quid mark. Yours for £65 2) BBOT four string bridge with screws (not shown). Heavier that the really nasty ones, and the base has been machined flat, but BBOT none the less. £6 (probably what the postage will cost!) 3) A four in line set of Wilkinson open gear tuners in chrome. Basically a Hipshot rip off. Not as light as the Hipshots, but they are nicely made, the gears work smoothly and don't rattle.. Akin to the Hipshot Licensed I'd say. Two spare screw in bushes. Great value at £20 4) A pair of Wilkinson WBJ Alnico V Jazz pickups. 4 String. Screws and springs included (I think I have black or chrome screws as an option but I need to check). I have no idea what these sound like since I've never fitted them to anything, but they seem to get good reviews which is why I bought them, and they are the better Alnico ones. £40 on Ebay et al... £25 to you sir... Payment by bank transfer if you trust me (which you absolutely can), or PayPal is fine. 100% refund on return guarantee if you find anything wrong or I've misrepresented anything. Any questions, please ask.. I know you will! Cheers P
  13. You could try Jon Shuker in Derbyshire... he's does midi pickup installs regularly, and you wont get better workmanship
  14. Given what it is, I'd stick a few quid on the original colour coat being polyester, in which case you may well be able to sand off the new clear coat and get the flowers off without going through it, because poly coats are usually pretty thick and bomb proof. The advantage of poly is that it's really stable once fully cured so getting another clear coat over is shouldn't be a problem, but you've nailed the issue of the demarcation between the body and the neck.
  15. don't use wire wool... it'll leave a ripply finish. To get a dead flat glossy finish use high grit wet and dry with a sanding block not a sponge so that you do actually flat it (I use 2000 grit with a 40mm square of corian worktop), then you can move in to car polish (AutoGlym Super Resin is good) and then if you really want a mirror shine Meguires Swirl remover. If you've sprayed it from a rattle can, leave it at least two weeks before you tray to sand it. 1K evaporative finishes skin off quite quickly, but take ages to go hard enough to sand and will drag if not really hard through.
  16. +1 on Brasso, but remove the nut or mask the fretboard and headstock off
  17. [quote name='scojack' timestamp='1501493312' post='3344943'] Needed a slightly bigger control cavity cover so thought i'd share how i make a set of templates. First i make a new cover plate in mdf, i will then copy this with a flush trimming bit which gives me a better Master Template with nice square sides. I now need to make a routing template for the new cover. So roughly hack out a hole in some mdf that is 4/5 mm bigger than the cover template, I then add a few layers of sellotape to the cover plate template edges. This will help to make our routing template [i]slightly[/i] bigger than the cover plate. I don't want it too tight. Cover [u]this[/u] tape with silicone or vaseline to stop any resin sticking to it. I have also sealed the bottom what will be the 'mold' with sellotape.... Flip this over and sit the Cover template inside. This now gives a seal around the whole assembly. Nip to Halfords...get yourself some fibre glass resin (and hardener) £5.00 a pop for a small bottle. Mix it and pour it in the gap between the mold and the cover plate template... Note I have made a few little 'wells' in the mdf to help pour the resin, this also helps to key the resin to the mdf when it's set. Nip out for a brew...it will be hardened by the time you get back. Take the sellotape off the back and pop the Cover plate template out, remove the sellotape from the edges... Et Voila ...... a new control cover plate template AND a routing template for it PS You can use the same technique to make pickup routing templates AND neck pocket templates..... Hope this is some help to someone, i find it makes a far better job that trying to fit covers by hand ! IanM [/quote] Nice - I shall be stealing this one
  18. +1 for the heating method, but I've never had huge success with it. I've handled broken screws on a number of occasions and if there's a stump left I use a small pair of 'mole' grips. Clamp them tightly on the stump of the screw (it's fine to deform it a bit but not too much) and then you can just unwind the screw. Lay the bass down on it's front, secure it and turn the grip with both hands otherwise you'll twist it and pull it off the stump. When you've got a wholeish wind out, release the grip and reclamp on the new length of stub and then you should be able to wind all the way out. If the screw has broken off flush with the wood then drilling it out is really your only option, but it's tricky.
  19. Best Bass Gear.. in the US, but.... [url="http://www.bestbassgear.com/noble-eq-pot-50k-eq.htm"]http://www.bestbassgear.com/noble-eq-pot-50k-eq.htm[/url]
  20. I'd concur on the refin cost. Sub £200 and you're on a winner, but make sure it's colour coats, clear coats, flat and polish... esp over black
  21. Depends on your definition of close to Manchester, but you could try Jon Shuker... he has some indicative prices on his website I believe [url="http://www.shukerguitars.co.uk"]www.shukerguitars.co.uk [/url]
  22. yup it'll be imperial, almost certainly 1/16. That's the standard Fender size
  23. [quote name='deepbass5' timestamp='1488910297' post='3252883'] Nice to see so many European manufacturers attending this year Can we get the Rheingold Boys to do a spot next time https://youtu.be/1o6XKBSjgwI https://youtu.be/VawvBE8zaD4 [/quote] Yeah I stood next to them for two days and while I'm not totally sold on their thing, I have to admit that they were damn fine players. Had a long chat to Mischa and Christopher and they were really great guys.
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