Benjamin Bassoon

Around the turn of the millennium, I was in a 70's disco themed band. We were successful weekend warriors doing 2 to 3 gigs a month and had build up a good reputation locally. We were a 7 piece outfit with one male and two female singers. The male lead singer wanted to bring his girlfriend in on backing vocals and the band just said No - so he left. We then replaced him with a far better male vocalist who took us up by several levels. He started getting us a few more gigs - but further afield. We were doing gigs alongside fully pro show bands, and putting on better shows than them. He kept telling us that we could be fully pro and eventually it came to a band vote on whether to pursue this option. I had a good, well paid job, mortgage, kids etc and although I wanted to go for it in my heart, my head (and wife) said No. The keyboard player also had to leave. It was a real shame as we were the longest serving members of the band. It had been pointed out to us at the band meeting that we would all have to have our equipment, stage clothes etc in the backs of our cars in case we got a call saying we had a gig that night in any given part of the country. The rest of the band did try but it didn't work out. The drummer who was only in his mid 20's ended up having a nervous breakdown. He would sometimes get home at 4,00 am and be expected at his day job at 6.00 am. People seem to overlook the gap between performing one, maybe two gigs a week, and getting up to five a week, regularly. You need to maintain the day job whilst building up the reputation and demand. The band broke up shortly afterwards, and I still feel a gap as no subsequent band that I've been in has given me the buzz that this one did. Looking back, not going pro was one of the best decisions that I made.

I've just booked tickets to see Judie Tzuke later in the year. I used to be a huge fan of her early stuff. I've just flicked through her latest album on Spotify, and it's a bit sh*t to be honest, so hopefully she'll focus her early material. This is why I feel that a good tribute act is better than the original, as they play the more popular songs.

Talking of Silk Sonic, they did a pretty good version of this, originally recorded by ConFunkShun.

This popped up on a YouTube feed and it's terrific. Woods Empire released just one album in 1981, Universal Love being the standout track. I think that Paul Jackson Jr. (Herbie Hancock) had the bass duties. It's a wonderful piece of funky soul music. If Silk Sonic do a second album they should cover this.

Apart from doing gigs where name musicians were also playing, I do have a couple of tenuous claims. Many years ago, when The Bill was on TV I was on a training course at a hotel in Crawley. At the same time they were filming scenes from the Bill in the same hotel. During a break in the training I popped to the toilets, and as I was going in, a couple of actors were coming out of the stalls. One was the one that went on to do The Walking Dead and the other was the more heavily built fella. Later on in my career, Vicky McClure was my point of contact at a company before she decided to go full time into acting. It was around the time between This is England 1 and 2. She had an aura about her at the time and was a lovely person to deal with. She even gave my company a signed letter of recommendation, sadly long lost. Funny thing is that I actually don't rate her as an actor. Always seems wooden to me. She should have stayed in the world of business!! I'm sure that she regrets the career move.

I became aware of him a year or so ago. He's a real talent. Very good soul / jazz music. Jazz FM was playing this one a few times.

I would have liked the Chuckle Brothers to have done a cover of Joe Cocker's You Are So Beautiful to Me (to you, to me, to you, to me, to you).

@WonkyOne his home address in Leicester is in the public domain, just read previous posts on how to find it, just in case you didn't want to wait until his next show.

Gaaahhhh!!! I have posted on the other thread about Mr Mason and his address but it still seems that people are unable to put 2 and 2 together. I don't want to type out his home address as it may be against the rules of the site - and I do not wish to compromise the moderators. However, for those wishing to track down this convicted fraudster, Mick Mason (and all of his other aliases), please follow the next two links, which do reveal his home address. https://www.companysearchesmadesimple.com/company/uk/14022329/uk-tribute-shows-ltd/#summary https://www.leicestermercury.co.uk/news/local-news/single-mum-pensioners-ingoldmells-caravan-3743529 I have led the horse to water. It's up to you people who have been scammed by him, to make it drink.

To those who have been scammed through his business you will have recourse through the Small Claims Court, available online. I'm sure that before parting with deposits you will have had contracts in place along with Terms and Conditions. You will therefore have a paper trail which can be produced as evidence. Assuming that the Court finds in your favour he will be given a deadline date by which you must be repaid. Failing that the bailiffs will be called in. It's a slow process but it does work.

His home address is out there if you wanted to check Companies House. Two addresses listed, I'd start with the Blaby one if I wanted to have a word.

Eric Clapton and the Yardbirds Johnny and the Zephyrs

Gary Pucket and the Union Gap Jimmy James and the Vagabonds Bob Marley and the Wailers

I've got tickets to see Cloudbusting in Lincoln next Friday (20th). It'll be the first gig that I've been to, as a non-performer, in about 25 years and I'm really looking forward to it. Listening to her early albums gives me a real GAS for a fretless as some of the playing is inspirational and I just want to play along to it. In my opinion some tribute bands can be better than the original artist, as the artist is obliged to play their new material, whereas the tribute act goes through the greatest hits. As the Cloudbusting musicians are top-notch I think that this will be one of those occasions.

Had another performer made the same mistake earlier?

Snare drum on Toto's Hold the Line and the opening ringing guitar note on Thin Lizzy's Whiskey in the Jar.

Just wanted to thank Jamie for organising the bash. It was great to meet fellow players and put faces to names. I'm glad that Richard and Kier had a play on the Sire V7. I should have brought it in earlier. (Sorry Owen.) I picked it up from ebay after reading some favourable reviews on here and other sites - it has been every bit as good as the reviews and I'm delighted that I went for it. (I was the only bidder and picked it up for £295 - absolute bargain as it's in brand new condition and had been professionally set up.) I just need to put a band together now...

Thanks for the replies, welcomes etc. It was great to meet some of you on Saturday at the Midlands Bass Bash. I'm so glad that I took along the Sire Marcus Miller but regret leaving it in the van until towards the end. Hopefully we'll catch up again soon. @SpondonBassed, you're just down the road from me (I'm at the other end of the A52, just over the Derbys/Notts border).

Hello folks, I am Andy from Nottingham and have finally decided to sign up after lurking for a couple of weeks. I've been playing bass since the early 80's - although it's more of a spare time thing - and I don't get much of that. I started off playing drums but picked up a bass during an early band practise and it just felt right. I sold the drums and bought a Vox bass and a bass combo. In the mid 90's I bought a Bass Collection 4 string and joined / helped form a 70's disco tribute band, eventually purchasing a Musicman Stingray 5 string. I've also been in a classic 70's rock band and one or two other projects. I recently bought a Sire Marcus Miller V7 5 string bass as I'm getting the itch again. I played through a Marshall 400w bass head with a 1 x 15" and 2 x 10" cabinets. For me it's all about enjoying learning and playing songs that I like and the camaraderie. I'm not creative enough to do original music and it holds no appeal to me. I enjoy gigging and watching audiences getting off to the music that I'm making. I haven't been in a band for over 10 years but am wanting to play again - if only I can find the time (having a busy job and a family). It would be nice to meet a few fellow players and I hope to get to the Midlands meet up tomorrow.

Hi guys, I've just registered, having been lurking for the past couple of weeks. Can anyone just turn up or do we have to give names first? Also are we expected to bring along basses, amps etc or can I arrive empty handed? Apologies if these question have been answered elsewhere but I can't be arsed to read through 26 pages.