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dclaassen

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Posts posted by dclaassen

  1. Great topic! My goal is always to have really good gear and not pay a fortune for it. Currently running a Trace GP11SMX400 with the way-to-heavy 4x10 and a really tatty 1x15. The plan is to keep the head and replace the cabs. I'll just scour the usual sites until the thing comes up that is in my very limited price range, fits my needs, is relatively light, and available within driving distance. I'll probably aways keep the 4 x 10 cab unless someone throws a silly amount of money at me for it....it just sounds so nice!

  2. I need to do a top-to-bottom update on my Pedulla MPV-5. I'd like to have the preamp tested and sorted, wiring checked and replaced/mended where needed, and new pots installed on all 3 controls. It would also be great if the tech could fashion and install a truss rod cover. I'm in Huntingdon, and could drop it off either Cambridge or Peterborough way. I don't want to have it laid up in the shop of weeks, however. 

     

    Any reccomendations?

  3. Then there is metronomic tempo awareness vs internal tempo awareness or “feel”. Members of a large concert band probably all do individual practice with a metronome, but in rehearsal take cues from what they hear and what they see from a director. We do the same thing if we’re not playing to a click track. Take a song like (old guy moment coming) “China Grove”…guitar starts, then bass, then everybody else. Locking in means being aware of the intended tempo of whoever is setting it. Swing is harder and more of a negotiation….calls for lots more awareness and trust between bass and drums.

  4. 59 minutes ago, EssexBuccaneer said:

    If the drummer speeds up or slows down, the rest of the band as a rule of thumb will speed up or slow down accordingly. 
     

    And if you’re rigidly sticking to tempo whilst the rest of the band speeds up around you, who is going to look like the problem to an audience?

     

    59 minutes ago, EssexBuccaneer said:

    If the drummer speeds up or slows down, the rest of the band as a rule of thumb will speed up or slow down accordingly. 
     

    And if you’re rigidly sticking to tempo whilst the rest of the band speeds up around you, who is going to look like the problem to an audience?

    However, playing a gig where you constantly have to push the tempo to keep the drummer from slowing down makes for a long evening….

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  5. Lined fretless Spectracore 5 in very good condition. Has a very few small gig dings that do not effect playability. Strung with Low Tension flats that are well run in. I no longer need this bass as the project it was used for has finished. Very willing to trade for a quality EUB. Willing to meet up, but would prefer not to ship. This instrument has worked very well for me in a jazz setting.The piezo pickup gives a lovely fretless tone.IMG_2011.thumb.jpeg.f23a4adc49467efbcfcc0dd9f0e0cbad.jpegIMG_2015.thumb.jpeg.d7f89f78174e00ac3fed0d2e793ebdc9.jpegIMG_2014.thumb.jpeg.ac09996678bfbb280ea55b1a74678cac.jpegIMG_2012.thumb.jpeg.138a8ec67c9b9e18f017cb505f3006fc.jpegIMG_2013.thumb.jpeg.e546fdcf1abada779a75a046ae26c300.jpeg

    • Like 3
  6. I cannot see where it’s based on talent. What you play and how you play it is your preference. Lots of bassists at lots of levels playing lots of different instruments…makes things richer and lots more interesting.

    • Like 3
  7. Thanks for all the wonderful advice above. The sound tech was pretty hands-off, I offered the post feed, which worked great and resulted in a really accurate sound. Another of the advantages of this amp is the choice of pre or post DI outputs. I know it's heavy, and I'm going to get a lighter 4x10 to save my back, but I can't justify getting rid of it!

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