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Everything posted by Richard Jinman
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Having decided to settle on a French grip bow I thought I’d sell two German grip bows I’ve acquired. the best one is marked Guasti & Bottoni and is (I believe) Pernambuco. I bought it from a classical player for £160. It could do with a re-hair, but there’s plenty there to be getting on with. The G&B bow is the one at top of the picture directly below this text. the other bow does not have a maker’s stamp and is priced to let someone answer the question ‘Will I get on with German grip’ without breaking the bank. Buyers pay postage, but shouldn’t be much.
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How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
Good point about GAS (classical gas?). I too used to trade bass guitars on a whim, but in the DB world you’re forced to commit. Once you’ve got a bow, a quiver and a stand (optional) you’re pretty much out of options in the accessory market. And the strings last 10 years and take 10 hours to attach so that’s not a GAS option. No, it’s only when you decide to amplify the damn thing and type ‘what’s the best pick up for double bass’ into Google that your troubles start. -
How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
… and that last point is worth it’s own thread. Like hi fi and wine the 5 per cent improvement in sound seems to require an 80 per cent increase in expenditure -
How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
Good tip… -
How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
Thanks for the detailed reoly -
How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
Yes, I agree… I think there’s usually an enormous gap between insurance valuations and realistic selling prices. Selling a secondhand DB isn’t easy in my experience. It’s a small market and people are unlikely to buy without trying the bass first… all adds up to sluggish sales. Unless it’s a red hot bargain of course. -
How do you know what a used DB is worth?
Richard Jinman replied to Richard Jinman's topic in EUB and Double Bass
I think this is a great idea, but I guess my point about pricing is really a question about resale value. If I drop £5k on a secondhand bass (not an inconsequential amount of money for me) it would be good to know I’ve paid a competitive price for it. If you buy a 70s precision you’re pretty confident it’s worth circa £2k - £3k for eg. But DBs (magical A strings notwithstanding) seem to be a free fire zone. -
I’m starting to look to upgrade my DB and despite doing some research online I’m still intrigued/confused by the prices attached to used basses. I realise of course that anything is ‘worth’ what someone will pay for it and I also know I need to play a bass before buying. But with that set aside I find it odd to see (for example) two German basses both made circa 1880 priced at £3200 and £7500 respectively. In other cases the ad will say ‘maker unknown, but possibly….’ And the price will still be well over £5k. Perhaps some people are getting insurance valuations and using them as sale prices… but it feels like the Wild West compared to the electric bass market where price parameters are fairly consistent. Any thoughts?
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Perfect… thanks very much
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I have to go to Hamburg in a couple of weeks and was wondering if anyone knows if there’s a good DB shop in the city? Thanks
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Wan-Bernadel 3/4 Double Bass for Sale
Richard Jinman replied to johnny Depper's topic in EUBs & Double Basses For Sale
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Double bass bow - *SOLD*
Richard Jinman replied to chrkelly's topic in EUBs & Double Basses For Sale
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Double Bass Bow Quiver - *SOLD*
Richard Jinman replied to Subfeeder's topic in EUBs & Double Basses For Sale
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On a related matter, I've just bought an AI clarus focus 2r version iii (what a mouthful) as a backup to my newish AI clarus. Does anyone use one of these? It's got a range of effects which I'm unlikely to use (delay on a double bass?), but I'm intrigued by the 'hall' setting which the manual suggests is for small rooms/chamber music. At the moment I'm just bypassing the effects, but I'd be intrigued to know if any DB players use them and why?
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Just reporting back on my AI clarus and Barefaced Super Midget set up. As suggested it's pretty incredible. Played a big room last night using the Clarus/SM as a monitor and DI'd to a PA. Admittedly I was in a corner at the back of the stage, but with the cab angled up towards me I could hear every note (and mistake). So, thumbs up for this combo.
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Sold my Ai Doubleshot to Marc. Lovely bloke.
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The Great Double Bass Race - BBC4 TV, 11.30 7th Jan
Richard Jinman replied to pete.young's topic in EUB and Double Bass
Yet another reason why DBs are better than violins -
The Great Double Bass Race - BBC4 TV, 11.30 7th Jan
Richard Jinman replied to pete.young's topic in EUB and Double Bass
Imagined it was people using DB’s as canoes… which to be fair would make good telly. -
This Acoustic Image Doubleshot is essentially new as I bought it from Laurence (who ran AI Europe) a couple of months ago. It comes with the AI Mooradian backpack which will take a smaller head (such as the AI Clarus) and all the cables you need. So, you can move a DB and your amplification in one go (assuming it’s not a massive trek). I’m selling it because I’ve started playing with an, erm, enthusiastic drummer, and need a bigger cab to keep up. The Doubleshot is perfect for smaller gigs, fantastic neutral sound as you’d expect. I paid £469 for the cab and £78 for the backpack, so consider this a decent price for gear that’s been used at a couple of rehearsals. All technical specs are available online (despite AI’s sad demise). Happy to post at buyer’s expense.
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This Acoustic Image Doubleshot is essentially new as I bought it from Laurence (who ran AI Europe) a couple of months ago. It comes with the AI Mooradian backpack which will take a smaller head (such as the AI Clarus) and all the cables you need. So, you can move a DB and your amplification in one go (assuming it’s not a massive trek). I’m selling it because I’ve started playing with an, erm, enthusiastic drummer, and need a bigger cab to keep up. The Doubleshot is perfect for smaller gigs, fantastic neutral sound as you’d expect. I paid £469 for the cab and £78 for the backpack, so consider this a decent price for gear that’s been used at a couple of rehearsals. Oh, I’m sure everyone knows this, but the Doubleshot is designed to allow a small amp head to sit on its top surface. It’s an incredibly neat, compact package. All technical specs are available online (despite AI’s sad demise). Happy to post at buyer’s expense.
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Thanks Greg, that's interesting. I've bought a barefaced super midget to try instead of my AI doubleshot, so I'll be seeing if some of the other posters are right - that a more directional cab is the solution. But if that doesn't work I'll gladly take you up on the offer of trying the ear box. Thanks again, R